texlive[69278] Master: junicodevf (2jan24)
commits+karl at tug.org
commits+karl at tug.org
Tue Jan 2 22:30:53 CET 2024
Revision: 69278
https://tug.org/svn/texlive?view=revision&revision=69278
Author: karl
Date: 2024-01-02 22:30:53 +0100 (Tue, 02 Jan 2024)
Log Message:
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junicodevf (2jan24)
Modified Paths:
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trunk/Master/tlpkg/bin/tlpkg-ctan-check
trunk/Master/tlpkg/tlpsrc/collection-fontsextra.tlpsrc
Added Paths:
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trunk/Master/texmf-dist/doc/fonts/junicodevf/
trunk/Master/texmf-dist/doc/fonts/junicodevf/JunicodeManual.pdf
trunk/Master/texmf-dist/doc/fonts/junicodevf/README
trunk/Master/texmf-dist/doc/fonts/junicodevf/junicodevf-package.pdf
trunk/Master/texmf-dist/doc/fonts/junicodevf/junicodevf-package.tex
trunk/Master/texmf-dist/doc/fonts/junicodevf/junicodevf-samples.pdf
trunk/Master/texmf-dist/doc/fonts/junicodevf/junicodevf-samples.tex
trunk/Master/texmf-dist/doc/fonts/junicodevf/source/
trunk/Master/texmf-dist/doc/fonts/junicodevf/source/About.tex
trunk/Master/texmf-dist/doc/fonts/junicodevf/source/EnlargeAxis.tex
trunk/Master/texmf-dist/doc/fonts/junicodevf/source/Feature_Reference.tex
trunk/Master/texmf-dist/doc/fonts/junicodevf/source/GettingStarted.tex
trunk/Master/texmf-dist/doc/fonts/junicodevf/source/JunicodeManual.sty
trunk/Master/texmf-dist/doc/fonts/junicodevf/source/JunicodeManual.tex
trunk/Master/texmf-dist/doc/fonts/junicodevf/source/OnTheWeb.tex
trunk/Master/texmf-dist/doc/fonts/junicodevf/source/Record_Interpreter_notes.tex
trunk/Master/texmf-dist/doc/fonts/junicodevf/source/Specimens.tex
trunk/Master/texmf-dist/doc/fonts/junicodevf/source/dns.png
trunk/Master/texmf-dist/doc/fonts/junicodevf/source/encoded-glyphs.tex
trunk/Master/texmf-dist/doc/fonts/junicodevf/source/tag_key_ins.tex
trunk/Master/texmf-dist/fonts/truetype/public/junicodevf/
trunk/Master/texmf-dist/fonts/truetype/public/junicodevf/JunicodeVF-Italic.ttf
trunk/Master/texmf-dist/fonts/truetype/public/junicodevf/JunicodeVF-Roman.ttf
trunk/Master/texmf-dist/tex/lualatex/junicodevf/
trunk/Master/texmf-dist/tex/lualatex/junicodevf/junicodevf.lua
trunk/Master/texmf-dist/tex/lualatex/junicodevf/junicodevf.sty
trunk/Master/tlpkg/tlpsrc/junicodevf.tlpsrc
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+This is the README for version 2.205 of the variable variant
+of Peter S. Baker's Junicode fonts. The Junicode font is
+primarily for scholars and students of the Middle Ages, but
+it serves users with a wide variety of interests. It tracks
+the development of the Medieval Unicode Font Initiative
+(MUFI), with its wealth of specialized medieval characters,
+but it also provides many OpenType features that allow users
+to access MUFI characters in accessible ways.
+
+This package supports the Junicode variable
+fonts for LuaLaTeX. To install this package on
+a TDS-compliant TeX system download the file
+"tex-archive"/install/fonts/junicodevf.tds.zip where the
+preferred URL for "tex-archive" is http://mirrors.ctan.org.
+Unzip the archive at the root of an appropriate texmf tree,
+likely a personal or local tree. If necessary, update the
+file-name database (e.g., texhash).
+
+Load JunicodeVF in the usual way, with
+
+ \usepackage{junicodevf}.
+
+Several options are available:
+
+light
+
+ The weight of the type for the main text is Light instead
+ of Regular.
+
+medium
+
+ The weight of the type for the main text is Medium,
+ somewhat heavier than Regular.
+
+semibold
+
+ The weight of bold type is somewhat lighter than the usual
+ bold. This may be a good choice if you have selected the
+ light option.
+
+condensed
+
+ The width of the type is narrow. Note that bold type
+ cannot be condensed: when this option is selected, any
+ bold type in the text will have normal width.
+
+semicondensed
+
+ The width of the type is narrower than the default but
+ wider than condensed. Note that bold type cannot be
+ semicondensed: when this option is selected, any bold type
+ in the text will have normal width.
+
+expanded
+
+ The width of the type is wide. Note that light type cannot
+ be expanded: using both the light and the expanded options
+ will produce an error.
+
+
+semiexpanded
+
+ The width of the type is wider than the default but
+ narrower than expanded. Note that light type cannot be
+ semiexpanded: using both the light and the semiexpanded
+ options will produce an error.
+
+Selecting Alternate Styles
+
+The Junicode font comes in thirty-eight styles: nineteen
+roman and nineteen italic. You can switch to any of these
+styles with one of the following commands, which will be
+self-explanatory if you keep these abbreviations in mind:
+Sm = Semi, Cond = Condensed, Exp = Expanded.
+
+\jBold
+\jBoldItalic
+\jCond
+\jCondItalic
+\jCondLight
+\jCondLightItalic
+\jCondMedium
+\jCondMediumItalic
+\jExp
+\jExpItalic
+\jExpBold
+\jExpBoldItalic
+\jExpMedium
+\jExpMediumItalic
+\jExpSmbold
+\jExpSmboldItalic
+\jItalic
+\jLight
+\jLightItalic
+\jMedium
+\jMediumItalic
+\jRegular
+\jSmbold
+\jSmboldItalic
+\jSmCond
+\jSmCondItalic
+\jSmCondLight
+\jSmCondLightItalic
+\jSmCondMedium
+\jSmCondMediumItalic
+\jSmExp
+\jSmExpItalic
+\jSmExpBold
+\jSmExpBoldItalic
+\jSmExpMedium
+\jSmExpMediumItalic
+\jSmExpSmbold
+\jSmExpSmboldItalic
+
+There are additional commands and options; see
+junicodevf-package.pdf in the doc directory.
+
+The ttf fonts have been downloaded from
+
+https://github.com/psb1558/Junicode-font
+
+and are licensed under the SIL Open Font License, (version
+1.1); the text may be found in the doc directory.
+
+The documentation and the LuaLaTeX support is by Peter Baker
+and is licensed under the terms of the LaTeX Project Public
+License. This README is by Bob Tennent and is licensed
+under the terms of the LaTeX Project Public License. The
+maintainer of this package is Bob Tennent (rdtennent at
+gmail dot com).
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+\documentclass[12pt]{article}
+
+
+\usepackage{microtype}
+\usepackage{multicol}
+\usepackage{supertabular}
+\usepackage[table,dvipsnames]{xcolor}
+\definecolor{myLightBlue}{RGB}{203,228,249}
+\definecolor{BrickRed}{RGB}{146,18,6}
+\definecolor{RViolet}{RGB}{70,18,87}
+\definecolor{GunMetalGray}{RGB}{42,52,57}
+\definecolor{myRed}{rgb}{0.5,0,0}
+\newcommand{\bluerow}{\rowcolor{myLightBlue}}
+
+\newcommand{\SizeRecord}[3]{{Size={#1},RawFeature={axis={wght=#2,wdth=#3}}}}
+\usepackage[semiexpanded,weightadjustment=35,widthadjustment=-5,
+ MainFeatures={StylisticSet=9}
+]{junicodevf}
+\setfontface\samplefootnote{JunicodeVF}[
+ Renderer = HarfBuzz,
+ SizeFeatures = {{Size={5-}, RawFeature={axis={wght=490,wdth=115}}}},
+]
+\setfontface\sampleheader{JunicodeVF}[
+ Renderer = HarfBuzz,
+ SizeFeatures = {{Size={5-}, RawFeature={axis={wght=350,wdth=90}}}}
+]
+\usepackage{metalogo}
+\usepackage{titlesec}
+\titleformat{\section}[hang]{\Large\color{GunMetalGray}}{\thesection.}{1em}{}
+\newcommand{\ltech}{Lua\kern-1.5pt\TeX}
+\newcommand{\lltech}{Lua\LaTeX}
+\setmonofont{Fira Mono}[Scale=MatchLowercase,Numbers=Lowercase]
+\setsansfont{Fira Sans}[Scale=MatchLowercase,Numbers=Lowercase]
+\usepackage{fancyhdr}
+\pagestyle{fancy}
+\footskip = 30pt
+\headsep = 30pt
+\renewcommand{\headrule}{}
+\fancyhead[L]{}
+\fancyhead[C]{}
+\fancyhead[R]{}
+\fancyfoot[L]{}
+\fancyfoot[C]{}
+\fancyfoot[R]{}
+\newcommand{\fspec}{{\sffamily fontspec}}
+\newcommand{\src}[1]{{\color{BrickRed}\texttt{#1}}}
+\newcommand{\option}[1]{{\color{RViolet}\textbf{#1}}}
+\linespread{1.1}
+\title{Junicode VF}
+\author{Peter S. Baker}
+\date{\today}
+\tolerance=1500
+
+\begin{document}
+
+\maketitle
+
+\section{Introduction}
+
+\pagestyle{fancy}
+\fancyhead[CE]{\scshape\color{myRed} {\addfontfeatures{Numbers=OldStyle}\thepage}\hspace{10pt}%
+\addfontfeature{Letters=UppercaseSmallCaps}\leftmark}
+\fancyhead[CO]{\scshape\color{myRed} {junicode}\hspace{10pt}{\addfontfeatures{Numbers=OldStyle}\thepage}}
+
+This package supports Junicode VF, the variable version of Junicode
+(2.204 or higher) for \lltech.
+
+A variable font is one with glyphs that can change not only their size, but also their
+shape. These changes in shape are defined in one or more \textbf{axes}---for example,
+\textbf{Weight} (Light, Bold, etc.) and \textbf{Width} (Condensed, Expanded). A traditional
+“static” font family also has axes, but as every stylistic variant of a static family
+requires a separate font file,
+the number of available styles is severely constrained. A variable font, by contrast,
+offers a practically limitless number of styles in a single file: you choose a style
+by making a selection of number values (usually called “coordinates”) from the axes,
+of which Junicode has three:
+
+\begin{description}
+ \item[Weight] Possible weights run from Light (300) to ExtraBold (700). By
+ convention, Regular is 400.
+ \item[Width] Widths run from 75 (Condensed) to 125 (Expanded). Stroke widths remain
+ the same as the overall width of the character changes, with the result that
+ Condensed type looks darker than Regular or Expanded.
+ \item[Enlarge] This axis is for reproducing the enlarged minuscules of medieval
+ manuscripts---that is, letters that are lowercase in shape and intermediate between
+ upper- and lowercase in size, used to introduce various textual units (see section
+ 5 below).
+\end{description}
+
+\section{Loading Junicode VF}
+
+Load the package in the usual way, with {\color{BrickRed}\verb|\usepackage{junicodevf}|}, to
+set Junicode VF as the main font.
+By default, the main font is not a set of static outlines whose proportions
+remain the same though they can be scaled, but rather a set of
+\emph{variable} outlines that become relatively narrower and lighter as the
+text size increases. You can see the difference if we scale a line of footnote
+text and a line of header text to the same {\color{BrickRed}\verb|\large|} size:\\[0.5ex]
+
+\noindent {\large\samplefootnote Here is some sample text for footnotes (usually about 8pt).}\\[0.2ex]
+{\large\sampleheader Here is some sample text for headers (18pt or larger).}\\[0.5ex]
+
+\noindent The letter-shapes are markedly different, but on the page they look
+pretty much the same, because the purpose of these changes in
+shape, in addition to promoting legibility,
+is to allow blocks of text in different sizes (headers, main text,
+block quotations, footnotes) to coexist on a page without any of them looking too
+dark or too light.\footnote{%
+For example, on a typical LaTeX page a footnote like this, looked at as a block
+of gray, is usually a little lighter than the main text. But on this page, the
+“color” of the footnote matches that of the main text. The variation in glyph
+shape responsible for this effect approximates the way letters in metal type were
+typically wider and heavier at small sizes.} Evenness of texture makes text in
+different point sizes \emph{look} the same.
+
+Junicode VF's package options give you a number of ways to fine-tune the look of
+your text:
+
+\begin{description}
+ \item[light] The weight of the type for the main text is Light. As with the default
+ weight, and all weights selectable by options, “Light” is a range of weights that varies
+ with the size of the type.
+ \item[medium] The weight of the type for the main text is Medium---that is, darker than
+ Regular but lighter than Semibold.
+ \item[semibold] The weight of bold type is somewhat lighter than the usual bold. This may be a
+ good choice if you have selected the \option{light} option.
+ \item[weightadjustment] Adjusts the weight of the type by adding this number.
+ For example, if you choose \option{medium} for your document (weight averaging about 500)
+ and \option{bold} (weight around 700), and also include the option {\color{BrickRed}\verb|weightadjustment=-25|},
+ then the weights of medium and bold text will be lightened by 25 (475, 675).
+ \item[condensed] The width of the type is narrow---about 85\% of the width of the Regular style.
+ As with the default
+ width, and all widths selectable by options, "Condensed" is a range of widths that varies
+ with the size of the type.
+ \item[semicondensed] The width of the type is wider than condensed but narrower than the default.
+ \item[expanded] The width of the type is wide---about 125\% of the width of the Regular style.
+ \item[semiexpanded] The width of the type is wider than Regular but narrower than Expanded.
+ \item[widthadjustment] Adjusts the width of the type by adding this number. For example, if you
+ choose \option{semicondensed} for your document (width averaging 87.5), and you also include
+ the option {\color{BrickRed}\verb|widthadjustment=5|}, then the average width will be 92.5, between
+ \option{semicondensed} and \option{regular}.
+ \item[proportional] Numbers in the document will be proportionally spaced. This is the default.
+ \item[tabular] Numbers will be tabular (monospaced).
+ \item[oldstyle] Numbers will be old-style, harmonizing with lowercase letters. This is the default.
+ \item[lining] Numbers will be lining, harmonizing with uppercase letters.
+\end{description}
+
+\section{Customizing the Main Font}
+
+If the options listed in the previous section don’t give you the effect you’re looking for, this package’s
+more advanced options allow you to choose from an effectively infinite number of styles. Do this by passing
+OpenType features for your document’s main text or for one or more of the four main styles (Regular, Italic,
+Bold, Bold Italic), and also by supplying custom values for the font’s four axes.
+
+For example, if you want your document to use the conventions observed by early
+English typesetters for the distribution of \option{s} and \option{ſ}, load the
+package this way:
+
+\footnotesize
+\begin{verbatim}
+ \usepackage[MainFeatures={
+ Language=English,
+ StylisticSet=8
+ }]{junicodevf}
+\end{verbatim}
+\normalsize
+
+\noindent If you want to use these conventions only for italic text, use
+\option{MainItalicFeatures} instead of \option{MainFeatures}. All of the
+features you pass via these options must be valid for \fspec: in fact,
+they are passed straight through to \fspec.
+
+If you want to customize the four basic styles of the main text, use
+\option{MainRegularSizeFeatures}, \option{MainItalicSizeFeatures}, and so on.
+Each of these defines a list of associative arrays, in which each array in the
+list prescribes axis coordinates for a range of sizes.
+For example, here are the \textbf{SizeFeatures} for the \textit{Junicode Manual}:
+
+\footnotesize
+\begin{verbatim}
+ \usepackage[
+ MainRegularSizeFeatures={
+ {size=8.6,wght=550,wdth=120},
+ {size=10.99,wght=475,wdth=115},
+ {size=21.59,wght=400,wdth=112.5},
+ {size=21.59,wght=351,wdth=100}
+ },
+ MainItalicSizeFeatures={
+ {size=8.6,wght=550,wdth=118},
+ {size=10.99,wght=475,wdth=114},
+ {size=21.59,wght=450,wdth=111},
+ {size=21.59,wght=372,wdth=98}
+ },
+ MainBoldSizeFeatures={
+ {size=8.6,wght=700,wdth=120},
+ {size=10.99,wght=700,wdth=115},
+ {size=21.59,wght=650,wdth=112.5},
+ {size=21.59,wght=600,wdth=100}
+ },
+ MainBoldItalicSizeFeatures={
+ {size=8.6,wght=700,wdth=118},
+ {size=10.99,wght=700,wdth=114},
+ {size=21.59,wght=650,wdth=111},
+ {size=21.59,wght=600,wdth=98}
+ }
+ ]{junicodevf}
+\end{verbatim}
+\normalsize
+
+\noindent For each array, a \src{size} key is mandatory: any array without one
+is ignored. The arrays should be in order of point size. The first array
+prescribes axis coordinates for all sizes up to \src{size}, the last array for all sizes
+greater than \src{size}, and any intermediate items a range from the previous to the
+current \src{size}.\footnote{%
+If you want only one size array, make \src{size} improbably low (e.g. 5) and place
+a comma after the closing brace of the array.%
+} So the ranges covered in each list above are \src{-8.6}, \src{8.6-10.99},
+\src{10.99-21.59},
+and \src{21.59-}.\footnote{Any modification of the default text size (e.g. in the
+\src{\textbackslash documentclass} command) can affect the size definitions in these
+arrays, with the result that (for example)
+\src{10} no longer means exactly “ten points.” You may have to experiment to get these numbers
+right.}
+
+The keys other than \src{size} are the four-letter tags for the font's axes: \src{wght}
+(Weight), \src{wdth} (Width), and \src{ENLA} (Enlarge).\footnote{%
+By convention, tags for axes defined in the OpenType standard are lowercase; custom axes
+are uppercase. Junicode’s \src{ENLA} is a custom axis.%
+} When a key
+is omitted, the default value for that axis is used. It is up to the user to make sure the values
+given for each axis are valid---the package does no checking (but {\fspec} will do a good bit
+of checking for you). When SizeFeatures are given in
+this way, they override any other options that set or change axis coordinates
+(e.g. \option{weightadjustment}).
+
+
+\section{Selecting Alternate Styles}
+
+In addition to the document's main font, you can choose from fifty
+predefined styles. These match the thirty-eight styles supplied by the
+static version of Junicode, plus twelve more. The commands for shifting to these
+styles are as follows (of the italic styles, only the base “jItalic” is listed;
+append “Italic” to any of the others, except “jRegular”):
+
+\begin{multicols}{3}
+ \jCond\textbackslash jRegular
+
+ \textbackslash jItalic
+
+ \textbackslash jCond
+
+ \textbackslash jSmCond
+
+ \textbackslash jSmExp
+
+ \textbackslash jExp
+
+ \textbackslash jLight
+
+ \textbackslash jCondLight
+
+ \textbackslash jSmCondLight
+
+ \textbackslash jSmExpLight
+
+ \textbackslash jExpLight
+
+ \textbackslash jMedium
+
+ \textbackslash jCondMedium
+
+ \textbackslash jSmCondMedium
+
+ \textbackslash jSmExpMedium
+
+ \textbackslash jExpMedium
+
+ \textbackslash jSmbold
+
+ \textbackslash jCondSmbold
+
+ \textbackslash jSmCondSmbold
+
+ \textbackslash jSmExpSmbold
+
+ \textbackslash jExpSmbold
+
+ \textbackslash jBold
+
+ \textbackslash jCondBold
+
+ \textbackslash jSmCondBold
+
+ \textbackslash jSmExpBold
+
+ \textbackslash jExpBold
+
+\end{multicols}
+
+\noindent These commands will be self-explanatory if you bear in mind Junicode's
+abbreviations for style names: Cond=Condensed, Exp=Expanded, Sm=Semi.\footnote{%
+The purpose of these abbreviations is to keep font names under the character-limit
+imposed by some systems.} Use
+them to shift temporarily to a style other than that of the main text.
+For example, to shift to the Condensed Light style for a short phrase, use
+this code:
+\begin{center}
+{\color{BrickRed}\small\verb|{\jCondLight a short phrase}|}.
+\end{center}
+The result: {\jCondLight a short phrase}.
+
+To add features to any of these styles, use the style name
+(without the prefixed “j” and with \textbf{Features} appended)
+as a package option. To change the size features for the style,
+do the same, but with \textbf{SizeFeatures} instead of \textbf{Features}
+appended:
+
+\footnotesize
+\begin{verbatim}
+ \usepackage[
+ CondLightFeatures={
+ Language=English,
+ StylisticSet=2
+ },
+ CondLightSizeFeatures={{size=5,wght=325,wdth=80},}
+ ]{junicodevf}
+\end{verbatim}
+\normalsize
+
+\noindent This will shift text in the Condensed Light style from default to insular
+letter-shapes and slightly increase the weight and width of all glyphs in that style.
+Here the \textbf{SizeFeatures} section is very simple (as in the package file itself),
+but you can have as many size ranges as you want, just as you can for the main font.
+
+\section{The Enlarge Axis}
+
+Junicode's Enlarge axis is for a special purpose: to represent the enlarged
+minuscule letters that often begin sentences and other textual units in medieval manuscripts.
+Thus it should normally be applied only to single letters, not to runs of text.
+
+This package defines four different styles for the Enlarge axis, in four sizes:\\[0.5ex]
+
+\begin{center}
+\begin{supertabular}{ l l l }
+Not Enlarged & abc & \textit{abc}\\
+\textbackslash EnlargedOne & {\EnlargedOne abc} & {\EnlargedOneItalic abc}\\
+\textbackslash EnlargedTwo & {\EnlargedTwo abc} & {\EnlargedTwoItalic abc}\\
+\textbackslash EnlargedThree & {\EnlargedThree abc} & {\EnlargedThreeItalic abc}\\
+\textbackslash EnlargedFour & {\EnlargedFour abc} & {\EnlargedFourItalic abc}\\
+\end{supertabular}
+\end{center}
+
+\noindent You can produce an italic version of the enlarged minuscule by appending “Italic” to
+the style name. You can also customize these styles with \textbf{SizeFeatures}:
+
+\footnotesize
+\begin{verbatim}
+ \usepackage[
+ ENLAThreeSizeFeatures={{size=5,ENLA=85},}
+ ]{junicodevf}
+\end{verbatim}
+\normalsize
+
+\noindent This example will set all axes except for \src{ENLA} to their default coordinates.
+You can, of course, define other axes, and, as with Junicode’s other \textbf{SizeFeatures} options,
+as many size arrays as you like. \textbf{Features} options are not available for the Enlarged
+styles.
+
+\section{Other Commands}
+
+This package's other commands (listed in Table 1) are offered as conveniences, being shorter and more
+mnemonic than the {\fspec} commands they invoke (though of course all {\fspec} commands
+remain available). Each of these commands
+also has a corresponding “text” command that works like
+{\color{BrickRed}\verb|\textit{}|}—that is, it takes
+as its sole argument the text to which the command will be applied. Each “text” command
+consists of the main command with “text” prefixed—for example,
+{\color{BrickRed}\verb|\textInsularLetterForms{}|}
+corresponding to {\color{BrickRed}\verb|\InsularLetterForms|}. For a fuller account of the OpenType features
+applied by these commands, see Chapter 4 of the \textit{Junicode Manual}, “Feature Reference.”
+
+%\begin{center}
+\begin{table}[ht]
+\centering
+\tablehead{\hline}
+\tabletail{\hline}
+\begin{supertabular}{| l | p{2.75in} |}
+\bluerow\textbackslash AltThornEth & Applies ss01, Alternate thorn and eth.\\
+\textbackslash InsularLetterForms & Applies ss02, Insular letter-forms.\\
+\bluerow\textbackslash IPAAlternates & Applies ss03, IPA alternates.\\
+\textbackslash HighOverline & Applies ss04, High Overline.\\
+\bluerow\textbackslash MediumHighOverline & Applies ss05, Medium-high Overline.\\
+\textbackslash EnlargedMinuscules & Applies ss06, Enlarged minuscules.\\
+\bluerow\textbackslash Underdotted & Applies ss07, Underdotted.\\
+\textbackslash ContextualLongS & Applies ss08, Contextual long s.\\
+\bluerow\textbackslash AlternateFigures & Applies ss09, Alternate Figures.\\
+\textbackslash EntitiesAndTags & Applies ss10, Entities and Tags.\\
+\bluerow\textbackslash EarlyEnglishFuthorc & Applies ss12, Early English Futhorc.\\
+\textbackslash ElderFuthark & Applies ss13, Elder Futhark.\\
+\bluerow\textbackslash YoungerFuthark & Applies ss14, Younger Futhark.\\
+\textbackslash LongBranchToShortTwig & Applies ss15, Long Branch to Short Twig.\\
+\bluerow\textbackslash ContextualRRotunda & Applies ss16, Contextual r rotunda.\\
+\textbackslash RareDigraphs & Applies ss17, Rare Digraphs.\\
+\bluerow\textbackslash OldStylePunctuation & Applies ss18, Old-style Punctuation.\\
+\textbackslash LatinToGothic & Applies ss19, Latin to Gothic.\\
+\bluerow\textbackslash LowDiacritics & Applies ss20, Low Diacritics.\\
+\textbackslash jcv, \textbackslash textcv & Applies any Character Variant feature (see below).\\
+\end{supertabular}
+\caption{Stylistic Set and Character Variant Commands}
+\end{table}
+%\end{center}
+
+\noindent The syntax of \textbackslash jcv
+is {\color{BrickRed}\verb|\jcv[num]{num}|}, where the second (required) argument is the number of the Character Variant feature,
+and the first (optional) argument is an index into the variants provided by that feature (starting with zero, the default).
+\textbackslash textcv takes an additional required argument ({\color{BrickRed}\verb|\textcv[num]{num}{text}|}—the text to which the
+feature should be applied.
+
+Character Variant features can also be selected with mnemonics, listed below. For example, a feature for
+lowercase \textbf{a} can be expressed as {\color{BrickRed}\verb|\textcv[2]{\jcva}{a}|}, yielding \textbf{\textcv[2]{\jcva}{a}}.
+
+\begin{multicols}{3}
+\small\jCond\textbackslash jcvA
+
+\textbackslash jcva
+
+\textbackslash jcvB
+
+\textbackslash jcvb
+
+\textbackslash jcvC
+
+\textbackslash jcvc
+
+\textbackslash jcvD
+
+\textbackslash jcvd
+
+\textbackslash jcvE
+
+\textbackslash jcve
+
+\textbackslash jcvF
+
+\textbackslash jcvf
+
+\textbackslash jcvG
+
+\textbackslash jcvg
+
+\textbackslash jcvH
+
+\textbackslash jcvh
+
+\textbackslash jcvI
+
+\textbackslash jcvi
+
+\textbackslash jcvJ
+
+\textbackslash jcvj
+
+\textbackslash jcvK
+
+\textbackslash jcvk
+
+\textbackslash jcvL
+
+\textbackslash jcvl
+
+\textbackslash jcvM
+
+\textbackslash jcvm
+
+\textbackslash jcvN
+
+\textbackslash jcvn
+
+\textbackslash jcvO
+
+\textbackslash jcvo
+
+\textbackslash jcvP
+
+\textbackslash jcvp
+
+\textbackslash jcvQ
+
+\textbackslash jcvq
+
+\textbackslash jcvR
+
+\textbackslash jcvr
+
+\textbackslash jcvS
+
+\textbackslash jcvs
+
+\textbackslash jcvT
+
+\textbackslash jcvt
+
+\textbackslash jcvU
+
+\textbackslash jcvu
+
+\textbackslash jcvV
+
+\textbackslash jcvv
+
+\textbackslash jcvW
+
+\textbackslash jcvw
+
+\textbackslash jcvX
+
+\textbackslash jcvx
+
+\textbackslash jcvY
+
+\textbackslash jcvy
+
+\textbackslash jcvZ
+
+\textbackslash jcvz
+
+\textbackslash jcvaa
+
+\textbackslash jcvAE
+
+\textbackslash jcvae
+
+\textbackslash jcvAO
+
+\textbackslash jcvao
+
+\textbackslash jcvAogonek
+
+\textbackslash jcvaogonek
+
+\textbackslash jcvASCIItilde
+
+\textbackslash jcvasterisk
+
+\textbackslash jcvav
+
+\textbackslash jcvbrevebelow
+
+\textbackslash jcvcombiningdieresis
+
+\textbackslash jcvcombiningdoublemacron
+
+\textbackslash jcvcombininginsulard
+
+\textbackslash jcvcombiningopena
+
+\textbackslash jcvcombiningoverline
+
+\textbackslash jcvcombiningrrotunda
+
+\textbackslash jcvcombiningzigzag
+
+\textbackslash jcvcomma
+
+\textbackslash jcvcurrency
+
+\textbackslash jcvdbar
+
+\textbackslash jcvdcroat
+
+\textbackslash jcvEng
+
+\textbackslash jcvEogonek
+
+\textbackslash jcvetabbrev
+
+\textbackslash jcvexclam
+
+\textbackslash jcvflorin
+
+\textbackslash jcvGermanpenny
+
+\textbackslash jcvglottal
+
+\textbackslash jcvlb
+
+\textbackslash jcvlhighstroke %somehow escaped the documentation
+
+\textbackslash jcvmacron
+
+\textbackslash jcvmiddot
+
+\textbackslash jcvoPolish
+
+\textbackslash jcvounce
+
+\textbackslash jcvperiod
+
+\textbackslash jcvpunctuselevatus
+
+\textbackslash jcvquestion
+
+\textbackslash jcvrum
+
+\textbackslash jcvsemicolon
+
+\textbackslash jcvslash
+
+\textbackslash jcvspacingusabbrev
+
+\textbackslash jcvspacingzigzag
+
+\textbackslash jcvsterling
+
+\textbackslash jcvthorncrossed
+
+\textbackslash jcvTironianEt
+
+\textbackslash jcvYogh
+\end{multicols}
+
+\vspace*{\fill}
+\begin{center}
+ \itshape This document is set in 12-point Junicode VF with Weight 435 and Width 107.5.\\
+ The font for code is Fira Mono,\\
+ and the sans serif font is Fira Sans.
+\end{center}
+\end{document}
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--- trunk/Master/texmf-dist/doc/fonts/junicodevf/junicodevf-samples.tex (rev 0)
+++ trunk/Master/texmf-dist/doc/fonts/junicodevf/junicodevf-samples.tex 2024-01-02 21:30:53 UTC (rev 69278)
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+\documentclass{article}
+\usepackage{lipsum}
+
+\usepackage{junicodevf}
+
+\begin{document}
+
+\begin{center}
+\huge{\jExp JunicodeVF}
+\end{center}
+
+\section*{Regular}
+\lipsum[1]
+
+\section*{Italic}
+\textit{\lipsum[2]}
+
+\section*{Small Caps Regular}
+\textsc{\lipsum[5]}
+
+\section*{Small Caps Italic}
+\textsc{\textit{\lipsum[6]}}
+
+\section*{Bold}
+\textbf{\lipsum[3]}
+
+\section*{Bold Italic}
+\textbf{\emph{\lipsum[4]}}
+
+
+\section*{Small Caps Bold}
+\textbf{\textsc{\lipsum[5]}}
+
+\section*{Small Caps Bold Italic}
+\textbf{\textsc{\textit{\lipsum[6]}}}
+
+\section*{Default Numbers}
+
+1234567890
+
+\section*{Oldstyle Numbers}
+
+{\addfontfeatures{Numbers=OldStyle}1234567890}
+
+\section*{Lining Numbers}
+
+{\addfontfeatures{Numbers=Lining}1234567890}
+
+\section*{Tabular Numbers}
+
+{\addfontfeatures{Numbers=Tabular}1234567890}
+
+\section*{Proportional Numbers}
+
+{\addfontfeatures{Numbers=Proportional}1234567890}
+
+
+\section*{Superior Numbers}
+
+X{\addfontfeatures{VerticalPosition=Superior}1234567890}
+
+\section*{Inferior Numbers}
+
+X{\addfontfeatures{VerticalPosition=Inferior}1234567890}
+
+\section*{Light}
+
+{\jLight\lipsum[1]}
+
+\section*{Medium}
+
+{\jMedium\lipsum[2]}
+
+\section*{Semibold}
+
+{\jSmbold\lipsum[3]}
+
+\section*{Condensed}
+
+{\jCond\lipsum[7]}
+
+\section*{Condensed Italic}
+
+{\jCondItalic\lipsum[8]}
+
+\section*{Semicondensed}
+
+{\jSmCond\lipsum[9]}
+
+\section*{Semicondensed Italic}
+
+{\jSmCondItalic\lipsum[9]}
+
+\section*{Expanded}
+
+{\jExp\lipsum[10]}
+
+\section*{Expanded Italic}
+
+{\jExpItalic\lipsum[11]}
+
+\section*{Semiexpanded}
+
+{\jSmExp\lipsum[12]}
+
+\section*{Semiexpanded Italic}
+
+{\jSmExpItalic\lipsum[12]}
+
+\end{document}
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+
+\hypertarget{aboutj}{}\chapter{About Junicode}
+
+{\large%
+\noindent Junicode is modeled on the Pica Roman type
+purchased by Oxford University in 1692 and
+used to set the bulk of the Latin text of George Hickes,
+{\itshape Linguarum vett. septentrionalium thesaurus
+grammatico-criticus et archaeologicus} (Oxford, 1703–5). This massive two-volume folio
+is not only a major work of scholarship on the languages and literatures
+of northern Europe in the Middle Ages, but also a fine
+example of the work of the Oxford Press at this
+period: printed in multiple types (for every language had to
+have its proper type) and lavishly
+illustrated with engravings of manuscript pages, coins and
+artifacts.
+
+Junicode also includes two other typefaces from the \textit{Thesaurus}:
+Pica Saxon, used to set passages in the Old English language,
+and a typeface reproducing the Gothic alphabet (“Gothic” here
+being not the late medieval style, but rather
+the earliest extensively attested Germanic language).
+These were commissioned by the literary scholar
+Francis\-cus Junius (1591–1677) and bequeathed by him to
+the University. Examples of all these typefaces can be found
+in {\itshape A Specimen of the
+Several Sorts of Letter Given to the University by Dr. John Fell,
+Sometime Lord Bishop of Oxford. To Which Is Added the Letter Given by
+Mr. F. Junius} (Oxford, 1693).\footnote{There is a facsimile of this
+work at the
+\href{https://digital.bodleian.ox.ac.uk/objects/876b73f0-3e03-41c1-9fd1-0688a1785561/}{Digital Bodleian}.}
+
+Junicode has two distinct Greek faces. The first, newly designed to harmonize with the roman face, is
+up\-right and modern. The other, accompanying the italic face, is based on type designed by Alexander
+Wilson (1714–86) of Glasgow and used in numerous books published by
+the Foulis Press, most notably the great Glasgow Homer of 1756–58.
+
+The Junicode project began around 1998, when the developer began to revise his
+older (early 1990s) “Junius” fonts for medievalists to take account of the Unicode
+standard, then relatively new. The font’s name, a contraction of
+“Junius Unicode,” was supposed to be a stopgap, serving until a more suitable name
+could be found, but “Junicode” quickly stuck, and it is now so well known that it can’t be
+changed.\footnote{\ An effort to change the name to “JuniusX” produced
+only confusion. If you find a font by the name JuniusX on a free font site,
+that is nothing more than an early version of Junicode 2.}
+The project has been active for its entire history, responding to frequent
+requests from users and changes in font technology; a particular focus of
+recent versions of Junicode (numbered 2.000 and higher) is the promotion of best practices in the presentation
+of medieval texts, especially in
+the area of accessibility. This aspect of the font is explored in the
+Introduction to the Feature Reference.
+
+}
+\pagestyle{fancy}
+\fancyhead[CE]{\scshape\color{myRed} {\addfontfeatures{Numbers=OldStyle}\thepage}\hspace{10pt}%
+\addfontfeature{Letters=UppercaseSmallCaps}\leftmark}
+\fancyhead[CO]{\scshape\color{myRed} {junicode}\hspace{10pt}{\addfontfeatures{Numbers=OldStyle}\thepage}}
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--- trunk/Master/texmf-dist/doc/fonts/junicodevf/source/EnlargeAxis.tex (rev 0)
+++ trunk/Master/texmf-dist/doc/fonts/junicodevf/source/EnlargeAxis.tex 2024-01-02 21:30:53 UTC (rev 69278)
@@ -0,0 +1,219 @@
+\chapter{The Enlarge Axis}\hypertarget{enlarge}{}
+%\fancyhead[CE]{\scshape\color{myRed} {\addfontfeatures{Numbers=OldStyle}\thepage}\hspace{10pt}the enlarge axis}
+
+The character recommendation of the Medieval Unicode Font Initiative (MUFI) includes a class of characters called
+“Enlarged Minuscules,” for representing characters that are lowercase in shape but intermediate between lowercase
+and uppercase in size: these are often used to begin sentences in medieval manuscripts. MUFI encodes these characters
+in the Private Use Area, posing accessibility and searchability problems, as explained in the introduction to the
+“Feature Reference” chapter of this manual.
+
+Junicode provides a solution to these problems via the OpenType feature Stylistic Set 6 (ss06, “Enlarged minuscules”).
+This feature also works in Junicode VF, the variable version of Junicode, which in addition offers a far more flexible
+way of representing enlarged minuscules—the Enlarge axis.
+
+An “axis” is an aspect of a font that can be varied along a numerical range. A family of traditional fonts like Times
+New Roman has a weight axis with a font file on either end: Regular and Bold. Other font families have more weights
+along this axis: for example, Light, Medium, ExtraBold. Most variable fonts also have a weight axis, but all weights
+are contained in a single file, and users are not restricted to just a few weights, but can select any weight between
+the extremes.
+
+Because almost every font family has at least two weights, Weight is the most familiar axis. But several other axes are
+frequently found in both variable fonts and extended font families. Junicode has Weight and Width axes (Width varying
+from {\narrow 75 Condensed} to {\wide 125 Expanded}, with 100 Regular in the middle), and the variable font also has
+an Enlarge axis, which can vary the size of many lowercase letters from that of the font's capitals to that of the
+lowercase letters:
+\begin{figure}[h!]
+ \centering\includegraphics[width=4in]{dns.png}
+\end{figure}
+Just as the size of these sentence-initial letters varies widely in manuscripts, so it can vary on web pages and in
+print (though few applications for producing printed documents currently support variable fonts). Notice that the letters
+are not simply scaled: the proportions change and the weight remains consistent (a lowercase letter scaled up would look
+too heavy, but a letter scaled via the Enlarged axis will have its original weight at the lower end of the axis and the
+same weight as a capital at the top).
+
+The Enlarge axis runs from 0 to 100. You can choose any number in that range: to match the effect of ss06 precisely, choose 32.
+To ensure that the xheight of all letters matches, choose 47 or less: above that value, the xheight of letters like \textex{e}
+increases at a higher rate than that of letters like \textex{b}.
+
+To use the axis in a web page, declare a CSS class specifying the value for the axis. For example, the second of the examples
+in the figure above has the axis set to 75:
+\begin{verbatim}
+ .SentenceInitial {
+ font-variation-settings: "wght" 400, "wdth" 100, "ENLA" 75;
+ }
+\end{verbatim}
+\noindent In the text, enclose the first letter of a sentence in a \verb!<span>! with the class “Sentence\-Initial” (the entity
+is for insular d):
+\begin{verbatim}
+ <span class="SentenceInitial">ꝺ</span>ñs
+\end{verbatim}
+\noindent The result will be an abbreviation that begins with an “Enlarged Minuscule” insular d, precisely matching the look
+of the second example in the figure above.
+
+These lowercase letters are affected by the Enlarge axis:\footnote{Note that all composite characters (e.g. \textex{á}, \textex{ü})
+based on these are also affected, so that the actual number of affected characters is much greater than shown here.}
+\begin{multicols}{6}
+ a\hfill→\hfill\enlax{a}
+
+ \cvd[1]{2}{a}\hfill→\hfill\enlax{\cvd[1]{2}{a}}
+
+ ꜳ\hfill→\hfill\enlax{ꜳ}
+
+ \cvd{55}{ꜳ}\hfill→\hfill\enlax{\cvd{55}{ꜳ}}
+
+ æ\hfill→\hfill\enlax{æ}
+
+ \cvd[3]{57}{æ}\hfill→\hfill\enlax{\cvd[3]{57}{æ}}
+
+ ꜵ\hfill→\hfill\enlax{ꜵ}
+
+ \cvd{59}{ꜵ}\hfill→\hfill\enlax{\cvd{59}{ꜵ}}
+
+ \cvd[1]{59}{ꜵ}\hfill→\hfill\enlax{\cvd[1]{59}{ꜵ}}
+
+ ꜷ\hfill→\hfill\enlax{ꜷ}
+
+ ꜹ\hfill→\hfill\enlax{ꜹ}
+
+ ꜻ\hfill→\hfill\enlax{ꜻ}
+
+ ꜽ\hfill→\hfill\enlax{ꜽ}
+
+ b\hfill→\hfill\enlax{b}
+
+ c\hfill→\hfill\enlax{c}
+
+ d\hfill→\hfill\enlax{d}
+
+ đ\hfill→\hfill\enlax{đ}
+
+ ꝺ\hfill→\hfill\enlax{ꝺ}
+
+ {\addfontfeature{Language=Icelandic}ð}\hfill→\hfill\enlax{{\addfontfeature{Language=Icelandic}ð}}
+
+ {\addfontfeature{Language=English}ð}\hfill→\hfill\enlax{{\addfontfeature{Language=English}ð}}
+
+ e\hfill→\hfill\enlax{e}
+
+ ȩ\hfill→\hfill\enlax{ȩ}
+
+ ę\hfill→\hfill\enlax{ę}
+
+ \cvd{62}{ę}\hfill→\hfill\enlax{\cvd{62}{ę}}
+
+ \cvd[1]{62}{ę}\hfill→\hfill\enlax{\cvd[1]{62}{ę}}
+
+ f\hfill→\hfill\enlax{f}
+
+ \cvd[4]{12}{f}\hfill→\hfill\enlax{\cvd[4]{12}{f}}
+
+ ꝼ\hfill→\hfill\enlax{ꝼ}
+
+ g\hfill→\hfill\enlax{g}
+
+ ꟑ\hfill→\hfill\enlax{ꟑ}
+
+ ᵹ\hfill→\hfill\enlax{ᵹ}
+
+ h\hfill→\hfill\enlax{h}
+
+ \cvd{16}{h}\hfill→\hfill\enlax{\cvd{16}{h}}
+
+ \cvd[3]{16}{h}\hfill→\hfill\enlax{\cvd[3]{16}{h}}
+
+ ħ\hfill→\hfill\enlax{ħ}
+
+ \cvd[4]{16}{h}\hfill→\hfill\enlax{\cvd[4]{16}{h}}
+
+ i\hfill→\hfill\enlax{i}
+
+ ı\hfill→\hfill\enlax{ı}
+
+ j\hfill→\hfill\enlax{j}
+
+ ȷ\hfill→\hfill\enlax{ȷ}
+
+ k\hfill→\hfill\enlax{k}
+
+ l\hfill→\hfill\enlax{l}
+
+ ł\hfill→\hfill\enlax{ł}
+
+ m\hfill→\hfill\enlax{m}
+
+ n\hfill→\hfill\enlax{n}
+
+ o\hfill→\hfill\enlax{o}
+
+ ɵ\hfill→\hfill\enlax{ɵ}
+
+ ơ\hfill→\hfill\enlax{ơ}
+
+ ƣ\hfill→\hfill\enlax{ƣ}
+
+ ꝋ\hfill→\hfill\enlax{ꝋ}
+
+ ꝏ\hfill→\hfill\enlax{ꝏ}
+
+ ǫ\hfill→\hfill\enlax{ǫ}
+
+ ø\hfill→\hfill\enlax{ø}
+
+ œ\hfill→\hfill\enlax{œ}
+
+ p\hfill→\hfill\enlax{p}
+
+ ꝓ\hfill→\hfill\enlax{ꝓ}
+
+ ꝕ\hfill→\hfill\enlax{ꝕ}
+
+ ꝑ\hfill→\hfill\enlax{ꝑ}
+
+ q\hfill→\hfill\enlax{q}
+
+ ꝙ\hfill→\hfill\enlax{ꝙ}
+
+ r\hfill→\hfill\enlax{r}
+
+ ꞃ\hfill→\hfill\enlax{ꞃ}
+
+ ꝛ\hfill→\hfill\enlax{ꝛ}
+
+ ꝝ\hfill→\hfill\enlax{ꝝ}
+
+ s\hfill→\hfill\enlax{s}
+
+ ꞅ\hfill→\hfill\enlax{ꞅ}
+
+ t\hfill→\hfill\enlax{t}
+
+ ꞇ\hfill→\hfill\enlax{ꞇ}
+
+ u\hfill→\hfill\enlax{u}
+
+ v\hfill→\hfill\enlax{v}
+
+ w\hfill→\hfill\enlax{w}
+
+ ƿ\hfill→\hfill\enlax{ƿ}
+
+ x\hfill→\hfill\enlax{x}
+
+ y\hfill→\hfill\enlax{y}
+
+ z\hfill→\hfill\enlax{z}
+
+ {\addfontfeature{Language=Icelandic}þ}\hfill→\hfill\enlax{{\addfontfeature{Language=Icelandic}þ}}
+
+ {\addfontfeature{Language=English}þ}\hfill→\hfill\enlax{{\addfontfeature{Language=English}þ}}
+
+ {\addfontfeature{Language=Icelandic}ꝥ}\hfill→\hfill\enlax{{\addfontfeature{Language=Icelandic}ꝥ}}
+
+ {\addfontfeature{Language=English}ꝥ}\hfill→\hfill\enlax{{\addfontfeature{Language=English}ꝥ}}
+
+ {\addfontfeature{Language=Icelandic,CharacterVariant=66}ꝥ}\hfill→\hfill\enlax{{\addfontfeature{Language=Icelandic,CharacterVariant=66}ꝥ}}
+
+ {\addfontfeature{Language=English,CharacterVariant=66}ꝥ}\hfill→\hfill\enlax{{\addfontfeature{Language=English,CharacterVariant=66}ꝥ}}
+
+ ꝧ\hfill→\hfill\enlax{ꝧ}
+\end{multicols}
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+
+\chapter{Feature Reference}\hypertarget{FeatureReference}{}
+%\fancyhead[CE]{\scshape\color{myRed} {\addfontfeatures{Numbers=OldStyle}\thepage}\hspace{10pt}feature reference}
+
+\section{Introduction}
+The OpenType features of Junicode version 2 and its variable counterpart (hereafter referred to together as
+``Junicode'') have two purposes. One is to provide convenient access to the rich character set of the Medieval Unicode
+Font Initiative (MUFI) recommendation. The other is to enable best practices in the presentation of medieval text,
+promoting accessibility in electronic texts from PDFs to e-books to web pages.
+%\thispagestyle{plain}
+
+Each character in the MUFI recommendation has a code point associated with it: either the one
+assigned by Unicode or, where the character is not recognized by Unicode, in the Private Use Area (PUA) of the Basic
+Multilingual Plane, a block of codes, running from \unic{U+E000} to \unic{U+F8FF}, that are assigned no value by Unicode but instead
+are available for font designers to use in any way they please.
+
+The problem with PUA code points is precisely their lack of any value. Consider, as a point of comparison, the letter
+\textex{a} (\unic{U+0061}). Your computer, your phone, and probably a good many other devices around the house
+store a good bit of information about this \textex{a}: that it’s a letter in the Latin script, that
+it’s lowercase, and that the uppercase equivalent is \textex{A} (\unic{U+0041}). All this information is
+available to word processors, browsers, and other applications running on your computer.
+
+Now suppose you're preparing an electronic text containing what MUFI calls \textUName{latin small letter neckless
+a} (\textex{}). It is assigned to code point \unic{U+F215}, which belongs to the PUA. Beyond that, your
+computer knows nothing about it: not that it is a variant of \textex{a}, or that it is lowercase, or a letter in the Latin
+alphabet, or even a character in a language system. A screen reader cannot read, or even spell out, a word with \unic{U+F215}
+in it; a search engine will not recognize the word as containing the letter \textex{a}.
+
+Junicode offers the full range of MUFI characters---you can enter the PUA code points---but also a solution to the
+problems posed by those code points. Think of an electronic text (a web page, perhaps, or a PDF) as having two layers:
+an underlying text, stable and unchanging, and the displayed text, generated by software at the instant it is needed
+and discarded when it is no longer on the screen. For greatest accessibility the underlying text should contain the
+plain letter \textex{a} (\unic{U+0061}) along with markup indicating how it should be displayed. To generate
+the displayed text, a program called a ``layout engine'' will (simplifying a bit here) read the markup and apply the
+OpenType feature \textSourceText{cv02[5]}\footnote{\ Many OpenType features produce different outcomes depending on
+an index passed to an application’s layout engine along with the feature tag. Different applications have different
+ways of entering this index: consult your application’s documentation. Here, the index is recorded in brackets after
+the feature tag. Users of fontspec (with {\XeLaTeX} or {\LuaTeX}) should also be aware that fontspec indexes start at zero
+while OpenType indexes start at one. Therefore all index numbers listed in this document must be reduced by one for
+use with fontspec.\par } to the underlying \textex{a}, bypassing the PUA code point, with the result that
+readers see \textex{\cvd[4]{2}{a}}{}---the ``neckless a.'' And yet the letter will still register as
+\textex{a} with search engines, screen readers, and so on.
+
+This is the Junicode model for text display, but it is not peculiar to Junicode: it is widely considered to be the best
+practice for displaying text using current font technology.
+
+The full range of OpenType features listed in this document is supported by all major web browsers, LibreOffice, {\XeTeX},
+{\LuaTeX}, and (presumably) other document processing applications. All characters listed here are available in Adobe
+InDesign, though that program supports only a selection of OpenType features. Microsoft Word, unfortunately, supports
+only Stylistic Sets, ligatures (all but the standard ones in peculiar and probably useless combinations), number
+variants, and the \hyperlink{req}{Required Features}. In terms of
+OpenType support, Word is the most primitive of the major text processing applications.
+
+Many MUFI characters cannot be produced by using the OpenType variants of Junicode. These characters fall into three
+categories:
+
+\liststyleLi
+\begin{itemize}
+\item Those with Unicode (non-PUA) code points. MUFI has done valuable work obtaining Unicode code points for medieval characters.
+All such characters (those with hexadecimal codes that \textstyleEmphasis{do not} begin with \textex{E}
+or \textex{F}) are presumed safe to use in accessible and searchable text. However, some of these are
+covered by Junicode OpenType features for particular reasons.
+\item Precomposed characters---those consisting of base character + one or more diacritics. For greatest accessibility,
+these should be entered not as PUA code points, but rather as sequences consisting of base character +
+diacritics. For example, instead of MUFI \unic{U+E498} \textUName{latin small letter e with dot below and acute}, use
+\textex{e} + \unic{U+0323} \textUName{combining dot below} + \unic{U+0301} \textUName{combining acute accent}:
+\textex{ẹ́} (when applying combining marks, start with any marks below the character and work
+downwards, then continue with any marks above the character and work upwards. For example, to make
+\textex{ǭ̣́}, place characters in this order: \textex{o},
+\textUName{combining ogonek} \unic{U+0328}, \textUName{combining dot below} \unic{U+0323}, \textUName{combining
+macron} \unic{U+0304}, \textUName{combining acute} \unic{U+0301}). Some MUFI characters have marks in unconventional positions,
+e.g. \textex{ȯ́} \textUName{latin small letter o with dot above and acute}, where the
+acute appears beside the dot instead of above. This and other characters like it should still be entered as a sequence
+of base character + marks (here \textex{o}, \textUName{combining dot above} \unic{U+0307},
+\textUName{combining acute} \unic{U+0301}). Junicode will position the marks in the manner prescribed by MUFI.
+\item Characters for which a base character (a Unicode character to which it can be linked) cannot be identified, or for
+which there may be an inconsistency in the MUFI recommendation. These include:
+
+\begin{itemize}
+\item \textex{} \unic{U+E8AF}. This is a ligature of long \textex{s} and \textex{l} with stroke,
+but there are no base characters with this style of stroke.
+\item \textex{} \unic{U+EFD8} and \unic{U+EFD9}. MUFI lists these as ligatures (corresponding to the
+historic ligatures \textex{\hlig{uuUU}}, but they cannot be treated as ligatures in the
+font because a single diacritic is positioned over the glyphs as if they were digraphs like
+\textex{ꜳꜲ}.
+\item \textex{} \unic{U+EBE7} and \unic{U+EBE6}, for the same reason.
+\item \textex{} \unic{U+F159} \textUName{latin abbreviation sign small de}. Neither a variant of
+\textex{d} nor an eth (\textex{ð}), this character may be a candidate for Unicode
+encoding.
+\end{itemize}
+\item Characters for which OpenType programming is not yet available. These will be added as they are located and
+studied.% [Check: \unic{U+EBF1}, and smcp version.]
+\end{itemize}
+These characters should be avoided, even if you are otherwise using MUFI’s PUA characters:
+
+\liststyleLii
+\begin{itemize}
+\item \unic{U+F1C5} \textUName{combining curl high position}. Use \unic{U+1DCE} \textUName{combining ogonek above}. The
+positioning problem mentioned in the MUFI recommendation is solved in Junicode (and, to be fair, many other fonts with
+OpenType programming).
+\item \unic{U+F1CA} \textUName{combining dot above high position}. Use \unic{U+0307} \textUName{combining dot above}. It
+will be positioned correctly on any character.
+\end{itemize}
+
+\section{Case-Related Features}
+\subsection{\textSourceText{smcp} -- Small Capitals}
+Converts lowercase letters to small caps; also several symbols and combining marks. All lower- and uppercase pairs (with
+exceptions noted below) have a small cap equivalent. Lowercase letters without matching caps may lack matching small
+caps. fghij $\rightarrow $ \textsc{fghij}.
+
+Note: Precomposed characters defined by MUFI in the Private Use Area have no small cap equivalents. Instead, compose
+characters using combining diacritics, as outlined in the introduction. For example, \textSourceText{smcp} applied
+to the sequence \textex{t} + \textUName{combining ogonek} (\unic{U+0328}) + \textUName{combining
+acute} (\unic{U+0301}) will change \textex{t̨́} to \textex{\textsc{t̨́}}.
+
+\subsection{\textSourceText{c2sc} -- Small Capitals from Capitals}
+Use with \textSourceText{smcp} for all-small-cap text. ABCDE $\rightarrow $ {\addfontfeature{Letters = UppercaseSmallCaps}ABCDE}.
+
+Note: The variants of Ŋ (\unic{U+014A}—see \hyperlink{OtherLatin}{Other Latin Letters}) have no lowercase equivalents. Their small capital forms can be
+accessed only through this feature.
+
+\subsection{\textSourceText{pcap} -- Petite Capitals}
+Produces small caps in a smaller size than \textSourceText{smcp}. Use these when small caps have to be mixed with
+lowercase letters. The whole of the basic Latin alphabet is covered, plus a number of other letters, but fewer than
+half of Junicode’s small caps have petite cap equivalents. klmno{\th}
+$\rightarrow $ {\addfontfeature{Letters = PetiteCaps}klmno\th}.
+
+\subsection{\textSourceText{c2pc} -- Petite Capitals from Capitals}}
+Produces petite capitals from capitals. Use with \textSourceText{pcap} to convert mixed-case texts to petite capitals.
+PQRST $\rightarrow $ {\addfontfeature{Letters=UppercasePetiteCaps}PQRST}.
+
+Note: The variants of Ŋ (\unic{U+014A}—see \hyperlink{OtherLatin}{Other Latin Letters}) have no lowercase equivalents. Their petite capital forms can be
+accessed only through this feature.
+
+\subsection{\textSourceText{case} -- Case-Sensitive Forms}
+Produces combining marks that harmonize with capital letters: {\addfontfeature{Letters=Uppercase}\v{R}, X̉}, etc. Use of this feature reduces the
+likelihood that a combining mark will collide with a glyph in the line above. Some applications turn this
+feature on automatically for runs of capitals, and precomposed characters
+(e.g. \textex{É} \unic{U+00C9}, \textex{Ū} \unic{U+016A})
+already use case-appropriate combining marks. This feature also changes oldstyle to
+lining figures, since these harmonize better with uppercase letters.
+
+\section{Alphabetic Variants}
+\subsection{\textSourceText{cv01-cv52} -- Basic Latin Variants}
+These features also affect small cap (\textSourceText{smcp}) and underdotted (\textSourceText{ss07}) forms,
+where available. Variants in \cvc{magenta} are also available via \textSourceText{ss06} “Enlarged Minuscules.”
+Use the \textSourceText{cvNN} features instead of \textSourceText{ss06} when you want to substitute an
+enlarged minuscule for a capital (or, less likely, a lowercase) letter everywhere in a text.
+
+\begin{center}
+\tablefirsthead{\hline
+\bfseries Variant of &\
+\bfseries cvNN &
+\arraybslash{\bfseries Variants}\\\hline}
+\tablehead{\hline
+\bfseries Variant of &
+\bfseries cvNN &
+\centering\arraybslash{\bfseries Variants}\\\hline}
+\tabletail{\hline}
+\tablelasttail{\hline}
+\begin{supertabular}{| c | c | p{2.9212599in} |}
+%
+\bluerow\color{black}A & cv01 &
+1=\cvd{1}{A}, 2=\cvd[1]{1}{A}, 3=\cvd[2]{1}{A}, 4=\cvc{\cvd[3]{1}{A}}\\
+%
+a & cv02 &
+{1=\cvd{2}{a}, 2=\cvd[1]{2}{a}, 3=\cvd[2]{2}{a}, 4=\cvd[3]{2}{a},
+ 5=\cvd[4]{2}{a}, 6=\cvc{\cvd[5]{2}{a}}, 7=\cvd[6]{2}{a}, 8=\cvd[7]{2}{a}, 9=\cvd[8]{2}{a},
+ 10=\cvd[9]{2}{a}}\\
+%
+\bluerow B & cv03 &
+1=\cvc{\cvd{3}{B}}, 2=\cvd[1]{3}{B}\\
+%
+b & cv04 &
+1=\cvc{\cvd{4}{b}}\\
+%
+\bluerow C & cv05 &
+{1=\cvd{5}{C}, 2=\cvc{\cvd[1]{5}{C}}}\\
+%
+c & cv06 &
+{1=\cvd{6}{c}, 2=\cvd[1]{6}{c}}\\
+%
+\bluerow D & cv07 &
+{1=\cvd{7}{D}, 2=\cvc{\cvd[1]{7}{D}}, 3=\cvc{\cvd[2]{7}{D}}}\\
+%
+d & cv08 &
+{1=\cvd{8}{d}, 2=\cvd[1]{8}{d}, 3=\cvd[2]{8}{d}, 4=\cvc{\cvd[3]{8}{d}},
+ 5=\cvc{\cvd[4]{8}{d}} (also affects ḋ)}\\
+%
+\bluerow E & cv09 &
+{1=\cvd{9}{E}, 2=\cvd[1]{9}{E}, 3=\cvc{\cvd[2]{9}{E}}, 4=\cvd[3]{9}{E}}\\
+%
+e & cv10 &
+{1=\cvd{10}{e}, 2=\cvd[1]{10}{e}, 3=\cvd[2]{10}{e}, 4=\cvc{\cvd[3]{10}{e}}, 5=\cvd[4]{10}{e}}\\
+%
+\bluerow F & cv11 &
+{1=\cvd{11}{F}, 2=\cvc{\cvd[1]{11}{F}, 3=\cvd[2]{11}{F}}}\\
+%
+f & cv12 &
+{1=\cvd{12}{f}, 2=\cvd[1]{12}{f}, 3=\cvd[2]{12}{f}, 4=\cvd[3]{12}{f}, 5=\cvd[4]{12}{f},
+ 6=\cvd[5]{12}{f}, 7=\cvc{\cvd[6]{12}{f}}, 8=\cvc{\cvd[7]{12}{f}}, 9=\cvd[8]{12}{f}}\\
+%
+\bluerow G & cv13 &
+{1=\cvd{13}{G}, 2=\cvd[1]{13}{G}, 3=\cvd[2]{13}{G}, 4=\cvc{\cvd[3]{13}{G}}}\\
+%
+g & cv14 &
+{1=\cvd{14}{g}, 2=\cvd[1]{14}{g}, 3=\cvd[2]{14}{g}, 4=\cvd[3]{14}{g}, 5=\cvd[4]{14}{g},
+ 6=\cvd[5]{14}{g}, 7=\cvd[6]{14}{g}, 8=\cvc{\cvd[7]{14}{g}}, 9=\cvc{\cvd[8]{14}{g}}}\\
+%
+\bluerow H & cv15 &
+{1=\cvd{15}{H}, 2=\cvc{\cvd[1]{15}{H}}, 3=\cvd[2]{15}{H}}\\
+%
+h & cv16 &
+{1=\cvd{16}{h}, 2=\cvd[1]{16}{h}, 3=\cvc{\cvd[2]{16}{h}}, 4=\cvd[3]{16}{h}, 5=\cvd[4]{16}{h}}\\
+%
+\bluerow I & cv17 &
+{1=\cvd{17}{I}, 2=\cvd[1]{17}{I}, 3=\cvc{\cvd[2]{17}{I}}, 4=\cvd[3]{17}{I}}\\
+%
+i & cv18 &
+{1=\cvd{18}{i}, 2=\cvd[1]{18}{i}, 3=\cvd[2]{18}{i}, 4=\cvd[3]{18}{ii}, 5=\cvd[4]{18}{i},
+ 6=\cvc{\cvd[5]{18}{i}}*}\\
+%
+\bluerow J & cv19 &
+{1=\cvd{19}{J}, 2=\cvc{\cvd[1]{19}{J}}}\\
+%
+j & cv20 &
+{1=\cvd{20}{j}, 2=\cvd[1]{20}{j}, 3=\cvd[2]{20}{j}, \cvc{4=\cvd[3]{20}{j}}}\\
+%
+\bluerow K & cv21 &
+{1=\cvc{\cvd{21}{K}}}\\
+%
+k & cv22 &
+{1=\cvd{22}{k}, 2=\cvd[1]{22}{k}, 3=\cvd[2]{22}{k}, 4=\cvd[3]{22}{k}, \cvc{5=\cvd[4]{22}{k}}, 6=\cvd[5]{22}{k}}\\
+%
+\bluerow L & cv23 &
+{\cvc{1=\cvd{23}{L}}}\\
+%
+l & cv24 &
+{1=\cvd{24}{l}, \cvc{2=\cvd[1]{24}{l}}, 3=\cvd[2]{24}{l}, 4=\cvd[3]{24}{l}, 5=\cvd[4]{24}{l}, 6=\cvd[5]{24}{l}}\\
+%
+\bluerow M & cv25 &
+{1=\cvd{25}{M}, 2=\cvd[1]{25}{M}, 3=\cvd[2]{25}{M}, 4=\cvc{\cvd[3]{25}{M}}}\\
+%
+m & cv26 &
+{1=\cvd{26}{m}, 2=\cvd[1]{26}{m}, 3=\cvd[2]{26}{m}, 4=\cvc{\cvd[3]{26}{m}}}\\
+%
+\bluerow N & cv27 &
+{1=\cvd{27}{N}, \cvc{2=\cvd[1]{27}{N}}, 3=\cvd[2]{27}{N}}\\
+%
+n & cv28 &
+{1=\cvd{28}{n}, 2=\cvd[1]{28}{n}, 3=\cvd[2]{28}{n}, 4=\cvd[3]{28}{n}, \cvc{5=\cvd[4]{28}{n}},
+ 6=\cvd[5]{28}{n}, 7=\cvd[6]{28}{n}}\\
+%
+\bluerow O & cv29 &
+{1=\cvd{29}{O}, 2=\cvc{\cvd[1]{29}{O}}}\\
+%
+o & cv30 &
+{1=\cvd{30}{o}, 2=\cvc{\cvd[1]{30}{o}}}\\
+%
+\bluerow P & cv31 &
+{1=\cvd{31}{P}, 2=\cvc{\cvd[1]{31}{P}}}\\
+%
+p & cv32 &
+{1=\cvc{\cvd{32}{p}}}, 2=\cvd[1]{32}{p}**\\
+%
+\bluerow Q & cv33 &
+{1=\cvd{33}{Q}, 2=\cvc{\cvd[1]{33}{Q}}, 3=\cvd[2]{33}{Q}◌,
+ 4=\cvd[3]{33}{Q}◌◌}\\
+%
+q & cv34 &
+{1=\cvd{34}{q}, 2=\cvc{\cvd[1]{34}{q}}}\\
+%
+\bluerow R & cv35 &
+{1=\cvd{35}{R}, 2=\cvd[1]{35}{R}, 3=\cvc{\cvd[2]{35}{R}}}\\
+%
+r & cv36 &
+{1=\cvd{36}{r}, 2=\cvd[1]{36}{r}, 3=\cvd[2]{36}{r}, 4=\cvc{\cvd[3]{36}{r}}}\\
+%
+\bluerow S & cv37 &
+{1=\cvd{37}{S}, 2=\cvd[1]{37}{S}, 3=\cvc{\cvd[2]{37}{S}}, 4=\cvd[3]{37}{S}, 5=\cvd[4]{37}{S},
+ 6=\cvd[5]{37}{S}, 7=\cvd[6]{37}{S}}\\
+%
+s & cv38 &
+{1=\cvd{38}{s}, 2=\cvd[1]{38}{s}, 3=\cvd[2]{38}{s}, 4=\cvd[3]{38}{s},
+ 5=\cvd[4]{38}{s}, 6=\cvd[5]{38}{s}, 7=\cvc{\cvd[6]{38}{s}}, 8=\cvd[7]{38}{s},
+ 9=\cvd[8]{38}{s}, 10=\cvd[9]{38}{s}, 11=\cvd[10]{38}{s}, 12=\cvd[11]{38}{s}}\\
+%
+\bluerow T & cv39 &
+{1=\cvd{39}{T}, 2=\cvc{\cvd[1]{39}{T}}}\\
+%
+t & cv40 &
+{1=\cvd{40}{t}, 2=\cvd[1]{40}{t}, 3=\cvc{\cvd[2]{40}{t}}, 4=\cvd[3]{40}{t}}\\
+%
+\bluerow U & cv41 &
+{1=\cvc{\cvd{41}{U}}, 2=\cvd[1]{41}{U}, 3=\cvd[2]{41}{U}}\\
+%
+u & cv42 &
+{1=\cvc{\cvd{42}{u}}}\\
+%
+\bluerow V & cv43 &
+{1=\cvc{\cvd{43}{V}}}\\
+%
+v & cv44 &
+{1=\cvd{44}{v}, 2=\cvd[1]{44}{v}, 3=\cvd[2]{44}{v}, 4=\cvd[3]{44}{v}, 5=\cvc{\cvd[4]{44}{v}},
+ 6=\cvd[5]{44}{v}}\\
+%
+\bluerow W & cv45 &
+{1=\cvc{\cvd{45}{W}}, 2=\cvd[1]{45}{W}}\\
+%
+w & cv46 &
+{1=\cvc{\cvd{46}{w}}, 2=\cvd[1]{46}{w}}\\
+%
+\bluerow X & cv47 &
+{1=\cvc{\cvd{47}{X}}}\\
+%
+x & cv48 &
+{1=\cvd{48}{x}, 2=\cvd[1]{48}{x}, 3=\cvd[2]{48}{x}, 4=\cvd[3]{48}{x}, 5=\cvc{\cvd[4]{48}{x}}}\\
+%
+\bluerow Y & cv49 &
+{1=\cvd{49}{Y}, 2=\cvc{\cvd[1]{49}{Y}}}\\
+%
+y & cv50 &
+{1=\cvd{50}{y}, 2=\cvd[1]{50}{y}, 3=\cvd[2]{50}{y}, 4=\cvc{\cvd[3]{50}{y}}, 5=\cvd[4]{50}{y},
+ 6=\cvd[5]{50}{y}}\\
+%
+\bluerow Z & cv51 &
+{1=\cvd{51}{Z}, 2=\cvc{\cvd[1]{51}{Z}}}\\
+%
+z & cv52 &
+{1=\cvd{52}{z}, 2=\cvd[1]{52}{z}, 3=\cvc{\cvd[2]{52}{z}}}\\
+\end{supertabular}
+\end{center}
+
+\noindent * \textSourceText{cv18[4]} changes ii to ij at the end of a word;
+\textSourceText{cv18[5]} changes i to j at the end of a word whether another
+i precedes or not. These variants are chiefly useful for roman numbers, but
+also for Latin words ending in -ii. The j produced by this feature is
+searchable as i.
+
+\noindent ** \textSourceText{cv32[2]} should be on in any edition or extensive
+quotation of the \textit{Ormulum}. The feature produces a p that differs from
+the default only in the way it forms a double-p ligature with \textSourceText{hlig}:
+\cvd[1]{32}{\hlig{pp}}, not \hlig{pp}.
+
+\subsection{\textSourceText{cv53-cv66}, \textSourceText{cv91} -- Other Latin Letters}\hypertarget{OtherLatin}{}
+Some features affect both upper- and lowercase forms. \textSourceText{cv62} also affects
+combining \textex{e} with ogonek, accessible via either \textSourceText{\hyperlink{cv84}{cv84}} or
+\textSourceText{\hyperlink{ss10}{ss10}} with the
+entity reference \textSourceText{\&\_eogo;}.
+
+\begin{center}
+\tablefirsthead{\hline
+\bfseries Variant of &
+\bfseries cvNN &
+\centering\arraybslash{\bfseries Variants}\\\hline}
+\tablehead{\hline
+\bfseries Variant of &
+\bfseries cvNN &
+\arraybslash{\bfseries Variants}\\\hline}
+\tabletail{\hline}
+\tablelasttail{\hline}
+\begin{supertabular}{| c | c |p{2.3212599in}|}
+%
+\bluerow\k{A} (\unic{U+0104}) &
+cv53 &
+{1=\cvd{53}{Ą}, 2=\cvd[1]{53}{Ą}, 3=\cvd[2]{53}{Ą}}\\
+%
+\k{a} (\unic{U+0105}) &
+cv54 &
+{1=\cvd{54}{ą}, 2=\cvd[1]{54}{ą}}\\
+%
+\bluerow ꜳ (\unic{U+A733}) &
+cv55 &
+{1=\cvd{55}{ꜳ}, 2=\cvd[1]{55}{ꜳ}, 3=\cvc{\cvd[2]{55}{ꜳ}}, 4=\cvd[3]{55}{æ}}\\
+%
+{\AE} (\unic{U+00C6}) &
+cv56 &
+{1=\cvd{56}{\AE}, 2=\cvc{\cvd[1]{56}{\AE}}}\\
+%
+\bluerow{\ae} (\unic{U+00E6}) &
+cv57 &
+{1=\cvd{57}{\ae}, 2=\cvc{\cvd[1]{57}{\ae}}, 3=\cvd[2]{57}{\ae}, 4=\cvd[3]{57}{\ae},
+5=\cvd[4]{57}{\ae}, 6=\cvd[5]{57}{\ae}}\\
+%
+Ꜵ (\unic{U+A734}) &
+cv58 &
+{1=\cvd{58}{Ꜵ}, 2=\cvc{\cvd[1]{58}{Ꜵ}}, 3=\cvc{\cvd[2]{58}{Ꜵ}}}\\
+%
+\bluerow ꜵ (\unic{U+A735}) &
+cv59 &
+{1=\cvd{59}{ꜵ}, 2=\cvd[1]{59}{ꜵ}, 3=\cvc{\cvd[2]{59}{ꜵ}}}\\
+%
+ꜹ (\unic{U+A739}) &
+cv60 &
+{1=\cvd{60}{ꜹ}}\\
+%
+\bluerow{\dj} (\unic{U+0111}) &
+cv61 &
+{1=\cvd{61}{\dj}}\\
+%
+{\narrow Ę, ę ... (U+0118, U+0119)} &
+cv62 &
+{1=\cvd{62}{Ę, ę ...}; 2=\cvd[1]{62}{Ę, ę ...}}\\
+%
+\bluerow{\narrow Ȝ, ȝ (U+021C, U+021D)} &
+cv63 &
+{1=\cvd{63}{Ȝȝ}, 2=\cvd[1]{63}{Ȝȝ}}\\
+%
+Ŋ (U+014A) &
+cv91 &
+{1=\cvd{91}{Ŋ}, 2=\cvd[1]{91}{Ŋ}}\\
+%
+\bluerow{\char"0A7C1} (\unic{U+A7C1}) &
+cv65 &
+{1=\cvd{65}{\char"0A7C1}, 2=\cvd[1]{65}{\char"0A7C1}, 3=\cvd[2]{65}{\char"0A7C1}, 4=\cvd[3]{65}{\char"0A7C1}}\\
+%
+ꝥ, \revthorn{ꝥ} (\unic{U+A765}) &
+cv66 &
+{1=\cvd{66}{ꝥ, \revthorn{ꝥ}}}\\
+\end{supertabular}
+\end{center}
+
+\subsection{\textSourceText{ss01} -- Alternate thorn and eth}
+Produces Nordic thorn and eth (\textex{\eng\revthorn{{\th}{\dh}{\TH}}}) when the language is English, and English thorn and eth
+(\textex{\icel\revthorn{{\th}{\dh}{\TH}}}) with any other language, reversing the font’s ordinary usage.
+This also affects small caps, crossed
+thorn (\textex{ꝥ \revthorn{ꝥ}}---see also
+\hyperlink{OtherLatin}{\textSourceText{cv66}}), combining mark eth
+(\unic{U+1DD9}, \textex{◌ᷙ \revthorn{◌ᷙ}}), and enlarged thorn and eth (see \textSourceText{\hyperlink{ss06}{ss06}}).
+This feature depends on \textSourceText{\hyperlink{req}{loca}} (Localized Forms), which in most applications will
+always be enabled.
+
+\subsection{\textSourceText{ss02} -- Insular Letter-Forms}
+Produces insular letter-forms, e.g. \textex{\addfontfeatures{Language=English,StylisticSet=2}dfgrsw}.
+The result is different,
+depending on whether the language is English or Irish (make sure the language for your document is set
+properly). In English text, capitals are not affected (except W), as these do not not commonly have
+insular shapes in early manuscripts; instead, enter the Unicode code points or use the Character Variant
+(\textSourceText{cvNN}) features. In English text, ss02 imitates the typography of the Old English
+passages of Hickes’s \textit{Thesaurus}, not the usage of Old English or Anglo-Latin manuscripts. In
+Irish texts, it imitates the distribution of insular characters but cannot imitate the style of
+particular scribal hands or typefaces.
+
+\subsection{\textSourceText{ss04} -- High
+Overline}
+Produces a high overline over letters used as roman numbers: \textex{\addfontfeature{StylisticSet=4}cdijlmvx CDI JLMVXↃ}.
+
+\subsection{\textSourceText{ss05} --
+Medium-High Overline}
+Produces a medium-high overline over (or through the ascenders of) letters used as roman numbers, and some others as
+well: \textex{\addfontfeature{StylisticSet=5,Style=Historic}bcdhijklmſvx{\th}}.
+
+\subsection{\textSourceText{ss06} --
+Enlarged Minuscules}\hypertarget{ss06}{}
+Letters that are lowercase in form but uppercase in function, and between upper- and
+lowercase in size, often used in medieval manuscripts as \textit{litterae notabiliores} to begin sentences,
+paragraphs, and other textual units.
+This feature
+covers the whole of the basic Latin alphabet and a number of other letters that
+occur at the beginnings of sentences.
+Uppercase letters are also covered by this feature so that enlarged minuscules
+can, if you like, be searched as capitals. This is Junicode's collection of
+enlarged minuscules:
+
+\begin{multicols}{6}
+\color{BrickRed}a\hfill→\hfill\enla{a}
+
+á\hfill→\hfill\enla{á}
+
+\cvd[6]{2}{a}\hfill→\hfill\enla{\cvd[6]{2}{a}}
+
+ꜳ\hfill→\hfill\enla{ꜳ}
+
+æ\hfill→\hfill\enla{æ}
+
+ꜵ\hfill→\hfill\enla{ꜵ}
+
+b\hfill→\hfill\enla{b}
+
+c\hfill→\hfill\enla{c}
+
+d\hfill→\hfill\enla{d}
+
+ḋ\hfill→\hfill\enla{ḋ}
+
+d́\hfill→\hfill\enla{d́}
+
+\cvd{8}{ḋ}\hfill→\hfill\enla{\cvd{8}{ḋ}}
+
+ꝺ\hfill→\hfill\enla{ꝺ}
+
+ꝺ́\hfill→\hfill\enla{ꝺ́}
+
+{\addfontfeature{Language=Icelandic}ð\hfill→\hfill\enla{ð}}
+
+ð\hfill→\hfill\enla{ð}
+
+e\hfill→\hfill\enla{e}
+
+\cvd[1]{10}{e}\hfill→\hfill\enla{\cvd[1]{10}{e}}
+
+é\hfill→\hfill\enla{é}
+
+ę\hfill→\hfill\enla{ę}
+
+\cvd{62}{ę}\hfill→\hfill\enla{\cvd{62}{ę}}
+
+f\hfill→\hfill\enla{f}
+
+ꝼ\hfill→\hfill\enla{ꝼ}
+
+g\hfill→\hfill\enla{g}
+
+ᵹ\hfill→\hfill\enla{ᵹ}
+
+ꟑ\hfill→\hfill\enla{ꟑ}
+
+h\hfill→\hfill\enla{h}
+
+\cvd{16}{h}\hfill→\hfill\enla{\cvd{16}{h}}
+
+\cvd[3]{16}{h}\hfill→\hfill\enla{\cvd[3]{16}{h}}
+
+ħ\hfill→\hfill\enla{ħ}
+
+i\hfill→\hfill\enla{i}
+
+ı\hfill→\hfill\enla{ı}
+
+j\hfill→\hfill\enla{j}
+
+ȷ\hfill→\hfill\enla{ȷ}
+
+k\hfill→\hfill\enla{k}
+
+l\hfill→\hfill\enla{l}
+
+m\hfill→\hfill\enla{m}
+
+\cvd{26}{m}\hfill→\hfill\enla{\cvd{26}{m}}
+
+n\hfill→\hfill\enla{n}
+
+o\hfill→\hfill\enla{o}
+
+œ\hfill→\hfill\enla{œ}
+
+p\hfill→\hfill\enla{p}
+
+q\hfill→\hfill\enla{q}
+
+r\hfill→\hfill\enla{r}
+
+s\hfill→\hfill\enla{s}
+
+ſ\hfill→\hfill\enla{ſ}
+
+t\hfill→\hfill\enla{t}
+
+u\hfill→\hfill\enla{u}
+
+v\hfill→\hfill\enla{v}
+
+w\hfill→\hfill\enla{w}
+
+ƿ\hfill→\hfill\enla{ƿ}
+
+x\hfill→\hfill\enla{x}
+
+y\hfill→\hfill\enla{y}
+
+z\hfill→\hfill\enla{z}
+
+{\addfontfeature{Language=Icelandic}þ\hfill→\hfill\enla{þ}}
+
+þ\hfill→\hfill\enla{þ}
+\end{multicols}
+
+\noindent If you are using the variable version of the font (Junicode VF), consider using the
+\hyperlink{enlarge}{Enlarge axis}
+%\href{https://psb1558.github.io/Junicode-New/EnlargedAxis.html}{Enlarge axis}
+instead, for reasons of flexibility and accessibility.
+
+\subsection{\textSourceText{ss07} -- Underdotted Text}
+Produces underdotted text (indicating deletion in medieval manuscripts) for most
+Latin and Greek letters, e.g.
+\textex{\addfontfeature{StylisticSet=7}abcdefg HIJKLM αβγδεζη ΑΒΓΔΕΖΗ}. This also affects small
+caps, e.g. \textex{{\addfontfeature{StylisticSet=7}\textsc{hijklmn θικλμνξ}}}.
+If this feature fails for any letter, use \unic{U+0323}, combining dot below.
+
+\subsection{\textSourceText{ss08} -- Contextual Long s}
+In English, French, and Latin text only, varies \textex{s} and \textex{ſ} according to rules
+followed by many early printers: \textex{\colongs sports, essence, stormy, disheveled, transfusions, slyness, cliffside}. For this
+feature to work properly, \textSourceText{calt} ``Contextual Alternates'' must also be enabled (as it should be by
+default: see \hyperlink{req}{Required Features} below). This feature does not work in {\ltech}, except in harf mode.
+
+\subsection{\textSourceText{ss16} --
+Contextual r Rotunda}\hypertarget{ss16}{}
+Converts \textex{r} to \textex{ꝛ} (lowercase only) following the
+most common rules of medieval manuscripts:
+\textex{\addfontfeature{StylisticSet=16,Contextuals=Alternate}priest, firmer, frost, ornament}.
+For this feature to work properly,
+\textSourceText{calt} ``Contextual Alternates'' must also be enabled (as it should be by default: see
+\hyperlink{req}{Required Features} below). This feature does not work in {\ltech}, except in harf mode.
+
+\subsection{\textSourceText{salt} --
+Stylistic Alternates (medieval capitals, etc.)}\hypertarget{salt}{}
+Junicode has two series of decorative capitals in medieval scripts. These affect only the letters
+A-Z and a-z. \textSourceText{salt[1]} provides rustic capitals, a script used for text in the late
+ancient and early medieval periods and for display until around the eleventh century:
+\textex{\addfontfeature{StylisticAlternates=0}Gazifrequens Libycos duxit Karthago triumphos}. \textSourceText{salt[2]}
+provides Lombardic capitals, a style used mainly for what are now called drop caps. Junicode’s Lombardic capitals
+are not suitable for running text, titles, or headers:
+\textex{\addfontfeature{StylisticAlternates=1}A\,B\,C\,D\,E\,F}.
+Rustic capital Æ is available (\textex{\addfontfeature{StylisticAlternates=0}Æ}), but not Lombardic.
+\textSourceText{salt[3]} provides variants of rustic G and Lombardic F and T:
+\textex{\addfontfeature{StylisticAlternates=2}G\,F\,T}.
+Miscellaneous alternates (for which Character Variants are
+unavailable) are also gathered here on \textSourceText{salt[1]}:
+ð \rightarrow{ }\textex{\addfontfeature{Language=English,StylisticAlternates=0}ð},
+ẏ \rightarrow{ }\textex{\addfontfeature{Language=English,StylisticAlternates=0}ẏ}.
+
+\subsection{\textSourceText{cv68} -- Variant of ʔ (\unic{U+0294}, glottal stop)}
+1=\cvd{68}{ʔ}.
+
+\section{Greek}
+Junicode has two distinct styles of Greek. In the roman face, it is upright and
+modern, especially designed to harmonize with Junicode's Latin letters. In the
+italic, it is slanted and old-style, being based on the eighteenth-century
+Greek type designed by Alexander Wilson and used by the Foulis Press in
+Glasgow. Both Greek styles include the full polytonic and monotonic character
+sets: \textex{αβγδεζ \textit{αβγδεζ}}.
+
+To set Greek properly (especially polytonic text) requires that both \textSourceText{locl}
+and \textSourceText{ccmp} be active, as they should be by default in most
+text processing applications (but in MS Word they must be explicitly enabled
+by checking the ``kerning'' box on the ``Advanced'' tab of the Font Dialog).
+
+Modern monotonic Greek should be set using only characters from the Unicode “Greek
+and Coptic” range (\unic{U+0370–U+03FF}). When monotonic text is set in all caps, Junicode
+suppresses accents automatically (except in single-letter words, for which
+you must substitute unaccented forms manually). This substitution is not
+performed on text containing visually identical letters from the ``Greek Extended''
+range (\unic{U+0F00–U+1FFF}).
+Thus when setting polytonic Greek, one should use (for example) \textex{Ά}
+(\unic{U+1FBB}), not \textex{Ά} (\unic{U+0386}),
+though they look the same.
+
+You can set polytonic Greek either by entering code points from the Greek
+Extended range or by entering sequences of base characters and diacritics.
+When using the latter method, you must first make sure the language for the
+text in question (whether a single word, a short passage, or a complete
+document) is set to Greek, and then enter characters in canonical order
+(that is, the sequence defined by Unicode as equivalent to the composite
+character). The order is as follows: 1. base character; 2. diacritics
+positioned either above or in front of the base character, working from left
+to right or bottom to top; 3. the \textit{ypogegrammeni} (\unic{U+0345}), or for
+capitals, if you prefer, the \textit{prosgegrammeni} (\unic{U+1FBE}).\footnote{\ Some
+applications will automatically reorder sequences of letters and accents,
+sparing you the trouble of remembering the canonical order.}
+
+For example, the sequence ω (\unic{U+03C9}) ◌̓ (\unic{U+0313}) ◌́ (\unic{U+0301}) ◌ͅ (\unic{U+0345})
+produces \textex{\grk ᾤ}.
+Substitute capital Ω (\unic{U+03A9}) and the result is
+\textex{\grk ᾬ}. Note that in a number of applications the layout
+engine will perform these substitutions before Junicode’s own programming is
+invoked. If either the layout engine or Junicode fails to produce your
+preferred result, try placing \unic{U+034F} \textUName{combining grapheme joiner}
+(don't waste time puzzling over the name) somewhere
+in the sequence of combining marks---for example, before the \textit{ypogegrammeni}
+to make \textex{\grk Ὤ͏ͅ}.
+
+\subsection{\textSourceText{ss03} -- Alternate Greek}
+Provides alternate shapes of {\addfontfeature{Language=Greek}β γ θ π φ χ ω}:
+\textex{\addfontfeature{StylisticSet=3}β γ θ π φ χ ω}.
+These are chiefly useful in linguistics, as they harmonize with IPA characters.
+
+\section{Gothic}
+\subsection{\textSourceText{ss19} -- Latin to Gothic Transliteration}
+Produces Gothic letters from Latin: \revthorn{Warþ þan in dagans jainans} $\rightarrow $
+{\addfontfeature{StylisticSet=19}Warþ þan in dagans
+jainans}. In web pages, the letters will be searchable as their Latin equivalents.
+
+\section{Runic}
+\subsection{\textSourceText{ss12} -- Early English Futhorc}
+Changes Latin letters to their equivalents in the early English futhorc. Because of the variability of the runic
+alphabet, this method of transliteration may not produce the result you want. In that case, it may be necessary to
+manually edit the result. fisc flodu ahof $\rightarrow $ {\addfontfeature{StylisticSet=12}fisc flodu ahof}.
+
+\subsection{\textSourceText{ss13} -- Elder
+Futhark}
+Changes Latin letters to their equivalents in the Elder Futhark. Because of the variability of the runic alphabet, this
+method of transliteration may not produce the result you want. In that case, it may be necessary to manually edit the
+result. ABCDEFG $\rightarrow $ {\addfontfeature{StylisticSet=13}ABCDEFG}.
+
+\subsection{\textSourceText{ss14} -- Younger
+Futhark}
+Changes Latin letters to their equivalents in the Younger Futhark. Because of the variability of the runic alphabet,
+this method of transliteration may not produce the result you want. In that case, it may be necessary to manually edit
+the result. ABCDEFG $\rightarrow $ {\addfontfeature{StylisticSet=14}ABCDEFG}.
+
+\subsection{\textSourceText{ss15} --
+Long Branch to Short Twig}
+In combination with \textSourceText{ss14}, converts long branch (the default for the Younger Futhark) to short twig runes:
+{\addfontfeature{StylisticSet=14}{ABCDEFG $\rightarrow $
+\addfontfeature{StylisticSet=15}ABCDEFG}}.
+
+\subsection{\textSourceText{rtlm}
+-- Right to Left Mirrored Forms}
+Produces mirrored runes, e.g. {\addfontfeature{StylisticSet=12}ABCDEFG $\rightarrow $ \addfontfeature{MyStyle=mirrored}GFEDCBA}.
+This feature cannot change the direction of text or reverse its order.
+
+\section{Ligatures and Digraphs}
+
+Old-style fonts typically contain a standard collection of ligatures (conjoined letters), including
+\textex{fi}, \textex{fl}, \textex{ff}, \textex{ffi}, and \textex{ffl}.
+Most software will display these ligatures automatically (except
+Microsoft Word, for which they must be enabled explicitly). Junicode has a large number of ligatures,
+including the standard f-ligatures, a similar set for long s, e.g. \textex{ſl}, \textex{ſſ}, \textex{ſſi}, but also more
+specialized forms like \textex{ſꞇ},
+\textex{\addfontfeatures{StylisticSet=2,CharacterVariant=38:10}st},
+\textex{\addfontfeatures{Language=English,StylisticSet=2,CharacterVariant=38:10}sw}
+(the last two with \textSourceText{ss02} and \textSourceText{cv38[11]}), and a few more. Most of Junicode’s
+ligatures, however, are not automatic, but belong to the set of either Historic Ligatures
+or Discretionary Ligatures, both of which must be invoked explicitly. These are listed in the following sections.
+
+\subsection{\textSourceText{hlig} -- Historic Ligatures}
+
+Produces ligatures for combinations that should not ordinarily be rendered as
+ligatures in modern text.\footnote{\ Some
+fonts define \textSourceText{hlig} differently, as including all ligatures in which at least one
+element is an archaic character, e.g.
+those involving long s (\textrm{ſ\hspace{0.2em}}). In Junicode, however, a
+historic ligature is defined not by the characters it is composed of, but
+rather by the join between them. If two characters (though modern) should not be joined except
+in certain historic contexts, they form a historic ligature. If they should be
+joined in all contexts (even if archaic), the ligature is not historic
+and should be defined in \textSourceText{liga}.} Most of these are from the MUFI recommendation,
+ranges B.1.1(b) and B.1.4. This feature does
+not produce digraphs (which have a phonetic value), for which see
+\textSourceText{\hyperlink{ss17}{ss17}}. The ligatures:
+\addfontfeatures{Ligatures=Historic}
+
+\begin{multicols}{5}
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+a{\textcompwordmark}f\hfill→\hfill{}af}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+a{\textcompwordmark}ꝼ\hfill→\hfill{}aꝼ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+a{\textcompwordmark}g\hfill→\hfill{}ag}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+a{\textcompwordmark}l\hfill→\hfill{}al}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+a{\textcompwordmark}n\hfill→\hfill{}an}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+a{\textcompwordmark}N\hfill→\hfill{}aN}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+a{\textcompwordmark}p\hfill→\hfill{}ap}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+a{\textcompwordmark}r\hfill→\hfill{}ar}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+a{\textcompwordmark}R\hfill→\hfill{}aR}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+{\addfontfeature{Language=Icelandic}a{\textcompwordmark}{\th}\hfill→\hfill{}a{\th}}}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+a{\textcompwordmark}v\hfill→\hfill{}av}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+\cvd[1]{2}{a}{\textcompwordmark}{v}\hfill→\hfill{}\cvd[1]{2}{av}}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+b{\textcompwordmark}b\hfill→\hfill{}bb}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+b{\textcompwordmark}g\hfill→\hfill{}bg}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+b{\textcompwordmark}o\hfill→\hfill{}bo}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+c{\textcompwordmark}h\hfill→\hfill{}ch}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+c{\textcompwordmark}k\hfill→\hfill{}ck}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+ꝺ{\textcompwordmark}ꝺ\hfill→\hfill{}ꝺꝺ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+d{\textcompwordmark}e\hfill→\hfill{}de}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+ꝺ{\textcompwordmark}e\hfill→\hfill{}ꝺe}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+e{\textcompwordmark}a\hfill→\hfill{}ea}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+e{\textcompwordmark}c\hfill→\hfill{}ec}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+e{\textcompwordmark}ꝼ\hfill→\hfill{}eꝼ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+e{\textcompwordmark}ᵹ\hfill→\hfill{}eᵹ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+e{\textcompwordmark}m\hfill→\hfill{}em}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+e{\textcompwordmark}n\hfill→\hfill{}en}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+e{\textcompwordmark}o\hfill→\hfill{}eo}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+e{\textcompwordmark}ꞃ\hfill→\hfill{}eꞃ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+e{\textcompwordmark}ꞅ\hfill→\hfill{}eꞅ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+e{\textcompwordmark}ꞇ\hfill→\hfill{}eꞇ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+e{\textcompwordmark}x\hfill→\hfill{}ex}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+e{\textcompwordmark}y\hfill→\hfill{}ey}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+f{\textcompwordmark}ä\hfill→\hfill{}fä}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+g{\textcompwordmark}d\hfill→\hfill{}gd}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+g{\textcompwordmark}\revthorn{ð}\hfill→\hfill{}\revthorn{gð}}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+g{\textcompwordmark}ꝺ\hfill→\hfill{}gꝺ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+g{\textcompwordmark}g\hfill→\hfill{}gg}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+\cvd[2]{14}{ɡ{\textcompwordmark}ɡ}\hfill→\hfill{}ɡɡ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+g{\textcompwordmark}o\hfill→\hfill{}go}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+g{\textcompwordmark}p\hfill→\hfill{}gp}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+g{\textcompwordmark}r\hfill→\hfill{}gr}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+H{\textcompwordmark}r\hfill→\hfill{}Hr}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+h{\textcompwordmark}r\hfill→\hfill{}hr}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+h{\textcompwordmark}ſ\hfill→\hfill{}hſ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+h{\textcompwordmark}ẝ\hfill→\hfill{}hẝ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+k{\textcompwordmark}r\hfill→\hfill{}kr}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+k{\textcompwordmark}ſ\hfill→\hfill{}kſ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+k{\textcompwordmark}ẝ\hfill→\hfill{}kẝ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+l{\textcompwordmark}l\hfill→\hfill{}ll}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+n{\textcompwordmark}a\hfill→\hfill{}na}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+n{\textcompwordmark}i\hfill→\hfill{}ni}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+\textsc{n}{\textcompwordmark}ſ\hfill→\hfill{}\textsc{nſ}}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+n{\textcompwordmark}v\hfill→\hfill{}nv}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+o{\textcompwordmark}c\hfill→\hfill{}oc}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+O{\textcompwordmark}Ꝛ\hfill→\hfill{}OꝚ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+o{\textcompwordmark}ꝛ\hfill→\hfill{}oꝛ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+O{\textcompwordmark}Ꝝ\hfill→\hfill{}OꝜ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+o{\textcompwordmark}ꝝ\hfill→\hfill{}oꝝ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+P{\textcompwordmark}P\hfill→\hfill{}PP}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+p{\textcompwordmark}p\hfill→\hfill{}pp}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+ꝓ{\textcompwordmark}p\hfill→\hfill{}ꝓp}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+P{\textcompwordmark}s\hfill→\hfill{}Ps}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+p{\textcompwordmark}e\hfill→\hfill{}pe}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+p{\textcompwordmark}s\hfill→\hfill{}ps}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+P{\textcompwordmark}si\hfill→\hfill{}Psi}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+p{\textcompwordmark}si\hfill→\hfill{}psi}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+q{\textcompwordmark}ꝩ\hfill→\hfill{}qꝩ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+{\narrow q{\textcompwordmark}ꝫ/q\cvd[1]{83}{ꝫ}\hfill→\hfill\hlig{{}qꝫ/\cvd[1]{83}{qꝫ}}}}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+ꝗ{\textcompwordmark}ꝗ\hfill→\hfill{}ꝗꝗ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+Q{\textcompwordmark}Ꝛ\hfill→\hfill{}QꝚ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+q{\textcompwordmark}ꝛ\hfill→\hfill{}qꝛ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+ſ{\textcompwordmark}\"a\hfill→\hfill{}ſ\"a}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+ſ{\textcompwordmark}c{\textcompwordmark}h\hfill→\hfill{}ſch}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+ſ{\textcompwordmark}t{\textcompwordmark}r\hfill→\hfill{}ſtr}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+ſ{\textcompwordmark}ꝩ\hfill→\hfill{}ſꝩ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+ſ{\textcompwordmark}ƿ\hfill→\hfill{}ſƿ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+ꞇ{\textcompwordmark}ꞇ\hfill→\hfill{}ꞇꞇ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+U{\textcompwordmark}E\hfill→\hfill{}UE}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+u{\textcompwordmark}e\hfill→\hfill{}ue}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+U{\textcompwordmark}U\hfill→\hfill{}UU}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+u{\textcompwordmark}u\hfill→\hfill{}uu}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+ƿ{\textcompwordmark}ƿ\hfill→\hfill{}ƿƿ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+\revthorn{{\th}{\textcompwordmark}r\hfill→\hfill{}{\th}r}}
+
+%{\color[rgb]{0.38039216,0.09019608,0.16078432}
+%\revthorn{{\th}{\textcompwordmark}s\hfill→\hfill{}{\th}s}}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+\revthorn{{\th}{\textcompwordmark}ẝ\hfill→\hfill{}{\th}ẝ}}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+ð{\textcompwordmark}ð\hfill→\hfill{}ðð}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+{\th}\textcompwordmark{\th}\hfill→\hfill{}{\th}{\th}}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+ƿ{\textcompwordmark}ƿ\hfill→\hfill{}ƿƿ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}\addfontfeature{Language=English}
+ꝥ{\textcompwordmark}ꝥ\hfill→\hfill{}ꝥꝥ}
+
+\end{multicols}
+
+\noindent\addfontfeatures{Ligatures=histoff}
+Note: For the ligature \textex{\textsc{\hlig{nſ}}} to
+work properly, \unic{U+017F} \textex{ſ} must be entered directly, not by applying an OpenType feature to
+\textex{s}.
+
+\subsection{\textSourceText{dlig} --
+Discretionary Ligatures}
+Produces lesser-used ligatures:
+\textex{\textcolor[rgb]{0.5529412,0.15686275,0.11764706}{\addfontfeature{Ligatures=Rare}ct, ſp, str, st, tr, tt, ty}}.
+The collection of discretionary ligatures in the italic face also includes
+\textex{\textit{\addfontfeature{Ligatures=Rare}as, is, us}}.
+
+
+\subsection{\textSourceText{ss17} -- Rare
+Digraphs}\hypertarget{ss17}{}
+By ``digraph'' we mean conjoined letters that represent a phonetic value: the most common examples
+for western languages are \textex{{\ae}} and \textex{{\oe}} (though these, because they
+are so common, are not included in this feature). Use of this feature in web pages enables easier searches: for
+example, producing \textex{\addfontfeature{StylisticSet=17}{\th}au} from
+\textex{{\th}au} allows the word to be
+searched as ``{\th}au.'' The digraphs covered by this feature are \textcolor[rgb]{0.5529412,0.15686275,0.11764706}{%
+\addfontfeature{StylisticSet=17,Language=Icelandic}aa, ao, au, av, ay, ꝺv, ðv, gv, oo, vy,} plus capital and small cap
+equivalents and digraph +
+diacritic combinations anticipated in the
+MUFI recommendation. To produce such a digraph + diacritic combination, either type a letter + diacritic combination as
+the second element of the digraph or type the diacritic after the second element. For example,
+\textex{a} + \textex{\'u} yields \textex{\addfontfeature{StylisticSet=17}a\'u}, and so does
+\textex{a} + \textex{u} + \unic{U+0301} (combining acute accent). To produce a digraph +
+diacritic combination not covered by MUFI (e.g. \textex{ꜵ̀}), you may have to place \unic{U+034F}
+\textUName{combining grapheme joiner} (see \hyperlink{cv84}{cv84}) between the second element of the digraph and the combining mark.
+
+\section{Numbers and Sequencing}
+\subsection{\textSourceText{frac} -- Fractions}
+Applied to a slash and surrounding numbers, produces fractions with diagonal
+slashes. 6/9 becomes {\addfontfeature{Fractions=On}6/9}, 16/91 becomes {\addfontfeature{Fractions=On}16/91}.
+
+\subsection{\textSourceText{numr} -- Numerators}
+Changes numbers to those suitable for use on the left/upper side of fractions
+with diagonal stroke (\unic{U+2044}). This can be used, with \textSourceText{dnom}, to manually construct
+fractions, but for most users \textSourceText{frac} will be a better solution.
+
+\subsection{\textSourceText{dnom} -- Denominators}
+Changes numbers to those suitable for use on the right/lower side of fractions
+with diagonal stroke (\unic{U+2044}). This can be used, with \textSourceText{numr}, to manually construct
+fractions, but for most users \textSourceText{frac} will be a better solution.
+
+\subsection{\textSourceText{nalt} -- Alternate Annotation Forms}
+Produces letters and numbers circled, in parenthesis, or followed by periods, as follows:
+
+\textSourceText{nalt[1]}, circled letters or numbers: {\addfontfeature{Annotation=0}a b .~.~. z; 0 1 2 .~.~. 20}.
+
+\textSourceText{nalt[2]}, letter or numbers in parentheses: {\addfontfeature{Annotation=1}a .~.~. z; 0 1 .~.~. 20}.
+
+\textSourceText{nalt[3]}, double-circled numbers: {\addfontfeature{Annotation=2}0 1 .~.~. 10}.
+
+\textSourceText{nalt[4]}, white numbers in black circles: {\addfontfeature{Annotation=3}0 1 2 3 . . . 20}.
+
+\textSourceText{nalt[5]}, numbers followed by period: {\addfontfeature{Numbers={Monospaced,Uppercase},Annotation=4}0 1 . . . 20}
+
+\noindent For enclosed figures 10 and higher, \textSourceText{rlig} (Required Ligatures) must also be enabled (as it should
+be by default: see \hyperlink{req}{Required Features} below).
+
+\subsection{\textSourceText{tnum} -- Tabular Figures}
+Fixed-width figures: \ltab{0123456789} (with \textSourceText{lnum}), \otab{0123456789} (default or with
+\textSourceText{onum}).
+
+\subsection{\textSourceText{onum} -- Oldstyle Figures}
+Junicode's default figures are oldstyle and proportional, harmonizing with lowercase characters:
+0123456789. Use this feature to switch temporarily to oldstyle figures in a context where
+\textSourceText{lnum} is active.
+
+\subsection{\textSourceText{pnum} -- Proportional Figures}
+Junicode's default figures are proportionally spaced: unlike tabular figures, they are not
+all the same width: 0123456789. Use this feature to switch temporarily to proportional figures in a context where
+\textSourceText{tnum} is active.
+
+\subsection{\textSourceText{lnum} -- Lining Figures}
+Figures in a uniform height, harmonizing with uppercase letters: \ltab{0123456789} (with
+\textSourceText{tnum}), \lprop{0123456789} (default or with \textSourceText{pnum}).
+
+\subsection{\textSourceText{zero} -- Slashed Zero}
+Produces slashed zero in all number styles, including superscripts, subscripts, and fractions made with
+\textSourceText{frac}: {\addfontfeature{Numbers=SlashedZero}\ltab{0} \otab{0} \lprop{0} \oprop{0}
+\addfontfeature{Fractions=On} 10/30}.
+
+\subsection{\textSourceText{ss09} -- Alternate Figures}
+In the manner of old typefaces, Junicode's default number one is shaped like a small capital I and
+its zero is a plain ring. This feature provides more modern-looking figures:
+{\addfontfeature{StylisticSet=9}01}. Only oldstyle figures
+are affected by this feature.
+
+\section{Superscripts and Subscripts}
+\subsection{\textSourceText{sups} -- Superscripts}
+Produces superscript numbers and letters. Superscript numbers are in one of two styles: oldstyle proportional
+(from oldstyle numbers) and lining tabular (from lining numbers). All lowercase
+letters of the basic Latin alphabet are covered, and most uppercase letters: \sups{\ltab{0123} \oprop{4567} abcde ABDEG}. Wherever
+superscripts are needed (e.g. for footnote numbers), use \textSourceText{sups} instead of the raised and scaled
+characters generated by some programs. With sups: \sups{4567}. Scaled: \textsuperscript{4567}.
+
+\subsection{\textSourceText{subs} -- Subscripts}
+Produces subscript numbers. Only produces oldstyle proportional and lining tabular figures:
+\subs{\oprop{2345} \ltab{8901}}.
+
+\section{Punctuation}
+MUFI encodes nearly twenty marks of punctuation in the PUA. In Junicode these can be accessed in
+either of two ways: all are indexed variants of \textex{.} (period), and all are associated with the Unicode marks of
+punctuation they most resemble (but it should not be inferred that the medieval marks are semantically identical with
+the Unicode marks, or that there is an etymological relationship between them). The first method will be easier for
+most to use, but the second is more likely to yield acceptable fallbacks in environments where Junicode is not
+available.
+
+Marks with Unicode encoding are not included here, as they can safely be entered directly. In MUFI 4.0 several marks
+have PUA encodings, but have since that release been assigned Unicode code points: \textit{paragraphus} (⹍
+\unic{U+2E4D}), medieval comma (⹌~\unic{U+2E4C}), \textit{punctus elevatus} (⹎ \unic{U+2E4E}), \textit{virgula suspensiva}
+(⹊ \unic{U+2E4A}), triple dagger (⹋ \unic{U+2E4B}).
+
+\subsection{\textSourceText{ss18} -- Old-Style Punctuation Spacing}
+Colons, semicolons, parentheses, quotation marks and several other glyphs are spaced as in early printed books.
+
+\subsection{\textSourceText{cv69} -- Variants of ⁊⹒
+(\unic{U+204A / U+2E52}, Tironian nota)}
+1=\cvd{69}{⁊⹒}, 2=\cvd[1]{69}{⁊⹒}, 3=\cvd[2]{69}{⁊⹒}.
+
+\subsection{\textSourceText{cv70} --
+ Variants of . (period)}
+1=\cvd{70}{.}, 2=\cvd[1]{70}{.}, 3=\cvd[2]{70}{.}, 4=\cvd[3]{70}{.}, 5=\cvd[4]{70}{.}, 6=\cvd[5]{70}{.},
+7=\cvd[6]{70}{.}, 8=\cvd[7]{70}{.}, 9=\cvd[8]{70}{.}, 10=\cvd[9]{70}{.}, 11=\cvd[10]{70}{.}, 12=\cvd[11]{70}{.},
+13=\cvd[12]{70}{.}, 14=\cvd[13]{70}{.}, 15=\cvd[14]{70}{.}, 16=\cvd[15]{70}{.}, 17=\cvd[16]{70}{.},
+18=\cvd[17]{70}{.}, 19=\cvd[18]{70}{.}, 20=\cvd[19]{70}{.}. This
+feature provides access to all non-Unicode MUFI punctuation marks. Some of them are available via other features (see
+below).
+
+\subsection{\textSourceText{cv71} -- Variant of {\textperiodcentered} (\unic{U+00B7}, middle dot)}
+1=\cvd{71}{\char"25CC\textperiodcentered} (\textit{distinctio}), 2=\cvd[1]{71}{\char"25CC\textperiodcentered}.
+
+\subsection{\textSourceText{cv72} --
+Variants of , (comma)}
+1=\cvd{72}{,}, 2=\cvd[1]{72}{,}.
+
+\subsection{\textSourceText{cv73} --
+Variants of ; (semicolon)}
+1=\cvd{73}{;} (\textit{punctus versus}), 2=\cvd[1]{73}{;}, 3=\cvd[2]{73}{;}, 4=\cvd[3]{73}{;},
+5=\cvd[4]{73}{;}, 6=\cvd[5]{73}{;}, 7=\cvd[6]{73}{;}.
+
+\subsection{\textSourceText{cv74} -- Variants of ⹎ (\unic{U+2E4E}, \textit{punctus elevatus})}
+1=\cvd{74}{⹎}, 2=\cvd[1]{74}{⹎}, 3=\cvd[2]{74}{⹎}, 4=\cvd[3]{74}{⹎} (\textit{punctus flexus}).
+
+\subsection{\textSourceText{cv7}\textSourceText{5} -- Variant of ! (exclamation mark)}
+1=\cvd{75}{!} (\textit{punctus exclamativus}).
+
+\subsection{\textSourceText{cv76}
+-- Variants of ? (question mark)}
+1=\cvd{76}{?}, 2=\cvd[1]{76}{?}, 3=\cvd[2]{76}{?}. Shapes of the \textit{punctus interrogativus}.
+
+\subsection{\textSourceText{cv77}
+-- Variant of \~{} (ASCII tilde)}
+1=\cvd{77}{\~{}} (same as MUFI \unic{U+F1F9}, ``wavy line'').
+
+\subsection{\textSourceText{cv78} --
+Variant of * (asterisk)}
+1=\cvd{78}{*}. MUFI defines \unic{U+F1EC} as a \textit{signe de renvoi}. Manuscripts employ a number of shapes (of which this is one) for
+this purpose. Junicode defines it as a variant of the asterisk---the most common modern \textit{signe de renvoi}.
+
+\subsection{\textSourceText{cv7}\textSourceText{9} -- Variants of / (slash)}
+1=\cvd{79}{/}, 2=\cvd[1]{79}{/}. The first of these is Unicode, \unic{U+2E4E}.
+
+\section{Spacing Abbreviations}
+\subsection{\textSourceText{cv80} -- Variant of ꝝ (\unic{U+A75D}, rum
+abbreviation)}
+1=\cvd{80}{ꝝ}.
+
+\subsection{\textSourceText{cv82} -- Variants of spacing ꝰ (\unic{U+A770})}
+1=\cvd{82}{ꝰ}, 2=\cvd[1]{82}{ꝰ}. \textSourceText{cv82[1]} produces the baseline \textit{{}-us} abbreviation (same as MUFI
+\unic{U+F1A6}). MUFI also has an uppercase baseline \textit{{}-us} abbreviation (\unic{U+F1A5}), but as there is no uppercase version
+of \unic{U+A770} to pair it with, it is indexed separately here.
+
+\subsection{\textSourceText{cv83} -- Variants of ꝫ (\unic{U+A76B}, ``et'' abbreviation)}
+1=\cvd{83}{ꝫ}, 2=\cvd[1]{83}{ꝫ}, 3=\cvd[2]{83}{ꝫ}. \textSourceText{[1]} and \textSourceText{[3]} are
+identical in shape to a semicolon and a colon, but as they are semantically the same as \unic{U+A76B},
+it is preferable to use those
+characters with this feature. \textSourceText{[2]} produces a subscript version of
+the character, a common variant in early printed books.
+
+\subsection{\textSourceText{cv67} -- Spacing zigzag (variant of \unic{U+00AF}, spacing macron)}
+A spacing version of ◌͛ (\unic{U+035B}, combining zigzag) appears in John Hutchins,
+\textit{The History and Antiquities of the County of Dorset} (London, 1774). It
+is not in Unicode or MUFI. In the future this feature may be used, as necessary,
+for other spacing marks of abbreviation.
+
+\section{Combining Marks}
+\subsection{\textSourceText{cv84} -- MUFI combining marks (variants of \unic{U+0304})}\hypertarget{cv84}{}
+MUFI encodes a number of combining marks in the PUA (with code points between \unic{E000} and \unic{F8FF}), but when these characters
+are entered directly, they can interfere with searching and accessibility, and some important applications fail to
+position them correctly over their base characters. To avoid these problems, enter \unic{U+0304} (◌̄, \textUName{combining
+macron}) and apply \textSourceText{cv84}, with the appropriate index, to both mark and base character. This
+collection of marks does not include any Unicode-encoded marks (from the ``Combining Diacritical Marks'' ranges), as
+these can safely be entered directly. It does include three marks (\textSourceText{cv84[30]},
+\textSourceText{[31]} and \textSourceText{[32]}) that lack MUFI code points but are used to form MUFI
+characters, and three more (\textSourceText{[2]}, \textSourceText{[33]},
+and \textSourceText{[34]}) that have no code points in Unicode or MUFI.
+
+This feature may often appear to have no effect. When this happens it is because
+an application replaced a sequence like \textex{a \unic{U+0304}} with a precomposed character
+like \textex{ā} (\unic{U+0101}) before Junicode's OpenType programming had a chance to work.
+This process is called normalization, and it usually has the effect of simplifying
+text processing tasks, but can sometimes prevent the proper functioning of OpenType
+features. To disable it, place the character \unic{U+034F} \textUName{combining
+grapheme joiner} between the base
+character and the combining mark (or the first combining mark). For example, to produce
+the combination \textex{\cvd[1]{84}{u͏̄}}, enter \textex{u \unic{U+034F U+0304}}.
+
+These marks can sometimes be produced by other \textSourceText{cvNN} features, which may be preferable to
+\textSourceText{cv84} as providing more suitable fallbacks for applications that do not support Character Variant
+(\textSourceText{cvNN}) features.
+
+For some marks with PUA code points, users may find it easier to use \hyperlink{ss10}{entities} than this feature.
+
+These marks are not affected by most other features. This is to preserve flexibility, given the rule that the feature
+that produces them must be applied to both the mark and the base character. For example, if you had to
+apply \textSourceText{smcp} ``Small Caps'' to \textSourceText{U+1DE8} ◌͏ᷨ to get
+\textSourceText{cv84[11]} \cvd[10]{84}{◌͏̄}, it would be impossible to produce the sequence
+\textex{\cvd[10]{84}{na͏{\char"34F\char"304}a}}
+(or the reverse case \textex{\textsc{na{\char"1DE8}a}})
+with the diacritic properly positioned.
+
+\begin{multicols}{6}
+\color{BrickRed}1\hfill=\hfill\cvd{84}{◌͏̄}
+
+2\hfill=\hfill\cvd[1]{84}{◌͏̄}
+
+3\hfill=\hfill\cvd[2]{84}{◌͏̄}
+
+4\hfill=\hfill\cvd[3]{84}{◌͏̄}
+
+5\hfill=\hfill\cvd[4]{84}{◌͏̄}
+
+6\hfill=\hfill\cvd[5]{84}{◌͏̄}
+
+7\hfill=\hfill\cvd[6]{84}{◌͏̄}
+
+8\hfill=\hfill\cvd[7]{84}{◌͏̄}
+
+9\hfill=\hfill\cvd[8]{84}{◌͏̄}
+
+10\hfill=\hfill\cvd[9]{84}{◌͏̄}
+
+11\hfill=\hfill\cvd[10]{84}{◌͏̄}
+
+12\hfill=\hfill\cvd[11]{84}{◌͏̄}
+
+13\hfill=\hfill\cvd[12]{84}{◌͏̄}
+
+14\hfill=\hfill\cvd[13]{84}{◌͏̄}
+
+15\hfill=\hfill\cvd[14]{84}{◌͏̄}
+
+16\hfill=\hfill\cvd[15]{84}{◌͏̄}
+
+17\hfill=\hfill\cvd[16]{84}{◌͏̄}
+
+18\hfill=\hfill\cvd[17]{84}{◌͏̄}
+
+19\hfill=\hfill\cvd[18]{84}{◌͏̄}
+
+20\hfill=\hfill\cvd[19]{84}{◌͏̄}
+
+21\hfill=\hfill\cvd[20]{84}{◌͏̄}
+
+22\hfill=\hfill\cvd[21]{84}{◌͏̄}
+
+23\hfill=\hfill\cvd[22]{84}{◌͏̄}
+
+24\hfill=\hfill\cvd[23]{84}{◌͏̄}
+
+25\hfill=\hfill\cvd[24]{84}{◌͏̄}
+
+26\hfill=\hfill\cvd[25]{84}{◌͏̄}
+
+27\hfill=\hfill\cvd[26]{84}{◌͏̄}
+
+28\hfill=\hfill\cvd[27]{84}{◌͏̄}
+
+29\hfill=\hfill\cvd[28]{84}{◌͏̄}
+
+30\hfill=\hfill\cvd[29]{84}{◌͏̄}
+
+31\hfill=\hfill\cvd[30]{84}{◌͏̄}
+
+32\hfill=\hfill\cvd[31]{84}{◌͏̄}
+
+33\hfill=\hfill\cvd[32]{84}{◌͏̄}
+
+34\hfill=\hfill\cvd[33]{84}{◌͏̄}
+
+35\hfill=\hfill\cvd[34]{84}{◌͏̄}
+
+36\hfill=\hfill\cvd[34]{84}{◌͏̄}
+
+37\hfill=\hfill\cvd[34]{84}{◌͏̄}
+\end{multicols}
+
+\subsection{\textSourceText{cv81} -- Variants of ◌͛ (\unic{U+035B}, combining
+zigzag above)}
+1=\cvd{81}{◌͛}, 2=\cvd[1]{81}{◌͛}, 3=\cvd[2]{81}{◌͛}. Positioning of the zigzag can differ from that of other combining
+marks, e.g. \textex{b͛ f͛ d͛}. If \textSourceText{calt} ``Contextual Alternates'' is enabled (as it is by
+default in most apps), variant forms of \textSourceText{cv81[2]} will be used with several letters, e.g.
+\textex{\cvd[1]{81}{d͛ \ f͛ \ k͛}}. Enable \textSourceText{case} for forms that harmonize with capitals
+(\textex{\addfontfeature{Letters=Uppercase}\cvd[1]{81}{A͛ B͛ C͛ D͛}}),
+\textSourceText{smcp} for forms that harmonize with small caps
+(\textex{\textsc{\cvd[1]{81}{e͛ f͛ g͛ h͛}}}).
+
+\subsection{\textSourceText{ss10} -- Character Entities for Combining Marks}\hypertarget{ss10}{}
+Instead of \textSourceText{\hyperlink{cv84}{cv84}} for representing non-Unicode combining marks, some users may
+wish to use XML/HTML-style entities. When \textSourceText{ss10} is turned on (preferably for the entire
+text), these entities appear as combining marks and are correctly positioned over base characters.
+For example, the letter \textex{e} followed by
+\textex{\&{\textcompwordmark}\_eogo;} will yield \textex{e\&\_eogo;}. An advantage of entities is that
+they are (unlike the PUA code points or the indexes of \textSourceText{cv84}) mnemonic and thus easy to use.
+A disadvantage is that
+searches cannot ignore combining marks entered by this method as they can using the \textSourceText{cv84} method.
+(Every method of entering non-Unicode combining marks has disadvantages: users should weigh these, choose a method,
+and stick with it.)
+
+If you use any of these entities in a work intended for print publication, you should call your publisher’s
+attention to them, since they will likely have their own method of representing them.
+
+\begin{multicols}{4}
+\color{RViolet}%
+% Some of the marks in this table are made with cv84. It appears that the
+% program may be calculating column width using the width of the unresolved
+% entity, and that is causing some cells to wrap. We use cv84 for those
+% cells.
+\&{\textcompwordmark}\_ansc;\hfill→\hfill\textstyleEntityRef{◌\&\_ansc;}
+
+\&{\textcompwordmark}\_an;\hfill→\hfill\textstyleEntityRef{◌\&\_an;}
+
+\&{\textcompwordmark}\_ar;\hfill→\hfill\textstyleEntityRef{◌\&\_ar;}
+
+\&{\textcompwordmark}\_arsc;\hfill→\hfill\textstyleEntityRef{◌\&\_arsc;}
+
+\&\_{\textcompwordmark}as;\hfill→\hfill\textstyleEntityRef{◌\&\_as;}
+
+\&{\textcompwordmark}\_bsc;\hfill→\hfill\textstyleEntityRef{◌\&\_bsc;}
+
+\&{\textcompwordmark}\_dsc;\hfill→\hfill\textstyleEntityRef{◌\&\_dsc;}
+
+\&{\textcompwordmark}\_eogo;\hfill→\hfill\textstyleEntityRef{◌\&\_eogo;}
+
+\&{\textcompwordmark}\_emac;\hfill→\hfill\cvd[12]{84}{◌\char"0304}
+
+\&\_{\textcompwordmark}idotl;\hfill→\hfill\textstyleEntityRef{◌\&\_idotl;}
+
+\&\_{\textcompwordmark}j;\hfill→\hfill\textstyleEntityRef{◌\&\_j;}
+
+\&\_{\textcompwordmark}jdotl;\hfill→\hfill\textstyleEntityRef{◌\&\_jdotl;}
+
+\&\_{\textcompwordmark}ksc;\hfill→\hfill\textstyleEntityRef{◌\&\_ksc;}
+
+{\narrow\&\_{\textcompwordmark}munc;\hfill→\hfill\cvd[18]{84}{◌\char"0304}}
+
+\&\_{\textcompwordmark}oogo;\hfill→\hfill\cvd[20]{84}{◌\char"0304}
+
+{\narrow\&\_{\textcompwordmark}oslash;\hfill→\hfill\cvd[21]{84}{◌\char"0304}}
+
+\&\_{\textcompwordmark}omac;\hfill→\hfill\cvd{84}{◌\char"0304}
+
+\&\_{\textcompwordmark}orr;\hfill→\hfill\textstyleEntityRef{◌\&\_orr;}
+
+\&\_{\textcompwordmark}oru;\hfill→\hfill\textstyleEntityRef{◌\&\_oru;}
+
+\&\_{\textcompwordmark}q;\hfill→\hfill\textstyleEntityRef{◌\&\_q;}
+
+\&\_{\textcompwordmark}ru;\hfill→\hfill\textstyleEntityRef{◌\&\_ru;}
+
+\&\_{\textcompwordmark}sa;\hfill→\hfill\textstyleEntityRef{◌\&\_sa;}
+
+\&\_{\textcompwordmark}tsc;\hfill→\hfill\textstyleEntityRef{◌\&\_tsc;}
+
+\&\_{\textcompwordmark}y;\hfill→\hfill\textstyleEntityRef{◌\&\_y;}
+
+{\narrow\&\_{\textcompwordmark}thorn;\hfill→\hfill\textstyleEntityRef{◌\&\_thorn;}}
+\end{multicols}
+
+\noindent For another function of Stylistic Set 10, see \hyperlink{tagchapter}{Chapter 6, Entering Characters with Tags}.
+
+\subsection{\textSourceText{ss20} -- Low Diacritics}
+The MUFI recommendation includes a number of precomposed characters with base letters
+{\addfontfeature{Language=Icelandic}b, h, k, {\th}, ꝺ and {\dh}} and a number of combining
+marks. Instead of being positioned above ascender height as usual (e.g.
+\textex{hͣ}), the MUFI glyphs have the marks positioned above the x-height
+(e.g. \textex{\addfontfeature{StylisticSet=20}hͣ}).
+Using the MUFI code points for these precomposed glyphs can interfere with searching
+and drastically reduce accessibility. Users of Junicode should instead use a sequence of base character + combining
+mark, and apply \textSourceText{ss20} to the two glyphs. Variant shapes of \textex{ꝺ} and \textex{{\dh}}
+that accommodate the combining mark will be substituted for the normal base characters (but this is not necessary for
+the other base characters). Examples:
+\textex{\addfontfeature{StylisticSet=20}bͦ ꝺᷦ \cvd[14]{84}{h̄} kͤ {\th}ͭ ðᷢ}. These marks are affected by this
+feature:
+
+\begin{multicols}{3}
+ \seminarrow\color{BrickRed}◌ͣ (\unic{U+0363})
+
+ ◌ᷓ (\unic{U+1DD3})
+
+ ◌ͤ (\unic{U+0364})
+
+ \cvd[14]{84}{◌͏̄} (\unic{U+0304}\slash\textSourceText{cv84[15]})
+
+ ◌ᷞ (\unic{U+1DDE})
+
+ \cvd[18]{84}{◌͏̄} (\unic{U+0304}\slash\textSourceText{cv84[19]}).
+
+ ◌ͦ (\unic{U+0366})
+
+ ◌ͬ (\unic{U+036C})
+
+ ◌ᷢ (\unic{U+1DE2})
+
+ ◌ᷣ (\unic{U+1DE3})
+
+ \cvd{87}{◌ᷣ} (\unic{U+1DE3}\slash\textSourceText{cv87[1]})
+
+ ◌ͭ (\unic{U+036D})
+
+ ◌ᫎ (\unic{U+1ACE})
+
+ ◌ͧ (\unic{U+0367})
+
+ ◌ͮ (\unic{U+036E})
+
+ ◌ᷦ (\unic{U+1DE6})
+
+ ◌͛ (\unic{U+035B})
+ \end{multicols}
+
+\noindent\textSourceText{ss20} is intended for use only with the diacritics and base characters listed here; other
+base+diacritic combinations may be disrupted by the feature. You should therefore apply it only to
+relevant base+diacritic pairs (e.g. via a style in InDesign or a word processor or a command in
+{\LuaTeX}).
+
+
+
+\subsection{\textSourceText{cv85} -- Variant of ◌ᷓ (U+1DD3, combining open a)}
+1=\cvd{85}{◌ᷓ}.
+
+\subsection{\textSourceText{cv86} -- Variant of ◌ᷘ (\unic{U+1DD8}, combining insular
+d)}
+1=\cvd{86}{◌ᷘ}.
+
+\subsection{\textSourceText{cv87} -- Variant of ◌ᷣ (\unic{U+1DE3}, combining r rotunda)}
+1=\cvd{87}{◌ᷣ}.
+
+\subsection{\textSourceText{cv8}\textSourceText{8} -- Variant of combining dieresis (\unic{U+0308})}
+1=\cvd{88}{◌̈}. This also affects precomposed characters on which this variant dieresis may occur, e.g.
+\textex{\cvd{88}{\"a}}.
+
+\subsection{\textSourceText{cv89} -- Variant of ◌̅ (\unic{U+0305},
+combining overline)}
+1=\cvd{89}{◌̅}.
+
+\subsection{\textSourceText{cv}\textSourceText{90} -- Variants of ◌͞◌ (\unic{U+035E}, combining double macron)}
+1=\cvd{90}{◌͞◌}, 2=\cvd[1]{90}{◌͞◌}.
+
+\subsection{\textSourceText{cv92} -- Variant of combining breve below (\unic{U+032E})}
+1=\cvd{92}{◌◌̮◌}. Position the mark after the middle of three glyphs, and apply \textSourceText{cv92}
+to both the mark and (at least) the middle glyph. This mark is not available via \textSourceText{cv84}.
+
+\section{Currency and Weights}
+\subsection{\textSourceText{cv93} -- Variants of {\textcurrency} (\unic{U+0044}, generic
+currency sign)}
+
+\begin{multicols}{6}
+\color{RViolet}1\hfill=\hfill\cvd{93}{\textcurrency}
+
+2\hfill=\hfill\cvd[1]{93}{\textcurrency}
+
+3\hfill=\hfill\cvd[2]{93}{\textcurrency}
+
+4\hfill=\hfill\cvd[3]{93}{\textcurrency}
+
+5\hfill=\hfill\cvd[4]{93}{\textcurrency}
+
+6\hfill=\hfill\cvd[5]{93}{\textcurrency}
+
+7\hfill=\hfill\cvd[6]{93}{\textcurrency}
+
+8\hfill=\hfill\cvd[7]{93}{\textcurrency}
+
+9\hfill=\hfill\cvd[8]{93}{\textcurrency}
+
+10\hfill=\hfill\cvd[9]{93}{\textcurrency}
+
+11\hfill=\hfill\cvd[10]{93}{\textcurrency}
+
+12\hfill=\hfill\cvd[11]{93}{\textcurrency}
+
+13\hfill=\hfill\cvd[12]{93}{\textcurrency}
+
+14\hfill=\hfill\cvd[13]{93}{\textcurrency}
+
+15\hfill=\hfill\cvd[14]{93}{\textcurrency}
+
+16\hfill=\hfill\cvd[15]{93}{\textcurrency}
+
+17\hfill=\hfill\cvd[16]{93}{\textcurrency}
+
+18\hfill=\hfill\cvd[17]{93}{\textcurrency}
+
+19\hfill=\hfill\cvd[18]{93}{\textcurrency}
+
+20\hfill=\hfill\cvd[19]{93}{\textcurrency}
+
+21\hfill=\hfill\cvd[20]{93}{\textcurrency}
+
+22\hfill=\hfill\cvd[21]{93}{\textcurrency}
+
+23\hfill=\hfill\cvd[22]{93}{\textcurrency}
+
+24\hfill=\hfill\cvd[23]{93}{\textcurrency}
+
+25\hfill=\hfill\cvd[24]{93}{\textcurrency}
+
+26\hfill=\hfill\cvd[25]{93}{\textcurrency}
+
+27\hfill=\hfill\cvd[26]{93}{\textcurrency}
+\end{multicols}
+
+\noindent All of MUFI’s currency and weight symbols (those that do
+not have Unicode code points) are gathered here, but some are also variants of other currency signs (see below).
+
+\subsection{\textSourceText{cv9}\textSourceText{4} -- Variant of ℔ (\unic{U+2114})}
+1=\cvd{94}{℔}. Same as MUFI \unic{U+F2EB} (French Libra sign).
+
+\subsection{\textSourceText{cv95} -- Variants of {\pounds} (\unic{U+00A3}, British pound sign)}
+1=\cvd{95}{\pounds}, 2=\cvd[1]{95}{\pounds}, 3=\cvd[2]{95}{\pounds}, 4=\cvd[3]{95}{\pounds},
+5=\cvd[4]{95}{\pounds}, 6=\cvd[5]{95}{\pounds}. Same as MUFI \unic{U+F2EA, F2EB, F2EC, F2ED,
+F2EE, F2EF}, pound signs from various locales.
+
+\subsection{\textSourceText{cv96} -- Variant of ₰ (\unic{U+20B0}, German penny sign)}
+1=\cvd{96}{₰}. Same as MUFI \unic{U+F2F5}.
+
+\subsection{\textSourceText{cv97} -- Variant of ƒ (\unic{U+0192}, florin)}
+1=\cvd{97}{ƒ}. Same as MUFI \unic{U+F2E8}.
+
+\subsection{\textSourceText{cv98} -- Variant of ℥ (\unic{U+2125}, Ounce sign)}
+1=\cvd{98}{℥}. Same as MUFI \unic{U+F2FD}, Script ounce sign.
+
+\section{Ornaments}
+\subsection{\textSourceText{ornm} -- Ornaments}\hypertarget{ornm}{}
+Produces ornaments (fleurons) in either of two ways: as an indexed variant of the bullet character (\unic{U+2022}) or as
+variants of a-z, A-C:
+
+\begin{multicols}{4}
+a, 1{\tabto{4em}}\ornm{a}
+
+b, 2{\tabto{4em}}\ornm{b}
+
+c, 3{\tabto{4em}}\ornm{c}
+
+d, 4{\tabto{4em}}\ornm{d}
+
+e, 5{\tabto{4em}}\ornm{e}
+
+f, 6{\tabto{4em}}\ornm{f}
+
+g, 7{\tabto{4em}}\ornm{g}
+
+h, 8{\tabto{4em}}\ornm{h}
+
+i, 9{\tabto{4em}}\ornm{i}
+
+j, 10{\tabto{4em}}\ornm{j}
+
+k, 11{\tabto{4em}}\ornm{k}
+
+l, 12{\tabto{4em}}\ornm{l}
+
+m, 13{\tabto{4em}}\ornm{m}
+
+n, 14{\tabto{4em}}\ornm{n}
+
+o, 15{\tabto{4em}}\ornm{o}
+
+p, 16{\tabto{4em}}\ornm{p}
+
+q, 17{\tabto{4em}}\ornm{q}
+
+r, 18{\tabto{4em}}\ornm{r}
+
+s, 19{\tabto{4em}}\ornm{s}
+
+t, 20{\tabto{4em}}\ornm{t}
+
+u, 21{\tabto{4em}}\ornm{u}
+
+v, 22{\tabto{4em}}\ornm{v}
+
+w, 23{\tabto{4em}}\ornm{w}
+
+x, 24{\tabto{4em}}\ornm{x}
+
+y, 25{\tabto{4em}}\ornm{y}
+
+z, 26{\tabto{4em}}\ornm{z}
+
+A, 27{\tabto{4em}}\ornm{A}
+
+B, 28{\tabto{4em}}\ornm{B}
+
+C, 29{\tabto{4em}}\ornm{C}
+\end{multicols}
+
+\noindent The method with letters of the alphabet is easier, but the method with bullets will produce a more satisfactory result
+when text is displayed in an environment where Junicode is not available or \textSourceText{ornm} is not
+implemented.
+
+\subsection{Lady Junicode}
+Lady Junicode cannot be produced by an OpenType feature, believing that it would be vulgar to make herself so accessible. She has, indeed,
+commanded that the author of this document not publish her code point, located in one of the more private corners of the
+Private Use Area. She has, however, given permission to publish her miniature:
+\begin{center}
+{\huge\char"0F19F}
+\end{center}
+If you encounter her while adventuring in her domains, greet her respectfully, and she will welcome you graciously.
+
+\section{Required Features}\hypertarget{req}{}
+Required features, which provide some of the font’s most basic functionality---ligatures, support for
+other features, kerning, and more---include \textSourceText{ccmp} (Glyph Composition/Decomposition),
+\textSourceText{calt} (Contextual Alternates), \textSourceText{liga} (Standard Ligatures),
+\textSourceText{loca} (Localized Forms), \textSourceText{rlig} (Required Ligatures),
+\textSourceText{kern} (Horizontal Kerning), and \textSourceText{mark}/\textSourceText{mkmk} (Mark
+Positioning). In MS Word these features have to be explicitly enabled on the Advanced tab of the Font dialog (Ctrl-D or
+Cmd-D: enable Kerning, Standard Ligatures, and Contextual Alternates, and the others will be enabled automatically),
+but in most other applications they are enabled by default.
+
+
+\chapter{Non-MUFI Code Points}\hypertarget{nonmufi}{}
+
+Characters in Junicode that do not have Unicode code points should be accessed via OpenType
+features whenever possible. MUFI/PUA code points should be used only in applications that do not support OpenType, or
+that support it only partially (for example, MS Word). For certain characters that lack either Unicode or MUFI code
+points, code points in the Supplementary Private Use Area-A (plane 15) are available.
+
+\begin{multicols}{4}
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0000\hfill\cvd{53}{Ą}}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0001\hfill{}}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0002\hfill{}}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0003\hfill{}}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0004\hfill{}}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0005\hfill{}}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0006\hfill{}}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0007\hfill{}}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0008\hfill{}}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0009\hfill{}}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F000A\hfill{}}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F000B\hfill{}}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F000C\hfill{}}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F000D\hfill{}}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F000E\hfill{}}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F000F\hfill{}}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0010\hfill{}}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0011\hfill{}}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0012\hfill{}}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0013\hfill{}}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0014\hfill{}}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0015\hfill{}}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0016\hfill{}}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0017\hfill{}}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0018\hfill{}}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0019\hfill{}}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F001A\hfill{}}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F001B\hfill{}}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F001C\hfill{}}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F001D\hfill{}}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F001E\hfill{}}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F001F\hfill{}}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0020\hfill\char"0F0020}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0021\hfill\char"0F0021}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0030\hfill\char"0F0030}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0031\hfill\char"0F0031}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0032\hfill\char"0F0032}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0033\hfill\char"0F0033}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0034\hfill\char"0F0034}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0035\hfill\char"0F0035}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0036\hfill\char"0F0036}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0037\hfill\char"0F0037}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0038\hfill\char"0F0038}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0039\hfill\char"0F0039}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F003A\hfill\char"0F003A}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F003B\hfill\char"0F003B}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F003C\hfill\char"0F003C}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F003D\hfill\char"0F003D}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F003E\hfill\char"0F003E}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F003F\hfill\char"0F003F}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0040\hfill\char"0F0040}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0041\hfill\char"0F0041}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0042\hfill\char"0F0042}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0043\hfill\char"0F0043}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0044\hfill\char"0F0044}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0045\hfill\char"0F0045}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0046\hfill\char"0F0046}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0047\hfill\char"0F0047}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0048\hfill\char"0F0048}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0049\hfill\char"0F0049}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F004A\hfill\char"0F004A}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F004B\hfill\char"0F004B}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F004C\hfill\char"0F004C}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F004D\hfill\char"0F004D}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F004E\hfill\char"0F004E}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F004F\hfill\char"0F004F}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0050\hfill\char"0F0050}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0051\hfill\char"0F0051}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0052\hfill\char"0F0052}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0053\hfill\char"0F0053}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0054\hfill\char"0F0054}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0055\hfill\char"0F0055}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0056\hfill\char"0F0056}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0057\hfill\char"0F0057}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0058\hfill\char"0F0058}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0059\hfill\char"0F0059}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F005A\hfill\char"0F005A}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F005B\hfill\char"0F005B}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F005C\hfill\char"0F005C}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F005D\hfill\char"0F005D}
+\end{multicols}
Property changes on: trunk/Master/texmf-dist/doc/fonts/junicodevf/source/Feature_Reference.tex
___________________________________________________________________
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## -0,0 +1 ##
+native
\ No newline at end of property
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===================================================================
--- trunk/Master/texmf-dist/doc/fonts/junicodevf/source/GettingStarted.tex (rev 0)
+++ trunk/Master/texmf-dist/doc/fonts/junicodevf/source/GettingStarted.tex 2024-01-02 21:30:53 UTC (rev 69278)
@@ -0,0 +1,185 @@
+
+\chapter{Getting Started with Junicode}\hypertarget{GettingStarted}{}
+%\fancyhead[CE]{\scshape\color{myRed} {\addfontfeatures{Numbers=OldStyle}\thepage}\hspace{10pt}getting started}
+
+Junicode comes in two flavors—static and variable. Static fonts are the ones
+users are most familiar with, each font file supplying a single set of outlines
+that do not change except in size. By contrast, a single
+\href{https://fonts.google.com/knowledge/introducing_type/introducing_variable_fonts}{variable font}
+file stores a set of
+outlines that can morph in various ways—for example, becoming bolder or lighter,
+narrower or wider, and sometimes undergoing more complex transformations. The static
+version of Junicode consists of thirty-eight font files,
+each providing a distinct variation of the font’s style; the variable version consists
+of only two (one each for roman and italic), but those two font files are capable of
+much more than the static version's thirty-eight.
+
+Because the static and variable versions of Junicode are differently named
+(“Junicode” and “Junicode VF”), both can be installed on the same system. However,
+you should choose one or the other for any particular project. Choose the static
+version if the application you are using does not yet support variable fonts. Such
+applications include Microsoft Word, Apple Pages, Quark Xpress, Google Docs,
+Affinity Publisher, and most flavors of {\TeX} (except for {\LuaTeX}—see below). Another
+reason to choose the static version is its familiarity: if you don't need the
+advanced capabilities of the variable version, it is perfectly all right to stick
+with what you know.
+
+All major web browsers (including browsers for mobile devices) support variable fonts,
+and there are good reasons to choose
+the variable version of Junicode for any web project. The greatest reason to go
+with the variable version is to speed the loading of web pages: users will never
+have to download more than two font files (the size of which can be radically
+reduced via subsetting, explained in Section 9 of this Manual). Additionally,
+however, variable fonts can make a page of text more dynamic and visually
+interesting. See Mozilla's
+\href{https://developer.mozilla.org/en-US/docs/Web/CSS/CSS_fonts/Variable_fonts_guide}%
+{Variable Fonts Guide} for more information about using variable fonts on the web.
+
+A growing number of desktop applications support variable fonts. Use the variable version of
+Junicode in Adobe InDesign (always with the World-Ready Paragraph Composer).\footnote{%
+The choice of a Composer is well hidden in the “Justification” section of the
+“Paragraph Style Options” dialog. Use of the default “Adobe Paragraph Composer”
+with Junicode VF may cause InDesign to crash or otherwise misbehave. To prevent crashes
+when using the variable version of Junicode,
+it is also advisable to delete InDesign's preferences when launching the program after
+a font upgrade. To do this, press Shift-Alt-Control (on Windows) or
+Shift-Control-Option-Command (on the Mac) all together, \textit{immediately} after
+clicking to launch InDesign.} LibreOffice
+has supported variable fonts since version 7.5 (2023). {\LuaTeX} has excellent support
+for variable fonts: make sure your {\TeX} installation is up to date (since in
+recent years support for variable fonts has improved with every release), and always choose “harf”
+mode in your font-selection code. For an example of font-selection code for a
+variable font, see the file
+\href{https://github.com/psb1558/Junicode-font/blob/master/docs/JunicodeManual.sty}%
+{JunicodeManual.sty} (part of the source for this manual) in the “docs” directory of the GitHub Junicode site.
+You are welcome to copy and modify this code. A number of graphical design apps
+also support variable fonts, including Adobe Illustrator, PhotoShop, Figma,
+Sketch, and CorelDRAW.
+
+The static version of Junicode has five weights and five widths, which are combined in many ways
+for a total of nineteen styles in
+both roman and italic.\footnote{Several of the twenty-five possible combinations
+(e.g. {\lightexp light expanded})
+have been omitted as unlikely to be useful; however, these can be accessed via the variable font.}
+It is not necessary to install all of these; in fact,
+your life will be simplified (font menus easier to navigate) if you
+make a selection. You will probably want the traditional Regular, Bold, Italic, and Bold
+Italic fonts, but you should survey the styles displayed in the Specimen
+section of this booklet, choose the ones that look best to you, and install
+only those. A reasonable selection for many users will include the traditional four
+styles for main text, several SemiExpanded styles for footnotes, and
+SemiCondensed for titles.
+
+Junicode’s static fonts come in two types, TrueType (files with a .ttf extension) and
+CFF (files with an .otf extension). These are functionally identical, but they may look
+subtly different on your computer’s screen because of the different technologies used to
+render glyphs. Choose the one you find most appealing.
+
+With around 5,000 characters, Junicode is a large font. Finding the things you
+want in a collection that size can be a challenge, and then entering them in your
+documents is another challenge. This document will help, but it
+presupposes a certain amount of knowledge—for example, how to install a font in
+Windows, Mac OS or Linux and how to install and use different kinds of software.
+
+Medievalists will find the \href{https://bora.uib.no/bora-xmlui/handle/1956/10699}%
+{\textit{MUFI Character Recommendation}}, version 4.0 (2015)
+an essential supplement to this document. The \textit{Recommendation} lists
+thousands of characters identified by the
+Medieval Unicode Font Initiative as being of interest to medievalists. Junicode
+contains all of these characters. There are two versions of the \textit{Recommendation}:
+you will probably find the “Alphabetical Order” version most helpful.
+
+From the \textit{MUFI Character Recommendation} and Chapter 10 (“Encoded Glyphs in
+Junicode”) of this manual, you can find out
+the \textbf{code points}\footnote{\ A Unicode code point is a numerical identifier for a character.
+It is generally expressed as a
+four-digit hexadecimal (or base-16) number with a prefix of ``U+''. The letter
+capital ``A,'' for example, is \unic{U+0041} (65
+in decimal notation), and lowercase ``ȝ'' (Middle English yogh) is \unic{U+021D}.}
+of the characters you need. These code points can be used to enter
+characters in your documents when they cannot be typed on the keyboard.
+
+To enter any Unicode character in a Windows application, type its four-digit
+code, followed by Alt-X. To do the same in the Mac OS, first install and switch
+to the “Unicode Hex Input” keyboard, then type the code while holding down the Option
+key. In most Linux distributions you can enter a code by typing Shift-Control-U,
+then the code followed by Return or Enter.
+
+\textbf{Combining marks} (diacritics and certain abbreviation signs) can pose special problems for
+medievalists. Unicode contains a great
+many \textbf{precomposed characters} consisting of a base letter plus one or more marks.
+If these are all you need you're fortunate---especially if they can be
+typed on an international keyboard (not all can).\footnote{\ Both
+Windows and the Mac OS come with international keyboards that make it easy to
+type special letters and diacritics. To find out how to enable these, search
+online for “Mac OS International Keyboard” or “Windows International Keyboard.”}
+But medieval manuscripts frequently contain
+combinations of base + mark that are not used in modern written languages.
+For these, you'll have to
+enter bases and marks separately.
+
+To position a mark correctly over a base character, first enter the base,
+followed by the mark or marks.
+The sequence \textbf{m} + \textbf{◌ᷙ} (\unic{U+1DD9})
+will make \textex{mᷙ};
+\mbox{\textbf{y} + \textbf{◌̄}} (\unic{U+0304}) + \textbf{◌̆} (\unic{U+0306}) will make \textex{ȳ̆};
+\textbf{e} + \textbf{◌̣} (\unic{U+0323}) + \textbf{◌ᷠ} (\unic{U+1DE0}) will make \textex{ẹᷠ}.
+
+More than sixteen hundred characters in Junicode can only be accessed via OpenType features—that is,
+by way of the programming built into the font—and many others \textit{should} be
+accessed that way for reasons explained in the Introduction
+to the Feature Reference section of this document.
+
+For example, some programs (including Microsoft Word) produce small caps by
+scaling capitals down to approximately the height of lowercase letters.
+These always look too thin and light.
+But Junicode contains hundreds of \textsc{true small caps} designed to harmonize with
+the surrounding text. These can only be accessed via the OpenType \textSourceText{smcp} feature,
+which you can apply to a run of text much as you apply italic or bold styles:
+select some text and then apply the feature.
+
+Unfortunately, not every program supports OpenType features, and some that do
+either support only a few or make them difficult to access. Programs
+that support Junicode’s features fully include the free word processor
+\href{https://www.libreoffice.org/}{LibreOffice Writer}, all major browsers
+(Firefox, Chrome, Safari and Edge), and
+the typesetting programs {\LuaLaTeX} and {\XeLaTeX}. Adobe InDesign supports
+OpenType features only partially, but all features can be accessed via
+Roland Dreger’s \href{https://github.com/RolandDreger/open-type-features}{open-type-features}
+script, and InDesign provides access to
+all of Junicode's characters via its “Glyphs” dialog.
+
+Microsoft Word, unfortunately, provides only limited support for OpenType
+features. It supports the \hyperlink{req}{Required Features} discussed below, and also
+variant number forms and Stylistic Sets (though only one at a time). Many characters
+(for example, \textsc{true small caps} and those accessible only via Character
+Variant features) cannot be accessed at all. To activate Word's OpenType
+support, you must open the “Font” dialog, click over to the “Advanced” tab,
+and check the “Kerning” box. (Oddly, the “Kerning” box enables all other
+OpenType features.) Then, in the same tab, select Standard Ligatures, Contextual
+Alternates, and any other features you want.
+OpenType features are best applied to character styles rather than
+directly to text: this will
+save you from having to perform this operation repeatedly.
+
+It is also good to set the language properly for the text you're working on.
+Programs like Word will automatically set the language to the default for your system. If you
+change to a language other than your own for a passage (or even a single word),
+you should set the language for that passage appropriately. This will unlock
+a number of capabilities. For example, in Old and Middle English, Word and
+other programs will use the English form of thorn and eth ({\eng þð}) instead of
+the modern Icelandic ({\icel þð}), and in ancient
+Greek you will be able to type accents after vowels instead of looking up
+the codes for hundreds of polytonic vowel + accent combinations. But these and other capabilities
+are only available when you set the language correctly.
+
+In LibreOffice and InDesign you can set the language with a drop-down menu
+in the “Character” dialog. In Word there is a separate “Language” dialog,
+accessible from the “Tools” menu.
+
+If you have questions about any aspect of Junicode,
+post a query in the \href{https://github.com/psb1558/Junicode-font/discussions}%
+{Junicode discussion forum}. If you notice a bug, or wish to
+request an enhancement or other change, please open an
+\href{https://github.com/psb1558/Junicode-font/issues}{issue} at the font's
+\href{https://github.com/psb1558/Junicode-font}{development site}.
Property changes on: trunk/Master/texmf-dist/doc/fonts/junicodevf/source/GettingStarted.tex
___________________________________________________________________
Added: svn:eol-style
## -0,0 +1 ##
+native
\ No newline at end of property
Added: trunk/Master/texmf-dist/doc/fonts/junicodevf/source/JunicodeManual.sty
===================================================================
--- trunk/Master/texmf-dist/doc/fonts/junicodevf/source/JunicodeManual.sty (rev 0)
+++ trunk/Master/texmf-dist/doc/fonts/junicodevf/source/JunicodeManual.sty 2024-01-02 21:30:53 UTC (rev 69278)
@@ -0,0 +1,381 @@
+\ProvidesPackage{JunicodeManual}
+
+\usepackage{microtype}
+\usepackage{fancyhdr}
+%\usepackage[english,greek,lithuanian,polish,latin]{babel}
+\usepackage[quiet]{fontspec}
+%\setmainfont{Junicode}[
+% UprightFont = {*-Regular},
+% ItalicFont = {*-Italic},
+% BoldFont = {*-Smbold},
+% BoldItalicFont = {*-Bold Italic},
+% Numbers={Lowercase,Proportional},
+% RawFeature={mode=harf},
+% StylisticSet=10,
+% UprightFeatures={
+% SizeFeatures={
+% {Size={-8.5}, Font={*-SmExp Medium}},
+% {Size={8.6-10.99}, Font=*-Medium},
+% {Size={11-21.59}, Font=*-Regular},
+% {Size={21.6-}, Font=*-Light}
+% },
+% },
+% ItalicFeatures={
+% SizeFeatures={
+% {Size={-7.5}, Font={*-SmExp Medium Italic}},
+% {Size={7.6-10.99}, Font={*-Medium Italic}},
+% {Size={11-21.59}, Font=*-Italic},
+% {Size={21.6-}, Font={*-Light Italic}}
+% },
+% },
+% BoldFeatures={
+% SizeFeatures={
+% {Size={-8.5}, Font={*-SmExp Bold}},
+% {Size={8.6-10.99}, Font=*-Bold},
+% {Size={11-21.59}, Font=*-Smbold},
+% {Size={21.6-}, Font=*-Medium}
+% },
+% },
+% BoldItalicFeatures={
+% SizeFeatures={
+% {Size={-7.5}, Font={*-SmExp Bold Italic}},
+% {Size={7.6-10.99}, Font={*-Bold Italic}},
+% {Size={11-21.59}, Font={*-Smbold Italic}},
+% {Size={21.6-}, Font={*-Medium Italic}}
+% },
+% },
+%]
+\setmainfont{JunicodeVF-Roman.ttf}[
+ ItalicFont = JunicodeVF-Italic.ttf,
+ BoldFont = JunicodeVF-Roman.ttf,
+ BoldItalicFont = JunicodeVF-Italic.ttf,
+ Contextuals=Alternate,
+ StylisticSet=10,
+ Renderer=HarfBuzz,
+ %RawFeature={mode=harf},
+ UprightFeatures={
+ SizeFeatures={
+ {Size={-8.5}, RawFeature={axis={wght=550,wdth=120}}},
+ {Size={8.6-10.99}, RawFeature={axis={wght=475,wdth=115}}},
+ {Size={11-21.59}, RawFeature={axis={wght=400,wdth=112.5}}},
+ {Size={21.6-}, RawFeature={axis={wght=351,wdth=100}}}
+ },
+ },
+ ItalicFeatures={
+ SizeFeatures={
+ {Size={-8.5}, RawFeature={axis={wght=550,wdth=118}}},
+ {Size={8.6-10.99}, RawFeature={axis={wght=475,wdth=114}}},
+ {Size={11-21.59}, RawFeature={axis={wght=450,wdth=111}}},
+ {Size={21.6-}, RawFeature={axis={wght=372,wdth=98}}}
+ },
+ },
+ BoldFeatures={
+ SizeFeatures={
+ {Size={-8.5}, RawFeature={axis={wght=700,wdth=120}}},
+ {Size={8.6-10.99}, RawFeature={axis={wght=700,wdth=115}}},
+ {Size={11-21.59}, RawFeature={axis={wght=650,wdth=112.5}}},
+ {Size={21.6-}, RawFeature={axis={wght=600,wdth=100}}}
+ },
+ },
+ BoldItalicFeatures={
+ SizeFeatures={
+ {Size={-8.5}, RawFeature={axis={wght=700,wdth=118}}},
+ {Size={8.6-10.99}, RawFeature={axis={wght=700,wdth=114}}},
+ {Size={11-21.59}, RawFeature={axis={wght=650,wdth=111}}},
+ {Size={21.6-}, RawFeature={axis={wght=600,wdth=98}}}
+ },
+ },
+]
+%\newfontface\regular{Junicode}
+\setfontface\regular{JunicodeVF-Roman.ttf}[
+ RawFeature={mode=harf},
+ SizeFeatures={
+ {Size={-8.5}, RawFeature={axis={wght=400,wdth=100}}},
+ {Size={8.5-11}, RawFeature={axis={wght=400,wdth=100}}},
+ {Size={11-22}, RawFeature={axis={wght=400,wdth=100}}},
+ {Size={22-}, RawFeature={axis={wght=400,wdth=100}}}
+ },
+]
+\setfontface\enlarged{JunicodeVF-Roman.ttf}[
+ RawFeature={mode=harf},
+ SizeFeatures={
+ {Size={-8.5}, RawFeature={axis={wght=400,wdth=100,ENLA=32}}},
+ {Size={8.5-11}, RawFeature={axis={wght=400,wdth=100,ENLA=32}}},
+ {Size={11-22}, RawFeature={axis={wght=400,wdth=100,ENLA=32}}},
+ {Size={22-}, RawFeature={axis={wght=400,wdth=100,ENLA=32}}}
+ },
+]
+\setfontface\enlargedx{JunicodeVF-Roman.ttf}[
+ RawFeature={mode=harf},
+ SizeFeatures={
+ {Size={-8.5}, RawFeature={axis={wght=400,wdth=100,ENLA=47}}},
+ {Size={8.5-11}, RawFeature={axis={wght=400,wdth=100,ENLA=47}}},
+ {Size={11-22}, RawFeature={axis={wght=400,wdth=100,ENLA=47}}},
+ {Size={22-}, RawFeature={axis={wght=400,wdth=100,ENLA=47}}}
+ },
+]
+%\newfontface\narrow{Junicode Cond}
+\setfontface\narrow{JunicodeVF-Roman.ttf}[
+ RawFeature={mode=harf},
+ SizeFeatures={
+ {Size={-8.5}, RawFeature={axis={wght=550,wdth=75}}},
+ {Size={8.5-11}, RawFeature={axis={wght=475,wdth=75}}},
+ {Size={11-22}, RawFeature={axis={wght=400,wdth=75}}},
+ {Size={22-}, RawFeature={axis={wght=353,wdth=75}}}
+ },
+]
+%\newfontface\seminarrow{Junicode SmCond}
+\setfontface\seminarrow{JunicodeVF-Roman.ttf}[
+ RawFeature={mode=harf},
+ SizeFeatures={
+ {Size={-8.5}, RawFeature={axis={wght=550,wdth=87.5}}},
+ {Size={8.5-11}, RawFeature={axis={wght=475,wdth=87.5}}},
+ {Size={11-22}, RawFeature={axis={wght=400,wdth=87.5}}},
+ {Size={22-}, RawFeature={axis={wght=354,wdth=87.5}}}
+ },
+]
+%\newfontface\seminarrowlight{Junicode SmCond Light}
+\setfontface\seminarrowlight{JunicodeVF-Roman.ttf}[
+ RawFeature={mode=harf},
+ SizeFeatures={
+ {Size={-8.5}, RawFeature={axis={wght=355,wdth=87.5}}},
+ {Size={8.5-11}, RawFeature={axis={wght=325,wdth=87.5}}},
+ {Size={11-22}, RawFeature={axis={wght=301,wdth=87.5}}},
+ {Size={22-}, RawFeature={axis={wght=301,wdth=87.5}}}
+ },
+]
+%\newfontface\semiwide{Junicode SmExp}
+\setfontface\semiwide{JunicodeVF-Roman.ttf}[
+ RawFeature={mode=harf},
+ SizeFeatures={
+ {Size={-8.5}, RawFeature={axis={wght=550,wdth=112.5}}},
+ {Size={8.5-11}, RawFeature={axis={wght=475,wdth=112.5}}},
+ {Size={11-22}, RawFeature={axis={wght=400,wdth=112.5}}},
+ {Size={22-}, RawFeature={axis={wght=356,wdth=112.5}}}
+ },
+]
+%\newfontface\wide{Junicode Exp}
+\setfontface\wide{JunicodeVF-Roman.ttf}[
+ RawFeature={mode=harf},
+ SizeFeatures={
+ {Size={-8.5}, RawFeature={axis={wght=550,wdth=125}}},
+ {Size={8.5-11}, RawFeature={axis={wght=475,wdth=125}}},
+ {Size={11-22}, RawFeature={axis={wght=400,wdth=125}}},
+ {Size={22-}, RawFeature={axis={wght=357,wdth=125}}}
+ },
+]
+%\newfontface\light{Junicode Light}
+\setfontface\light{JunicodeVF-Roman.ttf}[
+ RawFeature={mode=harf},
+ SizeFeatures={
+ {Size={-8.5}, RawFeature={axis={wght=358,wdth=120}}},
+ {Size={8.5-11}, RawFeature={axis={wght=325,wdth=115}}},
+ {Size={11-22}, RawFeature={axis={wght=301,wdth=112.5}}},
+ {Size={22-}, RawFeature={axis={wght=301,wdth=100}}}
+ },
+]
+\setfontface\lightexp{JunicodeVF-Roman.ttf}[
+ RawFeature={mode=harf},
+ SizeFeatures={
+ {Size={-8.5}, RawFeature={axis={wght=300,wdth=125}}},
+ {Size={8.5-11}, RawFeature={axis={wght=300,wdth=125}}},
+ {Size={11-22}, RawFeature={axis={wght=300,wdth=125}}},
+ {Size={22-}, RawFeature={axis={wght=300,wdth=125}}}
+ },
+]
+%\newfontface\medium{Junicode SmExp Medium}
+\setfontface\medium{JunicodeVF-Roman.ttf}[
+ RawFeature={mode=harf},
+ SizeFeatures={
+ {Size={-8.5}, RawFeature={axis={wght=550,wdth=120}}},
+ {Size={8.5-11}, RawFeature={axis={wght=525,wdth=115}}},
+ {Size={11-22}, RawFeature={axis={wght=500,wdth=112.5}}},
+ {Size={22-}, RawFeature={axis={wght=500,wdth=100}}}
+ },
+]
+%\newfontface\semicondmedium{Junicode SmCond Medium}
+\setfontface\semicondmedium{JunicodeVF-Roman.ttf}[
+ RawFeature={mode=harf},
+ SizeFeatures={
+ {Size={-8.5}, RawFeature={axis={wght=550,wdth=87.5}}},
+ {Size={8.5-11}, RawFeature={axis={wght=525,wdth=87.5}}},
+ {Size={11-22}, RawFeature={axis={wght=500,wdth=87.5}}},
+ {Size={22-}, RawFeature={axis={wght=500,wdth=87.5}}}
+ },
+]
+%\newfontface\condmed{Junicode Cond Medium}
+\setfontface\condmed{JunicodeVF-Roman.ttf}[
+ RawFeature={mode=harf},
+ SizeFeatures={
+ {Size={-8.5}, RawFeature={axis={wght=550,wdth=75}}},
+ {Size={8.5-11}, RawFeature={axis={wght=525,wdth=75}}},
+ {Size={11-22}, RawFeature={axis={wght=500,wdth=75}}},
+ {Size={22-}, RawFeature={axis={wght=500,wdth=75}}}
+ },
+]
+%\newfontface\stditalic{Junicode Italic}
+\setfontface\stditalic{JunicodeVF-Italic .ttf}[
+ RawFeature={mode=harf},
+ SizeFeatures={
+ {Size={-8.5}, RawFeature={axis={wght=400,wdth=100}}},
+ {Size={8.5-11}, RawFeature={axis={wght=400,wdth=100}}},
+ {Size={11-22}, RawFeature={axis={wght=400,wdth=100}}},
+ {Size={22-}, RawFeature={axis={wght=400,wdth=100}}}
+ },
+]
+%\newfontface\semiconditalic{Junicode SmCond Italic}
+\setfontface\semiconditalic{JunicodeVF-Italic.ttf}[
+ RawFeature={mode=harf},
+ SizeFeatures={
+ {Size={-8.5}, RawFeature={axis={wght=550,wdth=100}}},
+ {Size={8.5-11}, RawFeature={axis={wght=475,wdth=100}}},
+ {Size={11-22}, RawFeature={axis={wght=400,wdth=100}}},
+ {Size={22-}, RawFeature={axis={wght=301,wdth=100}}}
+ },
+]
+\setmonofont{SourceCodePro-Regular.ttf}[Scale=MatchLowercase,Numbers=Lowercase]
+%\setmonofont{SourceCodeVariable-Roman.otf}[
+% Scale = MatchLowercase,
+% Numbers = Lowercase,
+% SizeFeatures={
+% {Size={-8}, RawFeature={axis={wght=500}}},
+% {Size={8-11}, RawFeature={axis={wght=450}}},
+% {Size={11-}, RawFeature={axis={wght=400}}}
+% }
+%]
+\usepackage{graphicx}
+\usepackage[table,dvipsnames]{xcolor}
+\definecolor{BrickRed}{RGB}{146,18,6}
+\definecolor{SlateGray}{RGB}{112,128,144}
+\definecolor{GGOrange}{RGB}{240,74,6}
+\definecolor{RViolet}{RGB}{70,18,87}
+\definecolor{myRed}{rgb}{0.5,0,0}
+\definecolor{myBlue}{rgb}{0,0,0.5}
+\definecolor{myLightRed}{RGB}{255,232,244}
+\definecolor{myLightYellow}{RGB}{239,249,218}
+\definecolor{myLightBlue}{RGB}{203,228,249}
+\definecolor{myLightGreen}{RGB}{234,255,244}
+\definecolor{myLightPurple}{RGB}{214,205,234}
+\usepackage{multicol}
+\usepackage{array}
+\usepackage{tabto}
+\usepackage{supertabular}
+\usepackage{hhline}
+\usepackage{metalogo}
+\usepackage{hyperref}
+\hypersetup{pdftex, colorlinks=true, linkcolor=blue, citecolor=blue, filecolor=blue,%
+ urlcolor=blue, pdftitle=, pdfauthor=, pdfsubject=, pdfkeywords=}
+% Footnotes configuration
+\makeatletter
+\renewcommand\thefootnote{\arabic{footnote}}
+\makeatother
+% Text styles
+\linespread{1.1}
+\newopentypefeature{MyStyle}{insular}{+ss02}
+\newopentypefeature{MyStyle}{altogonek}{+cv62}
+\newopentypefeature{MyStyle}{mirrored}{+rtlm}
+\newopentypefeature{MyStyle}{gothic}{+ss19}
+\newopentypefeature{MyStyle}{contextualr}{+ss16}
+\newopentypefeature{MyStyle}{contextuals}{+ss08}
+\newopentypefeature{MyStyle}{IPA}{+ss03}
+\newopentypefeature{MyStyle}{thornswap}{+ss01}
+\newopentypefeature{MyStyle}{noentities}{-ss10}
+%\newopentypefeature{Ligatures}{histon}{+hlig}
+\newopentypefeature{Ligatures}{histoff}{-hlig}
+\newcommand{\noent}[1]{{\addfontfeature{MyStyle=noentities}#1}}
+\newcommand\textex[1]{\textrm{\textbf{\color{BrickRed}#1}}}
+\newcommand\textUName[1]{\textsc{#1}}
+\newcommand\textSourceText[1]{{\color{GGOrange}\texttt{#1}}}
+\newcommand\cvc[1]{{\color{magenta}#1}}
+\newcommand\textstyleEmphasis[1]{\textit{#1}}
+\newcommand\textstyleEntityRef[1]{\textrm{#1}}
+\newcommand{\cvd}[3][0]{{\addfontfeature{CharacterVariant=#2:#1}#3}}
+\newcommand{\hlig}[1]{{\addfontfeature{Ligatures=Historic}#1}}
+\newcommand{\sups}[1]{{\addfontfeature{VerticalPosition = Superior}#1}}
+\newcommand{\subs}[1]{{\addfontfeature{VerticalPosition = Inferior}#1}}
+\newcommand{\oprop}[1]{{\addfontfeature{Numbers={Lowercase,Proportional}}#1}}
+\newcommand{\lprop}[1]{{\addfontfeature{Numbers={Uppercase,Proportional}}#1}}
+\newcommand{\otab}[1]{{\addfontfeature{Numbers={Lowercase,Monospaced}}#1}}
+\newcommand{\ltab}[1]{{\addfontfeature{Numbers={Uppercase,Monospaced}}#1}}
+\newcommand{\ornm}[2][0]{{\addfontfeature{Ornament=#1}#2}}
+\newcommand{\revthorn}[1]{{\addfontfeature{StylisticSet=1}#1}}
+\newcommand{\grk}{\addfontfeature{Script=Greek,Language=Greek}}
+\newcommand{\eng}{\addfontfeature{Language=English}}
+\newcommand{\icel}{\addfontfeature{Language=Icelandic}}
+\newcommand{\unic}[1]{{\addfontfeature{Numbers={Uppercase,Monospaced}}#1}}
+\newcommand{\colongs}{\addfontfeature{Language=English,StylisticSet=8}}
+%\newcommand{\enla}[1]{{\addfontfeature{StylisticSet=6}#1}}
+\newcommand{\enla}[1]{{\enlarged#1}}
+\newcommand{\enlax}[1]{{\enlargedx#1}}
+\newcommand{\ltech}{Lua\kern-1.5pt\TeX}
+\newcommand{\restag}[1]{{\addfontfeature{StylisticSet=10}#1}}
+\newcommand{\mufi}{\rowcolor{myLightGreen}}
+\newcommand{\prob}{\cellcolor{myLightPurple}}
+\newcommand{\opua}{\rowcolor{myLightYellow}}
+\newcommand{\stdu}{\rowcolor{myLightBlue}}
+\newcommand{\bluerow}{\rowcolor{myLightBlue}}
+\newcommand{\nuni}{\rowcolor{myLightRed}}
+\newcommand{\ctosc}[1]{{\addfontfeature{Letters=UppercaseSmallCaps}#1}}
+\newcommand{\charvar}{\textSourceText{cvNN}}
+\newcommand{\secletter}[1]{\textbf{#1}}
+% Outline numbering
+%\setcounter{secnumdepth}{0}
+\makeatletter
+\newcommand\arraybslash{\let\\\@arraycr}
+\makeatother
+% Page layout (geometry)
+%\setlength\voffset{-1in}
+%\setlength\hoffset{-0.75in}
+%\setlength\topmargin{1in}
+%\setlength\oddsidemargin{1in}
+%\setlength\textheight{8.000001in}
+%\setlength\textwidth{6in}
+%\setlength\footskip{0.0cm}
+\setlength\headheight{15pt}
+%\setlength\headsep{0.2in}
+% Footnote rule
+%\setlength{\skip\footins}{14pt}
+%\renewcommand\footnoterule{\vspace*{-0.0071in}\setlength\leftskip{0pt}\setlength\rightskip{0pt plus 1fil}\noindent\textcolor{black}{\rule{0.25\columnwidth}{0.0071in}}\vspace*{0.0398in}}
+% Pages styles
+\pagestyle{fancy}
+\footskip = 30pt
+\headsep = 30pt
+\renewcommand{\headrule}{}
+\fancyhead[L]{}
+\fancyhead[C]{}
+\fancyhead[R]{}
+\fancyfoot[L]{}
+\fancyfoot[C]{}
+\fancyfoot[R]{}
+\setlength\tabcolsep{1mm}
+\renewcommand\arraystretch{1.3}
+% Headers
+%\usepackage{sectsty}
+%\subsectionfont{\color{BrickRed}}
+%\sectionfont{\color{SlateGray}}
+\usepackage{titlesec}
+\titleformat{\chapter}[hang]{\huge\seminarrowlight\color{RViolet}}{\thechapter.}{1em}{}
+\titleformat{\section}[hang]{\Large\seminarrow\color{SlateGray}}{\thesection.}{1em}{}
+\titleformat{\subsection}[hang]{\large\color{BrickRed}}{\thesubsection.}{1em}{}
+% List styles
+\newcommand\liststyleLi{%
+\renewcommand\labelitemi{{\textbullet}}
+\renewcommand\labelitemii{{\textbullet}}
+\renewcommand\labelitemiii{{\textbullet}}
+\renewcommand\labelitemiv{{\textbullet}}
+}
+\newcommand\liststyleLii{%
+\renewcommand\labelitemi{{\textbullet}}
+\renewcommand\labelitemii{{\textbullet}}
+\renewcommand\labelitemiii{{\textbullet}}
+\renewcommand\labelitemiv{{\textbullet}}
+}
+\newcounter{Feature}
+\renewcommand\theFeature{\arabic{Feature}}
+\renewcommand{\chaptermark}[1]{\markboth{\MakeUppercase{#1}}{}}
+\tolerance=1500
+\widowpenalty=500
+\clubpenalty=500
+\frenchspacing
+\raggedbottom
+\usepackage{unicodefonttable}
Property changes on: trunk/Master/texmf-dist/doc/fonts/junicodevf/source/JunicodeManual.sty
___________________________________________________________________
Added: svn:eol-style
## -0,0 +1 ##
+native
\ No newline at end of property
Added: trunk/Master/texmf-dist/doc/fonts/junicodevf/source/JunicodeManual.tex
===================================================================
--- trunk/Master/texmf-dist/doc/fonts/junicodevf/source/JunicodeManual.tex (rev 0)
+++ trunk/Master/texmf-dist/doc/fonts/junicodevf/source/JunicodeManual.tex 2024-01-02 21:30:53 UTC (rev 69278)
@@ -0,0 +1,55 @@
+\documentclass[12pt,letterpaper,openany]{book}
+%
+\usepackage{JunicodeManual}
+%
+\begin{document}
+
+\addfontfeature{Script=Latin,Language=English,Contextuals=Alternate}
+
+\begin{titlepage}
+\huge\noindent
+{\color{myRed}}\\[5cm]
+\Huge \centering {\color{myBlue}Junicode} \\[1cm]
+\huge \centering the font for medievalists \\[1cm]
+ \Huge\centering {\color{myRed}} \\[1cm]
+ \huge\centering {\stditalic specimens and user manual} \\[1ex]
+ \Large\centering{\regular for version 2.205}\\
+\vfill
+{\color{myRed}}
+\end{titlepage}
+\cleardoublepage
+\thispagestyle{plain}
+
+\tableofcontents
+
+\mainmatter
+
+\input{About.tex}
+
+\input{Specimens.tex}
+
+\input{GettingStarted.tex}
+
+\input{Feature_Reference.tex}
+
+\input{tag_key_ins.tex}
+
+\input{Record_Interpreter_notes.tex}
+
+\input{EnlargeAxis.tex}
+
+\input{OnTheWeb.tex}
+
+\input{encoded-glyphs.tex}
+
+\vspace*{\fill}
+\begin{center}
+{\stditalic{This document was set in 12pt Junicode VF\\
+using the {\LuaLaTeX} typesetting system with fontspec for font management.\\
+The source for the document, JunicodeManual.tex, is available at}}\\
+{\color{BrickRed}https://github.com/psb1558/Junicode-font.}
+\end{center}
+%\thispagestyle{plain}
+
+
+\end{document}
Property changes on: trunk/Master/texmf-dist/doc/fonts/junicodevf/source/JunicodeManual.tex
___________________________________________________________________
Added: svn:eol-style
## -0,0 +1 ##
+native
\ No newline at end of property
Added: trunk/Master/texmf-dist/doc/fonts/junicodevf/source/OnTheWeb.tex
===================================================================
--- trunk/Master/texmf-dist/doc/fonts/junicodevf/source/OnTheWeb.tex (rev 0)
+++ trunk/Master/texmf-dist/doc/fonts/junicodevf/source/OnTheWeb.tex 2024-01-02 21:30:53 UTC (rev 69278)
@@ -0,0 +1,257 @@
+
+\chapter{Junicode on the Web}\hypertarget{OnTheWeb}{}
+%\fancyhead[CE]{\scshape\color{myRed} {\addfontfeatures{Numbers=OldStyle}\thepage}\hspace{10pt}on the web}
+
+If you are using Junicode on a web page, you should prefer the variable fonts
+(those with “VF” in the family name and filename) to the static fonts. One
+variable font file can do the work of many traditional font files. For example,
+the \href{https://psb1558.github.io/Junicode-font/Junicode-2-feature-test.html}%
+{Test of High-Level CSS Properties} web page displays Junicode in regular,
+bold and semicondensed styles. It used
+to be that your user would have to download three font files, one for each
+style, but one variable font will display all three.
+
+But you may be thinking, \textit{That font is big}! It's true: even the
+compressed webfont (.woff2) is nearly a megabyte in size—enough to seriously
+slow down the loading of a web page.
+
+To solve this problem, you'll need to subset the font—that is, produce a copy
+that contains only what you need. The subsetted font that downloads
+with the property test web page
+is approximately 275k in size—almost thirty percent of the
+size of the full webfont. It's still a pretty big download, but that's because the page
+displays a lot of the font's features. If I were displaying, say, a diplomatic
+transcript of a Latin text, the font would be much smaller.
+
+So the first section of this chapter will talk about how to subset the Junicode
+font.
+
+\section{Subsetting Junicode}
+
+First the legalities. It is perfectly all right to create a modified version
+of Junicode via subsetting, compress it into a webfont (almost certainly in
+woff2 format), and host it on your web server. This is because “Junicode” is
+not a “Reserved Font Name” (which complicates web use of
+many fonts licensed under the Open Font License). If you are nervous about the
+legal requirements of the Open Font License, you can change the font name to
+something arbitrary with the \texttt{--obfuscate-names} option
+of the pyftsubset program, and you can embed the Open Font License, or a
+link to it, in your CSS. These steps should settle any ambiguity about whether
+you are in compliance with the license.
+
+Generating a subsetted version of Junicode should be one of the last tasks you
+perform before deploying your web page(s). Until then, it is recommended that
+you work with the unmodified font. After subsetting, review your
+pages thoroughly to make sure everything is displayed properly. If you have
+forgotten to include a glyph in your subsetted font, you will see little boxes
+where characters should be or, perhaps, the correct characters
+displayed in the wrong typeface. If you have omitted features, you will see
+default instead of transformed characters.
+
+There are many subsetting programs, some online and very easy to use. But for
+maximum control (and thus the smallest fonts), you should choose pyftsubset, a
+part of the \href{https://github.com/fonttools/fonttools}{fontTools} library,
+which runs under Python 3.7 or higher. This is a command-line tool which
+takes a long list of arguments; you should create a shell script to run it.
+
+Here is the script used to create the subsetted font for the property test
+web page mentioned above:
+
+\small\begin{verbatim}
+#!/bin/zsh
+pyftsubset JunicodeVF-Roman.ttf \
+--flavor=woff2 --output-file=JunicodeVFsubset.woff2 \
+--recommended-glyphs \
+--text="jq" --text-file=Junicode-2-feature-test.html \
+--layout-features+=liga,ss01,ss02,ss03,ss04,ss05,ss06,ss07,ss08,\
+ss10,ss12,ss13,ss14,ss15,ss16,ss17,ss18,ss19,ss20,cv01,cv02,cv05,\
+cv06,cv07,cv08,cv09,cv10,dlig,hlig,onum,pnum,pcap,smcp,c2sc,subs,\
+sups,zero \
+--layout-features-=rlig
+\end{verbatim}
+
+\normalsize\noindent For those unfamiliar with shell scripts, the first line specifies the shell
+the script is to run under (in this case the default shell for Mac OS, but
+\texttt{bash} is another possible choice), and the backslashes mean
+that the command continues on the next line. The rest of the file is a list
+of arguments passed to pyftsubset. Let's walk through them.
+
+First after the program name comes the name of the unsubsetted, uncompressed
+font file. After that,
+the \texttt{--flavor} argument tells the program that you want a webfont in
+woff2 format, and \texttt{--output} is the name of the font file you want the
+program to save.
+
+Having taken care of this preliminary business, we tell pyftsubset what we
+want the font to contain.
+
+\texttt{--recommended-glyphs} includes a few characters that
+every font should have, according to the OpenType specification---though in
+fact modern browsers don't care. It's best, however, to conform to the specification,
+since it's impossible to say with absolute certainty that no program will
+ever reject the font
+because of the absence of these few characters.
+
+\texttt{--text-file} is the name of a file to treat as a list of characters
+that \textit{must} be included in the font. In this case I have simply used
+the html file for the web page for this purpose. If your site contains
+multiple web pages, your job will be more complicated. You must make sure the
+text file contains all the characters used on the site---either that or
+supplement the text file with a \texttt{--text} argument (which here adds
+two lowercase letters that don't appear in the web page---just in case).
+The text file will
+contain only encoded characters—you don't have to worry here about unencoded
+characters produced by OpenType features.
+
+\texttt{--layout-features+} tells the program which OpenType features you
+want to retain in the font. All others, except for the
+\hyperlink{req}{Required Features}, are discarded. All of the characters
+referenced in these features will also be included in the output file, as long
+as those characters are variants of characters in your text file. For example,
+the \textSourceText{smcp} (Small Caps) feature has many more small caps than there are letters
+of the alphabet, but most of them are not included in the subsetted font. The
+program's parsimony with characters keeps the font file as small as possible.
+Note that some features are included automatically: \textSourceText{ccmp},
+\textSourceText{locl}, \textSourceText{calt}, \textSourceText{liga}, \textSourceText{rlig},
+\textSourceText{kern}, \textSourceText{mark}, and \textSourceText{mkmk}.
+
+
+\texttt{--layout-features-} tells the program which OpenType features to omit.
+Normally, \textSourceText{rlig} (Required Ligtures) is automatically
+included in fonts by pyftsubset, but as it has no relevance to this web page,
+it can be omitted.
+
+These are the most useful arguments, but there are many more. Type
+\texttt{pyftsubset --help} for a complete list. Once you have written your
+script, run it (in Mac OS or Linux you need to make the file executable
+by typing \texttt{chmod +x mysubsetscript} on the command line).
+
+Before you put your subsetted font to work, check it carefully in a program
+like \href{https://github.com/justvanrossum/fontgoggles}{FontGoggles},
+which lets you preview the font and test all its OpenType features. If you
+find errors, revise your script and run it again.
+
+\section{Junicode and CSS/HTML}
+
+This section assumes a basic knowledge of HTML (Hypertext Markup Language, used
+to construct web pages) and CSS (Cascading Style Sheets, used to format them).
+If you want to learn about these subjects, the number of good books and online
+tutorials is so great that it makes no sense to try to list them. Just make sure
+that the instructional materials you choose are of recent vintage, because the
+relevant standards are always changing.
+
+In the CSS for your web page, the \texttt{@font-face} at-rule for a variable
+font is a little different
+from the one for a static font in that the range of possible values for each
+axis can be declared:
+
+\small\begin{verbatim}
+ at font-face {
+ font-family: "Junicode VF";
+ src: url("./webfiles/JunicodeVFsubset.woff2");
+ font-weight: 300 700;
+ font-stretch: 75% 125%;
+ font-style: normal;
+}
+\end{verbatim}
+
+\normalsize\noindent These ranges are not strictly necessary, but they will prevent your
+supplying invalid values for \texttt{font-weight} and \texttt{font-stretch}
+(that is, \texttt{width}) in other CSS rules.
+
+Once you have declared the font, you can invoke it in setting up classes.
+For example:
+
+\small\begin{verbatim}
+body {
+ font-family: "Junicode VF";
+ font-size: 28px;
+ font-weight: normal; /* that is, 400 */
+ font-stretch: 112.5%; /* that is, semiexpanded */
+}
+h1 {
+ font-family: "Junicode VF";
+ font-size: 125%;
+ font-weight: 600; /* that is, semibold */
+ font-stretch: 112.5%; /* that is, semiexpanded */
+}
+.annotation {
+ font-size: 90%;
+ font-weight: 300; /* that is, light */
+ font-stretch: 87.5%; /* that is, semicondensed */
+}
+\end{verbatim}
+
+\normalsize\noindent These classes should be tested in all browsers. If any fail to
+display text properly, you can use \texttt{font-variation-settings}
+instead of the high-level \texttt{font-weight} and \texttt{font-stretch}:
+
+\small\begin{verbatim}
+body {
+ font-family: "Junicode VF";
+ font-size: 28px;
+ font-variation-settings: "wght" 400, "wdth" 112.5;
+}
+h1 {
+ font-family: "Junicode VF";
+ font-size: 125%;
+ font-variation-settings: "wght" 600, "wdth" 112.5;
+}
+.annotation {
+ font-size: 90%;
+ font-variation-settings: "wght" 300, "wdth" 87.5;
+}
+\end{verbatim}
+
+\normalsize\noindent To accommodate older browsers, you should make a selection of
+Junicode static fonts, subset them, and include them in your CSS. For example,
+if you need normal and bold weights of Junicode roman, your
+\texttt{@font-face} at-rule may look like this:
+
+\small\begin{verbatim}
+ at font-face {
+ font-family: "Junicode VF";
+ src: url("./webfiles/JunicodeVFsubset.woff2");
+ font-weight: 300 700;
+ font-stretch: 75% 125%;
+ font-style: normal;
+}
+ at font-face {
+ font-family: "Junicode";
+ src: url("./webfiles/Junicode-Regular.woff2");
+ font-weight: 400;
+ font-style: normal;
+}
+ at font-face {
+ font-family: "Junicode";
+ src: url("./webfiles/Junicode-Bold.woff2");
+ font-weight: 700;
+ font-style: normal;
+}
+\end{verbatim}
+
+\normalsize\noindent Now use \texttt{@supports} in your CSS rules to determine which
+font gets downloaded:
+
+\small\begin{verbatim}
+body {
+ font-family: "Junicode", serif;
+}
+ at supports (font-variation-settings: normal) {
+ body {
+ font-family: "Junicode VF", serif;
+ }
+}
+b {
+ font-weight: 700;
+}
+ at supports (font-variation-settings: "wght" 700) {
+ b {
+ font-variation-settings: "wght" 700;
+ }
+}
+\end{verbatim}
+
+\normalsize\noindent The variable version of Junicode will be downloaded only if
+the browser supports it, and the static version will be downloaded only if
+needed.
Property changes on: trunk/Master/texmf-dist/doc/fonts/junicodevf/source/OnTheWeb.tex
___________________________________________________________________
Added: svn:eol-style
## -0,0 +1 ##
+native
\ No newline at end of property
Added: trunk/Master/texmf-dist/doc/fonts/junicodevf/source/Record_Interpreter_notes.tex
===================================================================
--- trunk/Master/texmf-dist/doc/fonts/junicodevf/source/Record_Interpreter_notes.tex (rev 0)
+++ trunk/Master/texmf-dist/doc/fonts/junicodevf/source/Record_Interpreter_notes.tex 2024-01-02 21:30:53 UTC (rev 69278)
@@ -0,0 +1,287 @@
+\chapter{Transcribing records}
+%\fancyhead[CE]{\scshape\color{myRed} {\addfontfeatures{Numbers=OldStyle}\thepage}\hspace{10pt}transcribing records}
+
+This chapter provides guidance for persons transcribing records (laws and other
+public documents) in the style of Charles Trice Martin’s
+\textit{The Record Interpreter}, \textit{Statutes of the Realm}, and similar guides
+and editions.
+Unlike most editions of early texts, these retain (or recommend retaining) the capitalization,
+punctuation, and abbreviations of their manuscript sources.
+
+\section{A preliminary note on transcription}
+Here are a few observations, based on a long career as a scholarly editor of medieval and eighteenth-century texts.
+
+Before embarking on the task of transcribing an old document, ask yourself what value you want to add to the document as
+it already exists, because different kinds of transcription add different kinds of value. The kind of transcription
+that adds the least is that which aims at the exact \textit{visual} reproduction of a document. A transcript is not a
+facsimile: it needs to do something that a photograph can't do.
+
+Converting a document from visual image to Unicode-encoded text adds a good bit of value all by itself, but only if done
+with due regard for the semantics of Unicode characters. Every Unicode character has a meaning, and that meaning is a
+help to readers. Using the wrong character is a hinderance to readers, even it if \textit{looks} right.
+
+For example, in transcribing a Middle English text, you may decide that the Unicode ezh (\char"0292,~\unic{U+0292}) looks more like
+the yogh in your source than the Unicode yogh (\kern+1.5pt\char"021D,~\unic{U+021D}) and therefore decide to use it for yogh. But the ezh is
+not a yogh! It is a character in the International Phonetic Alphabet and a letter in the alphabets of several minor
+languages---but not a letter in the Middle English language. If you use it where the yogh is called for, it will make
+your text less accessible and less searchable. Indexing, concordance and bibliographical programs may be misled by it;
+screen readers will misinterpret it. To solve one problem (that of visual representation), you may well have introduced
+a host of far more serious problems.
+
+Fortunately, Junicode offers a solution for this particular problem. The OpenType feature \textSourceText{cv63} substitutes for
+the yogh a character that \textit{looks} like the ezh but is semantically a yogh and therefore will be
+handled correctly by applications. But neither Junicode nor any other font can solve every problem of this kind.
+Sometimes you will have to call to mind the important principle stated above: \textit{A transcript is not a
+facsimile}. It is much more important that it should have the same \textit{meaning} as the original than
+that it should have the same \textit{look}.
+
+This document concerns the transcription of texts in Latin (and to some extent, other archaic languages, e.g. Old and
+Middle English, Old French). It is long-standing custom, when transcribing certain kinds of documents, to retain marks
+of abbreviation---for example, the \textex{\hlig{\char"0A753p\char"0363}} you may find in a manuscript or printed edition representing
+the word \textit{propterea}. This is okay---and Junicode can help with the task. But when dealing with the
+abbreviations, punctuation, and diacritics of an old text it is more important than ever that you use semantically
+correct characters for your transcription, as this will help readers who already face significant challenges.
+
+For example, the abbreviation \textex{\hlig{\char"0A753p\char"0363}} as printed here consists of an underlying sequence of Unicode
+characters: \textex{\char"0A753} (\unic{U+A753}, the common abbreviation for \textit{pro}) + \textex{p} + \textex{\char"25CC\char"0363}
+(\unic{U+0363}, the combining small \textit{a}). The OpenType feature \textSourceText{hlig} (Historical Ligatures) has been
+applied to this sequence, changing its appearance but not its underlying value. That underlying value is intelligible
+to computer applications in the sense that they can recognize each character.
+
+This doesn't mean, though, that computer programs can correctly interpret \textex{\hlig{\char"0A753p\char"0363}} as
+\textit{propterea}. Many (probably \textit{most}) Latin abbreviations are ambiguous: this one,
+for example, can mean \textit{propterea} or \textit{propria}. Some abbreviations (most
+notoriously \textex{\char"25CC\char"035B} \unic{U+035B}) can mean many things, depending on context. It takes a human being with a
+knowledge of Latin to interpret them correctly.
+
+So another way you can add value in your transcript is by interpreting abbreviations like
+\textex{\hlig{\char"0A753p\char"0363}} and
+supplying expansions of them. Fortunately, systems for representing texts often offer ways to handle this task
+gracefully. For example, in a TEI (Text Encoding Initiative) text, you would use this construction:\\[1ex]
+
+\noindent\verb!<choice>!\newline
+\verb! <abbr rend="hlig">!\textrm{\hlig{\char"0A753p\char"0363}}\verb!</abbr>!\newline
+\verb! <expan>propterea</expan>!\newline
+\verb!</choice>!\\[1ex]
+
+\noindent This kind of structure can be approximated in HTML, with supporting CSS and scripting to allow readers to choose between
+a ``diplomatic'' version, with unexpanded abbreviations, and a ``reading'' version, with expanded abbreviations and
+perhaps other amenities, such as modern punctuation and capitalization.
+
+There are other ways to add value to a transcript---for example, by correcting errors, annotating the content, or
+writing textual notes. Each of these operations takes your transcript farther from the facsimile and closer to the
+edition.
+
+\section[Common combining marks]{Common combining marks}
+A \textbf{combining mark} is a character that combines with another character (called the \textbf{base}) to form a
+character with accent (e.g. \textex{\'e}) or an abbreviation (e.g. \textex{\cvd[1]{81}{p\char"035B}} for \textit{prae}).
+Unicode and the Medieval Unicode Font Initiative (MUFI) offer code points for many precomposed combinations of base +
+combining mark, but it is also possible to place any mark over any base character by entering first the base and then
+the combining mark. It is also possible to place a combining mark over another combining mark. For example, to produce
+\textex{\cvd[32]{84}{q\char"0363\char"0304}}, enter this sequence: q (\unic{U+0071}) + \unic{U+0363} + \unic{U+0304}.
+
+Junicode 2 contains many variants of combining marks: for example the curly zigzag \cvd[1]{81}{\char"25CC\char"035B} is a variant of
+Unicode's angular zigzag {\char"25CC\char"035B} (\unic{U+035B}), produced by applying the OpenType feature \textSourceText{cv81[2]} to
+\textbf{both the base character and the combining mark}. Sometimes the combination of base + combining mark + OpenType
+feature will not produce the desired effect. When this happens, place \unic{U+034F} (a special invisible combining mark,
+included in Unicode for exactly this purpose) between the base and the (visible) mark.\\
+
+\noindent\secletter{a.}\ \ For a straight stroke over any letter, use the \textsc{combining macron} (\unic{U+0304}):
+\begin{quote}
+\=onis \textit{omnis}; o\={m}is \textit{omnis}; d\=apna \textit{dampna}; dam\={p}a
+\textit{dampna}.
+\end{quote}
+The combining macron can also be applied above superscripts and combining marks. Apply the OpenType feature
+\textSourceText{cv84[33]} for a narrower macron:
+\begin{quote}
+\cvd[32]{84}{antiqua\char"034F\char"0304} \textit{antiquam}; \cvd[32]{84}{q\char"0363\char"0304} \textit{quam}.
+\end{quote}
+For the superscript \textit{a}, use the OpenType feature \textSourceText{sups} (see r. below).\\[1ex]
+
+\noindent\secletter{b.}\ \ For a straight stroke through a tall letter, use the \textsc{combining short stroke overlay} (\unic{U+0335}): \textex{f\char"0335\ d\char"0335\ l\char"0335}. But Unicode also has precomposed versions of
+\textex{d}, \textex{l} and other characters \mbox{with} stroke, e.g.
+\textex{{\dj}} (\unic{U+0111}), \textex{\char"019A} (\unic{U+019A}).\\[1ex]
+
+\noindent\secletter{c.}\ \ For \textex{\~{}} above any character, use the \textsc{combining tilde} (\unic{U+0303}):
+\begin{quote}
+\~a \textit{ac}, \textit{apud}; \~a \textit{alias}.\newline
+d\~ns \textit{dominus}; ca\~{r}ina \textit{carmina}; \cvd[4]{12}{f\~{c}is} \textit{factis}.\newline
+p\~oita \textit{posita}.
+\end{quote}
+
+\noindent\secletter{d.}\ \ For \textex{\~{}} through a vertical stroke, use the \textsc{tilde overlay} (\unic{U+0334}):
+\textex{l\char"0334\ d\char"0334} (\unic{U+0303} would be positioned above the letter, e.g.
+\textex{\~{l}}, \textex{\~{d}}). For the ligatures
+\textex{l̴l̴}, \textex{b\char"0334b\char"0334}, and \textex{f\char"0334f\char"0334}, type the
+sequence for \textex{l\char"0334}, etc. twice.\\[1ex]
+
+\noindent\secletter{e.}\ \ For the tilde positioned above two letters, use \textsc{combining double tilde}
+(\unic{U+0360}) between the letters. It is
+automatically repositioned to clear tall characters: c\char"0360o t\char"0360o d\char"0360o o\char"0360l. The same is true of
+\textsc{double breve} (\unic{U+035D}) c\char"035Do d\char"035Do, \textsc{double macron} (\unic{U+035E}) c\char"035Eo d\char"035Eo,
+\textsc{double inverted breve} (\unic{U+0361}) c\char"0361o d\char"0361o, and \textsc{double circumflex} (\unic{U+1DCD})
+c\char"1DCDo d\char"1DCDo.\\[1ex]
+
+\noindent\secletter{f.}\ \ The figure used to represent \textit{er\textup{ }}(and other similar combinations) is a common medieval
+abbreviation which takes many forms. The semantically correct Unicode character is the \textsc{combining
+zigzag} (\char"25CC\char"035B, \unic{U+035B}), but the best match in Junicode 2 for the figure as it appears in the
+\textit{Record Interpreter} and the \textit{Statutes} is a gothic variant of this, which MUFI
+encodes as \unic{U+F1C8} (the curly form zigzag). However, because for technical reasons many applications will not position
+the MUFI character correctly over the base, that code point should be avoided. The best way to access this variant is
+to apply \textSourceText{cv81[2]} to \unic{U+035B}, as here:
+\begin{quote}
+\cvd[1]{81}{deb\char"035Be \textit{debere}; int\char"035B\ \textit{inter}; f\char"035B\hspace{0.2em}r\=u \textit{ferrum}; gn\char"035Bo
+\textit{generatio}; p\char"035B; \textit{prae}; seru\char"035Be \textit{servire}}.
+\end{quote}
+The curly form of the combining zigzag may be attached to any letter, and it may change shape depending on the letter it
+is attached to (including caps, for which use the \textSourceText{case} feature, and small caps:
+\textex{\cvd[1]{81}{A\char"035B B\char"035B \textsc{c\char"035B
+d\char"035B\hspace{0.2em}}}}).\\[1ex]
+
+\noindent\secletter{g.}\ \ All letters a--z, and several others too, have combining forms.
+You may access these via their code points, when they are standard Unicode, via the
+\textSourceText{\textsc{cv84}} feature, or via
+Junicode's special entity references. For details, see \hyperlink{ss10}{4.10.3, Character Entities
+for Combining Marks}.
+\begin{quote}
+q\char"0366\ \textit{quo}; q\char"0365\ \textit{qui}; quatt\&\_orr; \textit{quattuor}.
+\end{quote}
+\section{Spacing characters}
+\secletter{h.}\ \ The symbol for \textit{is}, \textit{es} and a number of other abbreviations is the
+\textsc{is-sign} (\unic{U+A76D}):
+\begin{quote}
+for\char"0A76D\ \textit{foris}; o\={m}\char"0A76D\ \textit{omnes}; \char"0A76Ft\char"0A76D\
+\textit{competentes}; inf\char"0A76D\ \textit{infortunium}.
+\end{quote}
+This character will sometimes ligature with the preceding letter. The italic version differs from the roman
+stylistically (\ \textex{\textit{for\char"0A76D\ o\={m}\char"0A76D\ \char"0A76Ft\char"0A76D\ inf\char"0A76D}}), but it will be
+intelligible to informed readers.\\[1ex]
+
+\noindent\secletter{i.}\ \ There are two characters for \textit{{}-us} in Unicode:
+\textsc{spacing us} \unic{U+A770} (do not
+confuse this with \textsc{con} \unic{U+A76F}) and \textsc{combining us} \unic{U+1DD2}. The \textit{Record
+Interpreter} and \textit{Statutes} appear to use only the spacing character:
+\begin{quote}
+\cvd[1]{81}{i\~{p}i\char"0A770\ \textit{ipsius}; u\char"035Bs\char"0A770\ \textit{uersus}; p\char"0A770tea
+\textit{postea}; p\char"0A770\ \textit{post}.}
+\end{quote}
+\noindent\secletter{j.}\ \ The three-like sign is the \textsc{et sign} (\char"25CC\char"0A76B, \unic{U+A76B}, also used for
+\textit{us} in the Latin ending \textit{-ibus}). Do not use the numeral three (\textex{3})
+or the Middle English yogh (\textex{\char"021D}, \unic{U+021D}):
+\begin{quote}
+quib\char"0A76B\ \textit{quibus}; lic\char"0A76B\ \textit{licet}; s\char"0A76B\ \textit{sed}.
+\end{quote}
+\noindent\secletter{k.}\ \ For \textit{{}-rum} the Unicode \textsc{rum rotunda} (\unic{U+A75D}) is like the one in MUFI/Junicode.
+The one in the \textit{Record Interpreter} and \textit{Statutes} is a late stylized version of
+this. Use \unic{U+A75D} and apply OpenType feature \textsc{\textSourceText{cv80}} to obtain the correct shape:
+\begin{quote}
+\cvd{80}{a\~{i}a\char"0A75D\ \textit{animarum}; co\char"0A75Dpere \textit{corrumpere}; beato\char"0A75D\
+\textit{beatorum}}.
+\end{quote}
+\noindent\secletter{l.}\ \ For \textit{cum}, \textit{con}, etc. use \textsc{small letter con} (\unic{U+A76F}):
+\begin{quote}
+\char"0A76Fputus \textit{computus}; \char"0A76Fa \textit{contra}; \char"0A76Fnouit \textit{cognouit}.
+\end{quote}
+\noindent\secletter{m.}\ \ For \textit{per} (or sometimes \textit{par} and other similar sequences), use
+\textsc{p with stroke} \unic{U+A751}:
+\begin{quote}
+\char"0A751s\={o}a \textit{persona}; \char"0A76F\char"0A751et \textit{comparet}.
+\end{quote}
+\noindent\secletter{n.}\ \ For \textit{pro,} use \textsc{p with flourish} \unic{U+A753}:
+\begin{quote}
+\char"0A753ceres \textit{proceres}.
+\end{quote}
+\noindent\secletter{o.}\ \ For \textit{prae}, \textit{pr{\ae}}, \textit{pre}, there is no separate character;
+use a variant of the \textsc{zigzag} (f. above) with \textex{p}:
+\begin{quote}
+\cvd[1]{81}{p\char"035Bs\~{e}s \textit{praesens}}.
+\end{quote}
+\noindent\secletter{p.}\ \ For \textex{q} with stroke through the descender, there are two Unicode points: \unic{U+A757} for a
+straight stroke, and \unic{U+A759} for a diagonal stroke (the \textit{Record Interpreter} appears to use only the
+former, and neither is listed among the \textit{Statutes} abbreviations):
+\begin{quote}
+\char"0A757\ \textit{quod}; \char"0A757d \textit{quid}; \char"0A757b\char"0A76B\ \textit{quibus}.
+\end{quote}
+\noindent\secletter{q.}\ \ For \textit{quae}, \textit{que}, use \textex{q}
+followed by \textsc{et} (\unic{U+A76B}) with or without \textSourceText{hlig}: \textex{q\char"0A76B}
+\textex{\hlig{q\char"0A76B}}. For the semicolon-like \textsc{et} sign (\textex{\cvd{83}{q\char"0A76B}}), use
+\textSourceText{cv83[1]}; for the subscripted version (which can also form a ligature via \textSourceText{hlig}), use \textSourceText{cv83[2]}:
+\textex{\cvd[1]{83}{q\char"0A76B\ \hlig{q\char"0A76B}}}.\\[1ex]
+
+\noindent\secletter{r.}\ \ All of the letters a-z are available in superscript form. Access with the \textex{sups}
+OpenType feature:
+\begin{quote}
+q\sups{o}s \textit{quos}; c\sups{i}lo \textit{circulo}; cap\sups{i} \textit{capituli}.
+\end{quote}
+The basic Latin letters a--z have anchors that allow you to position combining marks over them (see a. above)\\[1ex]
+
+\noindent\secletter{s.}\ \ Tironian \textsc{et} sign \char"204A\ \unic{U+204A}, cap \char"2E52\ \unic{U+2E52}. With \textSourceText{cv69[1]} \cvd{69}{\char"204A\char"2E52}; with
+\textSourceText{cv69[2]} \cvd[1]{69}{\char"204A\char"2E52}.\\[1ex]
+
+\noindent\secletter{t.}\ \ For \textit{est}, use \textex{\char"223B} \unic{U+223B} \textsc{homothetic}. Use of a mathematical sign for this
+purpose is not ideal, but Unicode offers no better solution.\\[1ex]
+
+\noindent\secletter{u.}\ \ For \textit{tz} (Old French), use \textex{\char"01B6} \unic{U+01B6} \textsc{z with stroke}.\\[1ex]
+
+\noindent\secletter{v.}\ \ For an abbreviation for \textit{Rex},
+use \textex{\textrecipe} \unic{U+211E} or \textex{\char"211F} \unic{U+211F}.\\[1ex]
+
+\noindent\secletter{w.}\ \ At least one edition uses a spacing version of the \textsc{combining zigzag}
+(\textbf{f.} above).
+Neither Unicode nor MUFI has a matching character: with Junicode, apply \textSourceText{cv67} to the spacing
+\textsc{macron} (\unic{U+00AF}): \textex{\cvd{67}{\char"25CC\char"00AF}}.
+
+\section[Other formatting]{Other formatting}
+\secletter{x.}\ \ For underdotted text, use Stylistic Set 7, Underdotted. For letters that lack an underdotted form, use \unic{U+0323} \textsc{combining dot below}.
+
+\section[On the web]{On the web}
+Because Junicode is a very large font, web pages should use a subsetted version to speed loading
+(see \hyperlink{OnTheWeb}{Chapter 9, Junicode on the Web}, for instructions).
+The variable version of the font is better for web use than the
+static fonts, since one variable font file can do the work of many static font files.
+
+All major web browsers (Firefox, Chrome, Safari, Edge) are capable of accessing all of Junicode's characters via
+OpenType features, use of which promotes accessibility and searchability. When building a web page, study which
+features will be needed and write them into the appropriate element or class definition of the page's CSS style sheet.
+For example, if you use the curly form of the zigzag (\unic{U+035B}) anywhere, you are likely to want it everywhere, and so it
+should be included in the CSS styling for the <body> element:
+\begin{verbatim}
+body {
+ font-family: Junicode;
+ font-feature-settings: "cv81" 2;
+}
+\end{verbatim}
+
+\noindent But the \textSourceText{hlig} feature, if applied to the whole text, will produce many unwanted effects, so it should be
+included in a class definition to be used in a <span> applied just to the target sequence:
+\begin{verbatim}
+.que {
+ font-feature-settings: "hlig" on;
+}
+filio<span class="que">qꝫ</span>
+\end{verbatim}
+
+\noindent The illustrations here use the low-level CSS font-feature-settings property.
+There are higher-level properties for some
+OpenType features, but as these are not (yet) universally supported by browsers, and some implementations are buggy, it
+is best to stick with font-feature-settings for now.
+
+For the purposes addressed in this document, the font-feature-settings for the <body> element
+should probably be as follows:
+\begin{verbatim}
+font-feature-settings: 'cv69' 2, 'cv80' 1, 'cv81' 2;
+\end{verbatim}
+\noindent And the following classes should be defined:
+\begin{verbatim}
+.super {
+ font-feature-settings: 'sups' on, 'cv84' 39;
+}
+
+.que {
+ font-feature-settings: 'hlig' on;
+}
+
+.deleted {
+ font-feature-settings: 'ss07' on;
+}
+\end{verbatim}
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+
+\chapter{Specimens}\hypertarget{specimens}{}
+%\fancyhead[CE]{\scshape\color{myRed} {\addfontfeatures{Numbers=OldStyle}\thepage}\hspace{10pt}specimens}
+
+\subsection*{Old and Middle English}
+
+{\noindent\regular\addfontfeature{Language=English}Wē æthrynon mid ūrum ārum þā ȳðan þæs dēopan wǣles; wē
+ġesāwon ēac þā muntas ymbe þǣre sealtan sǣ strande, and wē mid
+āðēnedum hræġle and ġesundfullum windum þǣr ġewīcodon on þām
+ġemǣrum þǣre fæġerestan þēode. Þā ȳðan ġetācniað þisne dēopan
+cræft, and þā muntas ġetācniað ēac þā miċelnyssa þisses cræftes. (Regular)}\\
+
+\noindent{\semiwide\addfontfeature{Language=English} S{\scshape iþen} þe sege and þe assaut watz sesed at Troye,\\
+Þe borȝ brittened and brent to brondez and askez,\\
+Þe tulk þat þe trammes of tresoun þer wroȝt\\
+Watz tried for his tricherie, þe trewest on erthe:\\
+Hit watz Ennias þe athel, and his highe kynde,\\
+Þat siþen depreced prouinces, and patrounes bicome\\
+Welneȝe of al þe wele in þe west iles. (SemiExpanded)}\\
+
+\noindent{\small\semiconditalic Apply the OpenType feature ss02 (Stylistic Set 2)
+for insular letter-forms.}\\[1ex]
+{\seminarrow\addfontfeature{StylisticSet=2,Ligatures=NoCommon,MyStyle=altogonek,Language=English}
+Her cynewulf benam sigebryht his rices \& westseaxna wiotan for
+un\-ryht\-um dędū buton hamtúnscire \& he hæfde þa oþ he ofslog
+þone aldormon þe hī lengest wunode \& hiene þa cynewulf on
+andred adræfde \& ħ þær wunade oþ þæt hine án swán ofstang
+æt pryfetesflodan \& he wręc þone aldormon cumbran \& se cynewulf
+oft miclum gefeohtum feaht uuiþ bretwalū.} (SemiCondensed)
+
+\subsection*{Old Irish}
+{\addfontfeature{Language=Irish}{\condmed{}Fect n-oen do Ailill {\char"204A} do Meidb íar n-dergud a rígleptha dóib i
+Cruachanráith Chonnacht, arrecaim comrad chind-cherchailli
+eturru. Fírbriathar, a ingen, bar Ailill, is maith ben ben
+dagfir. Maith omm, bar ind ingen. Cid diatá latsu ón. Is de atá lim,
+bar Ailill, ar it ferr-su indiu indá in lá thucus-sa thu.} (Condensed Medium)\\[1ex]
+\noindent{\small\semiconditalic For insular letter-forms, apply the OpenType feature ss02 (Stylistic Set 2),
+making sure the language is set to Irish.}\\[1ex]
+\noindent\addfontfeature{StylisticSet=2}Bamaith-se
+remut, ar Medb. Is maith nach cualammar {\char"204A} nach fetammar, ar Ailill,
+acht do bithsiu ar bantincur mnaa {\char"204A} bidba na crich ba nessom duit oc
+breith do slait {\char"204A} do chrech i fúatach úait. Ni samlaid bása, ar Medb,
+acht m'athair i n-ardrigi hErenn .i. Eocho Feidlech mac Find meic
+Findomain meic Findeoin meic Findguni meic Rogein Rúaid meic Rigéoin
+meic Blathachta meic Beothechta meic Enna Agnig meic Oengusa
+Turbig. Bátar aice se ingena d'ingenaib: Derbriu, Ethi {\char"204A} Éle, Clothru,
+Mugain, Medb, messi ba uasliu {\char"204A} ba urraitiu díb.} (Regular)\\[1ex]
+\noindent{{\small\semiconditalic For a (somewhat) uncial look, try combining ss02 with smcp
+(Small Caps), adding other variants as you see fit.}\\[1ex]
+\noindent{\addfontfeature{StylisticSet=2,CharacterVariant={25:0,26:0},Letters=SmallCaps,Language=Irish}Bamaith-se
+remut, ar Medb. Is maith nach cualammar {\char"204A} nach fetammar, ar Ailill,
+acht do bithsiu ar bantincur mnaa {\char"204A} bidba na crich ba nessom duit oc
+breith do slait {\char"204A} do chrech i fúatach úait. Ni samlaid ba͏́sa, ar Medb,
+acht m'athair i n-ardrigi hErenn .i. Eocho Feidlech mac Find meic
+Findomain meic Findeoin meic Findguni meic Rogein Rúaid meic Rige͏́oin
+meic Blathachta meic Beothechta meic Enna Agnig meic Oengusa
+Turbig. Ba͏́tar aice se ingena d'ingenaib: Derbriu, Ethi {\char"204A} Éle, Clothru,
+Mugain, Medb, messi ba uasliu {\char"204A} ba urraitiu díb.} (Regular)\\[1ex]
+
+\subsection*{Old Icelandic}
+{\small\semiconditalic\addfontfeature{Language=English} For Nordic shapes of þ and ð in an
+English context, specify the appropriate language (e.g. Icelandic or Norwegian);
+or apply the OpenType ss01 (Stylistic Set 1) feature.}\\[1ex]
+{\icel\medium Um haustit sendi Mǫrðr Valgarðsson orð at Gunnarr myndi vera einn heimi, en
+lið alt myndi vera niðri í eyjum at lúka heyverkum. Riðu þeir Gizurr Hvíti ok
+Geirr Goði austr yfir ár, þegar þeir spurðu þat, ok austr yfir sanda til Hofs.
+Þá sendu þeir orð Starkaði undir Þríhyrningi; ok fundusk þeir þar allir er at
+Gunnari skyldu fara, ok réðu hversu at skyldi fara.} (SemiExpanded Medium)
+
+\subsection*{Runic}
+{\small\semiconditalic\addfontfeature{Language=English} Junicode has features
+for automated transliteration of Latin letters into various runic systems.}\\[1ex]
+{\wide ᚠᛁᛋᚳ ᚠᛚᚩᛞᚢ ᚪᚻᚩᚠ ᚩᚾ ᚠᛖᚱᚷᛖᚾᛒᛖᚱᛁᚷ ᚹᚪᚱᚦ ᚷᚪ᛬ᛇᚱᛁᚳ ᚷᚱᚩᚱᚾ ᚦᚨᚱ ᚻᛖ ᚩᚾ ᚷᚱᛖᚢᛏ ᚷᛁᛇᚹᚩᛗ
+ᚻᚱᚩᚾᚨᛇ ᛒᚪᚾ\\
+ᚱᚩᛗᚹᚪᛚᚢᛇ ᚪᚾᛞ ᚱᛖᚢᛗᚹᚪᛚᚢᛇ ᛏᚹᛟᚷᛖᚾ ᚷᛁᛒᚱᚩᚦᚫᚱ ᚪᚠᛟᛞᛞᚫ ᛞᛁᚫ ᚹᚣᛚᛁᚠ ᚩᚾ ᚱᚩᛗᚫ\linebreak[0]ᚳᚫᛇᛏᛁ᛬
+ᚩᚦᛚᚫ ᚢᚾᚾᛖᚷ} (Expanded)
+
+\subsection*{German}
+
+{\narrow\addfontfeature{Language=English} Ich ſag üch aber / minen fründen / Foͤꝛchtēd üch nit voꝛ denen die den
+lyb toͤdend / vnd darnach nichts habennd das ſy mer thuͤgind. Ich wil
+üch aber zeigē voꝛ welchem ir üch \cvd[4]{12}{foͤꝛchten} ſollend. Foͤꝛchtend üch voꝛ
+dem / der / nach dem er toͤdet hat / ouch macht hat zewerffen inn die
+hell: ja ich ſag üch / voꝛ dem ſelben \cvd[4]{12}{foͤꝛchtēd} üch. Koufft man nit
+fünff Sparen vm̄ zween pfennig} (Condensed)
+
+\subsection*{Latin}
+
+{\small\semiconditalic Junicode contains the most common Latin abbreviations,
+ making it suitable for diplomatic editions of Latin texts.}\\[1ex]
+{\addfontfeatures{Language=Latin,MyStyle=altogonek,MyStyle=contextualr}\light Adiuuanos dſ̄ ſalutariſ noſter \&
+ ꝓpt̄ głam nominiſ tui dnē liƀanoſ· \& ꝓpitiuſ eſto peccatiſ noſtriſ
+ ꝓpter nomen tuum· Ne forte dicant ingentib: ubi eſt dſ̄ eorum \&
+ innoteſcat innationib: corā oculiſ nr̄iſ· Poſuerunt moſticina
+ ſeruorū ruorū eſcaſ uolatilib: cęli carneſ ſcōꝝ tuoꝝ beſtiiſ tenice·
+ Facti ſumꝰ ob\kern+0.2ptꝓbrium uiciniſ nr̄iſ·} (Light)
+
+\subsection*{Gothic}
+
+{\seminarrowlight jabai auk ƕas gasaiƕiþ þuk þana habandan kunþi in galiuge stada
+anakumbjandan, niu miþwissei is siukis wis\-an\-dins timrjada du
+galiugagudam gasaliþ matjan? fraqistniþ auk sa unmahteiga ana
+þeinamma witubnja broþar in þize Xristus gaswalt. swaþ~þan
+frawaurkjandans wiþra broþruns, slahandans ize gahugd siuka, du
+Xristau fra\-waur\-keiþ.} (SemiCondensed Light)\\
+
+{\noindent\small\semiconditalic Use ss19 to produce Gothic letters
+ automatically from transliterated text.}\\[1ex]
+{\addfontfeature{MyStyle=gothic}\bfseries jabai auk ƕas gasaiƕiþ þuk þana
+ habandan kunþi in ga\-liuge stada anakumbjandan, niu miþwissei is
+ siukis wis\-an\-dins timrjada du galiugagudam gasaliþ matjan?
+ jabai auk ƕas gasaiƕiþ þuk þana habandan kunþi in
+ ga\-liuge stada anakumbjandan, niu miþwissei is siukis
+ wis\-an\-dins timrjada du galiugagudam gasaliþ matjan?} (SemiExpanded Bold)
+
+ \subsection*{Sanskrit Transliteration}
+
+\noindent{\semicondmedium mānaṁ dvividhaṁ viṣayadvai vidyātśaktyaśaktitaḥ \\
+ arthakriyāyāṁ keśadirnārtho ’narthādhimokṣataḥ\\[1ex]
+sadr̥śāsadr̥śatvācca viṣayāviṣayatvataḥ \\
+ śabdasyānyanimittānāṁ bhāve dhīsadasattvataḥ} (SemiCondensed Medium)
+
+\subsection*{International Phonetic Alphabet}
+{\addfontfeature{MyStyle=IPA,MyStyle=thornswap}
+{\regular hwɑn θɑt ɑːprɪl wiθ is ʃuːrəs soːtə θə drʊxt ɔf mɑrʧ hɑθ peːrsəd toː
+θə roːte ɑnd bɑːðəd ɛvrɪ væɪn ɪn swɪʧ lɪkuːr ɔf hwɪʧ vɛrtɪu
+ɛnʤɛndrəd ɪs θə fluːr hwɑn zɛfɪrʊs eːk wɪθ hɪs sweːtə bræːθ}} (Regular)
+
+\subsection*{Greek}
+{\regular\grk βίβλος
+γενέσεως ἰησοῦ χριστοῦ υἱοῦ δαυὶδ
+υἱοῦ ἀβραάμ.
+ἀβραὰμ
+ἐγέννησεν τὸν ἰσαάκ, ἰσαὰκ δὲ ἐγέννησεν
+τὸν ἰακώβ, ἰακὼβ δὲ ἐγέννησεν τὸν
+ἰούδαν καὶ τοὺς ἀδελφοὺς αὐτοῦ,
+ἰούδας
+δὲ ἐγέννησεν τὸν φάρες καὶ τὸν ζάρα
+ἐκ τῆς θαμάρ, φάρες δὲ ἐγέννησεν τὸν
+ἑσρώμ, ἑσρὼμ δὲ ἐγέννησεν τὸν ἀράμ,
+ἀρὰμ
+δὲ ἐγέννησεν τὸν ἀμιναδάβ, ἀμιναδὰβ
+δὲ ἐγέννησεν τὸν ναασσών, ναασσὼν δὲ
+ἐγέννησεν τὸν σαλμών,
+σαλμὼν
+δὲ ἐγέννησεν τὸν βόες ἐκ τῆς ῥαχά} (Regular)\\
+
+\noindent\textit{\grk βίβλος
+γενέσεως ἰησοῦ χριστοῦ υἱοῦ δαυὶδ
+υἱοῦ ἀβραάμ.
+ἀβραὰμ
+ἐγέννησεν τὸν ἰσαάκ, ἰσαὰκ δὲ ἐγέννησεν
+τὸν ἰακώβ, ἰακὼβ δὲ ἐγέννησεν τὸν
+ἰούδαν καὶ τοὺς ἀδελφοὺς αὐτοῦ,
+ἰούδας
+δὲ ἐγέννησεν τὸν φάρες καὶ τὸν ζάρα
+ἐκ τῆς θαμάρ, φάρες δὲ ἐγέννησεν τὸν
+ἑσρώμ, ἑσρὼμ δὲ ἐγέννησεν τὸν ἀράμ,
+ἀρὰμ
+δὲ ἐγέννησεν τὸν ἀμιναδάβ, ἀμιναδὰβ
+δὲ ἐγέννησεν τὸν ναασσών, ναασσὼν δὲ
+ἐγέννησεν τὸν σαλμών,
+σαλμὼν
+δὲ ἐγέννησεν τὸν βόες ἐκ τῆς ῥαχά} (Italic)
+
+\subsection*{Lithuanian}
+
+{\small\semiconditalic Lithuanian poses several typographical challenges. Make sure
+ Contextual Alternates (calt) is turned on; for i̇́, use i followed
+ by combining dot accent (\unic{U+0307}) and acute (\unic{U+0301}).}\\[1ex]
+{\wide\addfontfeature{Language=Lithuanian} Visa žemė turėjo vieną kalbą ir tuos pačius žodžius. Kai žmonės
+kėlėsi iš rytų, jie rado slėnį Šinaro krašte ir ten įsikūrė. Vieni
+kitiems sakė: Eime, pasidirbkime plytų ir jas išdekime. – Vietoj
+akmens jie naudojo plytas, o vietoj kalkių – bitumą. Eime, – jie
+sakė, – pasistatykime miestą ir bokštą su dangų siekiančia viršūne ir
+pasidarykime sau vardą, kad nebūtume išblaškyti po visą žemės veidą.} (Expanded)
+
+\subsection*{Polish}
+{\small\semiconditalic The default shape and position of ogonek in Junicode are suitable
+for modern Polish. For the medieval Latin e-caudata, consider using
+cv62.}\\[1ex]
+{\condmed\addfontfeature{Language=Polish} Mieszkańcy całej ziemi mieli jedną mowę, czyli jednakowe słowa. A
+gdy wędrowali ze wschodu, napotkali równinę w kraju Szinear i tam
+zamieszkali. I mówili jeden do drugiego: Chodźcie, wyrabiajmy cegłę
+i wypalmy ją w ogniu. A gdy już mieli cegłę zamiast kamieni i smołę
+zamiast zaprawy murarskiej, rzekli: Chodźcie, zbudujemy sobie miasto
+i wieżę, której wierzchołek będzie sięgał nieba, i w ten sposób
+uczynimy sobie znak, abyśmy się nie rozproszyli po całej ziemi.} (Condensed Medium)\pagebreak
+
+\subsection*{Fleurons}
+
+{\small\semiconditalic Junicode contains a number of fleurons (floral
+ ornaments) copied from a 1785 Caslon specimen book. Access
+ these via the OpenType feature \hyperlink{ornm}{ornm}. Fleurons have only one weight and
+ width, and they are the same in roman and italic.}
+
+\begin{center}
+\huge \\
+ \\[0.7ex]
+\\[0.7ex]
+\\
+
+\end{center}
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+++ trunk/Master/texmf-dist/doc/fonts/junicodevf/source/encoded-glyphs.tex 2024-01-02 21:30:53 UTC (rev 69278)
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+\chapter{Encoded Glyphs in Junicode}\hypertarget{EncodedGlyphs}{}
+
+\noindent The following table lists all the encoded glyphs in Junicode Roman. The font also
+contains more than 2,000 \emph{unencoded} glyphs,
+accessible via OpenType features. For a comprehensive list of these features, see
+\hyperlink{FeatureReference}{Chapter 4, Feature Reference}.
+
+Code points for which Junicode has no glyphs are represented in the table by blue
+bullets (the actual bullet at U+2022 is black).
+Many of Junicode's glyphs (e.g. spaces, formatting marks) are invisible: these
+are represented by blanks in the table. A few glyphs are too large for their table cells,
+and these spill out on one or more sides.
+
+\displayfonttable[color=blue,title-format=\caption{Encoded Glyphs in Junicode},
+title-format-cont=\caption{Encoded Glyphs in Junicode, \emph{cont.}}, missing-glyph=•,
+missing-glyph-color=blue, range-end=F005F, glyph-width=12pt, hex-digits=head]{JunicodeVF-Roman.ttf}[Renderer=HarfBuzz]
+
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+++ trunk/Master/texmf-dist/doc/fonts/junicodevf/source/tag_key_ins.tex 2024-01-02 21:30:53 UTC (rev 69278)
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+
+\chapter{Entering characters with tags}\hypertarget{tagchapter}{}
+%\fancyhead[CE]{\scshape\color{myRed} {\addfontfeatures{Numbers=OldStyle}\thepage}\hspace{10pt}entering characters with tags}
+\addfontfeature{MyStyle=noentities}
+
+Any character in Junicode that can be rendered using a Character Variant ({\charvar}) feature can also be rendered using a
+sequence consisting of a base character and two Unicode tags---that is, characters from the Unicode tag range. This range
+duplicates the ASCII character set (which consists, roughly, of things that can be typed on a U.S. English keyboard),
+but the characters it contains are normally invisible. They are used as modifiers
+for a preceding character (in other fonts, usually a flag symbol). Junicode contains a partial collection of tag
+characters:
+
+\begin{center}
+\tablefirsthead{}\tablehead{}\tabletail{}\tablelasttail{}
+\setlength\tabcolsep{15pt}
+%\begin{supertabular}{m{1.7545599in}m{1.7545599in}m{1.7545599in}}
+\begin{supertabular}{ccc}
+{\&\_\_a; U+E0061} &
+{\&\_\_b; U+E0062} &
+{\&\_\_c; U+E0063}\\
+{\&\_\_d; U+E0064} &
+{\&\_\_e; U+E0065} &
+{\&\_\_f; U+E0066}\\
+{\&\_\_g; U+E0067} &
+{\&\_\_h; U+E0068} &
+{\&\_\_i; U+E0069}\\
+{\&\_\_j; U+E006A} &
+{\&\_\_k; U+E006B} &
+{\&\_\_l; U+E006C}\\
+{\&\_\_m; U+E006D} &
+{\&\_\_n; U+E006E} &
+{\&\_\_o; U+E006F}\\
+{\&\_\_p; U+E0070} &
+{\&\_\_q; U+E0071} &
+{\&\_\_r; U+E0072}\\
+{\&\_\_s; U+E0073} &
+{\&\_\_t; U+E0074} &
+{\&\_\_u; U+E0075}\\
+{\&\_\_v; U+E0076} &
+{\&\_\_w; U+E0077} &
+{\&\_\_x; U+E0078}\\
+{\&\_\_y; U+E0079} &
+{\&\_\_z; U+E007A} &
+{\&\_\_0; U+E0030}\\
+{\&\_\_1; U+E0031} &
+{\&\_\_2; U+E0032} &
+{\&\_\_3; U+E0033}\\
+{\&\_\_4; U+E0034} &
+{\&\_\_5; U+E0035} &
+{\&\_\_6; U+E0036}\\
+{\&\_\_7; U+E0037} &
+{\&\_\_8; U+E0038} &
+{\&\_\_9; U+E0039}\\
+\end{supertabular}
+\end{center}
+
+\noindent When creating web pages or XML documents,
+you can enter these using character entities (e.g. \textSourceText{\&\#xE0073;} for \textex{\noent{\&\_\_s;}});
+along the same lines, you can use the \textSourceText{{\textbackslash}char} command
+(e.g. \textSourceText{{\textbackslash}char{\textquotedbl}0E0073}) when
+composing TeX documents. But such entities and commands are not generally available in editors and word processors, and
+entering the tags themselves can be tricky because they are not only invisible, but also ignored by the application
+(the cursor
+skips over them). Instead of attempting to enter the code points for tags directly, use character entities consisting
+of \textbf{an ampersand, two underscores, the tag character, and a semicolon}. These will yield visible tags. For
+example, typing \textSourceText{\&\_\_6;} will yield the tag \textex{\noent{\&\_\_6;}}.
+
+To use the tag method of entering characters, first type the base character from the table below, then the two tags.
+For example, to make a square C (\textex{\restag{C\&\_\_s;\&\_\_q;}}), enter one of these sequences:
+
+\begin{center}
+\tablefirsthead{}
+\tablehead{}
+\tabletail{}
+\tablelasttail{}
+\begin{supertabular}{m{1.2969599in}m{2.54416in}}
+{\bfseries Web page:} &
+C\&\#xE0073;\&\#xE0071;\\
+{\bfseries TeX:} &
+C{\textbackslash}char{\textquotedbl}0E0073{\textbackslash}char{\textquotedbl}0E0071\\
+{\bfseries Word processor:} &
+C\&\_\_s\textcompwordmark;\&\_\_q\textcompwordmark; (appears as C\&\_\_s;\&\_\_q;)\\
+\end{supertabular}
+\end{center}
+
+\noindent Then apply the OpenType feature \textSourceText{ss10} (Stylistic Set 10) to the passage or passages containing the tags or, if tags occur
+throughout, to the whole document. The tags will disappear and the preceding characters (the base characters) will be
+transformed.
+
+For variants of the combining macron (\unic{U+0304}) and perhaps other combining marks, it will often be necessary to place the
+\ctosc{COMBINING GRAPHEME JOINER} (\unic{U+034F}) between the macron and the base character that precedes it. This will prevent
+normalization (the shaping engine changing sequences of character + combining mark into precomposed characters),
+which interferes with the operation of tags.
+
+Most of the two-tag sequences documented here are designed to be mnemonic. For example, the
+\textex{\&\_\_s;\&\_\_q;} sequence in the example
+above stands for ``square.'' However, two-tag sequences are not capable of describing characters in any detail, and in
+some cases, where the number of variants is large (especially for period, combining macron, and currency), the tags are
+not descriptive at all, but rather an index (the same numbers used in the corresponding {\charvar} features).
+
+These tags are compatible with Junicode's other OpenType features, including the {\charvar} features, and can be mixed with
+them. They will not interfere with the placement of combining marks, which can come either before or after the tag-pair. Use a {\charvar} feature when a variant should appear
+throughout the text, repeatedly in a particular passage (for example, a block quotation), or in a style. A tag sequence may be preferable for isolated forms or to override an OpenType feature.
+
+In the list below, records for each character are color-coded as follows:
+
+\begin{center}
+ \tablefirsthead{}
+ \tablehead{}
+ \tabletail{\hline}
+ \tablelasttail{\hline}
+ \begin{supertabular}{|m{13mm}|m{72mm}|}
+ \hline
+ \mufi{green} & MUFI characters with PUA code points\\\hline
+ \opua{yellow} & Other characters with PUA code points\\\hline
+ \stdu{blue} & Characters with Unicode code points\\\hline
+ \nuni{red} & Characters without code points\\
+ \end{supertabular}
+\end{center}
+
+\noindent Tags or {\charvar} features are usually to be preferred to PUA code points,
+which should be used only where accessibility and searchability are
+not issues (mainly in printed texts). Unicode code points can safely be
+entered directly. Junicode makes a few of them accessible via {\charvar} features and tags because it may often
+be desirable to associate these characters with their bases rather than the Unicode code points. For
+example, the insular T (\textex{\restag{T\&\_\_i;\&\_\_n;}}) is sure to be searchable as T if entered with the sequence
+\textex{\noent{T\&\_\_i;\&\_\_n;}}, but if entered as \textex{U+A786} it may or may not be searchable as T,
+depending on the application.
+
+Characters without code points can only be entered via tags or OpenType features.
+
+\begin{center}
+ \addfontfeature{Numbers={Uppercase,Monospaced}}
+\tablefirsthead{\hline\rowcolor{Goldenrod}
+{Base} &
+{Sequence} &
+{Result} &
+\arraybslash Description / Code point\\}
+\tablehead{\hline\rowcolor{Goldenrod}
+{Base} &
+{Sequence} &
+{Result} &
+\arraybslash Description / Code point\\}
+\tabletail{\hline}
+\tablelasttail{}
+\begin{supertabular}{|c|c|c|c|}
+%\begin{supertabular}{|m{0.9872598in}|m{0.97815984in}|m{0.9254598in}|m{2.79556in}|}
+\hline
+\mufi{period} &
+{.\&\_\_0;\&\_\_1;} &
+{\restag{.\char"0E0030\char"0E0031}} &
+\arraybslash Distinctio / F1F8 \\\hline
+%
+\mufi{period} &
+{.\&\_\_0;\&\_\_2;} &
+{.\char"0E0030\char"0E0032} &
+\arraybslash Comma positura / F1E2\\\hline
+%
+\mufi{period} &
+{.\&\_\_0;\&\_\_3;} &
+{\restag{.\char"0E0030\char"0E0033}} &
+\arraybslash High comma positura / F1E3\\\hline
+%
+\mufi{period} &
+{.\&\_\_0;\&\_\_4;} &
+{\restag{.\char"0E0030\char"0E0034}} &
+\arraybslash Punctus versus / F1EA\\\hline
+%
+\mufi{period} &
+{.\&\_\_0;\&\_\_5;} &
+{\restag{.\char"0E0030\char"0E0035}} &
+\arraybslash Punctus with comma positura / F1E4\\\hline
+\mufi{period} &
+{.\&\_\_0;\&\_\_6;} &
+{\restag{.\char"0E0030\char"0E0036}} &
+\arraybslash Colon with middle comma positura / F1E5\\\hline
+%
+\mufi{period} &
+{.\&\_\_0;\&\_\_7;} &
+{\restag{.\char"0E0030\char"0E0037}} &
+\arraybslash Two dots over comma positura / F1F2\\\hline
+%
+\mufi{period} &
+{.\&\_\_0;\&\_\_8;} &
+{\restag{.\char"0E0030\char"0E0038}} &
+\arraybslash Three dots over comma positura / F1E6\\\hline
+%
+\mufi{period} &
+{.\&\_\_0;\&\_\_9;} &
+{\restag{.\char"0E0030\char"0E0039}} &
+\arraybslash Punctus elevatus diagonal stroke / F1F0\\\hline
+%
+\mufi{period} &
+{.\&\_\_1;\&\_\_0;} &
+{\restag{.\char"0E0031\char"0E0030}} &
+\arraybslash Punctus elevatus with high back / F1FA\\\hline
+%
+\mufi{period} &
+{.\&\_\_1;\&\_\_1;} &
+{\restag{.\char"0E0031\char"0E0031}} &
+\arraybslash Punctus elevatus with onset / F1FB\\\hline
+%
+\mufi{period} &
+{.\&\_\_1;\&\_\_2;} &
+{\restag{.\char"0E0031\char"0E0032}} &
+\arraybslash Punctus flexus / F1F5\\\hline
+%
+\mufi{period} &
+{.\&\_\_1;\&\_\_3;} &
+{\restag{.\char"0E0031\char"0E0033}} &
+\arraybslash Punctus exclamativus / F1E7\\\hline
+%
+\mufi{period} &
+{.\&\_\_1;\&\_\_4;} &
+{\restag{.\char"0E0031\char"0E0034}} &
+\arraybslash Punctus interrogativus / F160\\\hline
+%
+\mufi{period} &
+{.\&\_\_1;\&\_\_5;} &
+{\restag{.\char"0E0031\char"0E0035}} &
+\arraybslash {\narrow Punctus interrogativus horizontal tilde / \ltab{F1E8}}\\\hline
+%
+\mufi{period} &
+{.\&\_\_1;\&\_\_6;} &
+{\restag{.\char"0E0031\char"0E0036}} &
+\arraybslash {\narrow Punctus interrogativus lemniskate / \ltab{F1F1}}\\\hline
+%
+\mufi{period} &
+{.\&\_\_1;\&\_\_7;} &
+{\restag{.\char"0E0031\char"0E0037}} &
+\arraybslash Wavy line / F1F9\\\hline
+%
+\mufi{period} &
+{.\&\_\_1;\&\_\_8;} &
+{\restag{.\char"0E0031\char"0E0038}} &
+\arraybslash Signe de renvoi / F1EC\\\hline
+%
+\mufi{period} &
+{.\&\_\_1;\&\_\_9;} &
+{\restag{.\char"0E0031\char"0E0039}} &
+\arraybslash Virgula suspensiva / F1F4\\\hline
+%
+\mufi{period} &
+{.\&\_\_2;\&\_\_0;} &
+{\restag{.\char"0E0032\char"0E0030}} &
+\arraybslash Short virgula / F1F7\\\hline
+%
+\mufi{U+0304} &
+{\char"25CC\char"0304\&\_\_0;\&\_\_1;} &
+{\restag{\char"25CC\char"0304\char"0E0030\char"0E0031}} &
+\arraybslash Combining curly bar above / F1CC\\\hline
+%
+\nuni{U+0304} &
+{\char"25CC\char"0304\&\_\_0;\&\_\_2;} &
+{\restag{\char"25CC\char"0304\char"0E0030\char"0E0032}} &
+\arraybslash Combining diagonal macron\\\hline
+%
+\mufi{U+0304} &
+{\char"25CC\char"0304\&\_\_0;\&\_\_3;} &
+{\restag{\char"25CC\char"0304\char"0E0030\char"0E0033}} &
+\arraybslash Combining bar above with dot / F1C0\\\hline
+%
+\mufi{U+0304} &
+{\char"25CC\char"0304\&\_\_0;\&\_\_4;} &
+{\restag{\char"25CC\char"0304\char"0E0030\char"0E0034}} &
+\arraybslash Combining angular zigzag / F1C7\\\hline
+%
+\mufi{U+0304} &
+{\char"25CC\char"0304\&\_\_0;\&\_\_5;} &
+{\restag{\char"25CC\char"0304\char"0E0030\char"0E0035}} &
+\arraybslash Combining curly zigzag / F1C8\\\hline
+%
+\stdu{U+0304} &
+{\char"25CC\char"0304\&\_\_0;\&\_\_6;} &
+{\restag{\char"25CC\char"0304\char"0E0030\char"0E0036}} &
+\arraybslash Combining vertical tilde / 033E\\\hline
+%
+\mufi{U+0304} &
+{\char"25CC\char"0304\&\_\_0;\&\_\_7;} &
+{\restag{\char"25CC\char"0304\char"0E0030\char"0E0037}} &
+\arraybslash Combining ligature an / F036\\\hline
+%
+\mufi{U+0304} &
+{\char"25CC\char"0304\&\_\_0;\&\_\_8;} &
+{\restag{\char"25CC\char"0304\char"0E0030\char"0E0038}} &
+\arraybslash Combining ligature aN / F03A\\\hline
+%
+\mufi{U+0304} &
+{\char"25CC\char"0304\&\_\_0;\&\_\_9;} &
+{\restag{\char"25CC\char"0304\char"0E0030\char"0E0039}} &
+\arraybslash Combining ligature ar / F038\\\hline
+%
+\mufi{U+0304} &
+{\char"25CC\char"0304\&\_\_1;\&\_\_0;} &
+{\restag{\char"25CC\char"0304\char"0E0031\char"0E0030}} &
+\arraybslash Combining ligature aR / F130\\\hline
+%
+\mufi{U+0304} &
+{\char"25CC\char"0304\&\_\_1;\&\_\_1;} &
+{\restag{\char"25CC\char"0304\char"0E0031\char"0E0031}} &
+\arraybslash Combining B / F013\\\hline
+%
+\mufi{U+0304} &
+{\char"25CC\char"0304\&\_\_1;\&\_\_2;} &
+{\restag{\char"25CC\char"0304\char"0E0031\char"0E0032}} &
+\arraybslash Combining D / F016\\\hline
+%
+\mufi{U+0304} &
+{\char"25CC\char"0304\&\_\_1;\&\_\_3;} &
+{\restag{\char"25CC\char"0304\char"0E0031\char"0E0033}} &
+\arraybslash Combining e with macron / F136\\\hline
+%
+\mufi{U+0304} &
+{\char"25CC\char"0304\&\_\_1;\&\_\_4;} &
+{\restag{\char"25CC\char"0304\char"0E0031\char"0E0034}} &
+\arraybslash Combining e with ogonek / F135\\\hline
+%
+\mufi{U+0304} &
+{\char"25CC\char"0304\&\_\_1;\&\_\_5;} &
+{\restag{\char"25CC\char"0304\char"0E0031\char"0E0035}} &
+\arraybslash Combining dotless i / F02F\\\hline
+%
+\mufi{U+0304} &
+{\char"25CC\char"0304\&\_\_1;\&\_\_6;} &
+{\restag{\char"25CC\char"0304\char"0E0031\char"0E0036}} &
+\arraybslash Combining j / F030\\\hline
+%
+\mufi{U+0304} &
+{\char"25CC\char"0304\&\_\_1;\&\_\_7;} &
+{\restag{\char"25CC\char"0304\char"0E0031\char"0E0037}} &
+\arraybslash Combining dotless j / F031\\\hline
+%
+\mufi{U+0304} &
+{\char"25CC\char"0304\&\_\_1;\&\_\_8;} &
+{\restag{\char"25CC\char"0304\char"0E0031\char"0E0038}} &
+\arraybslash Combining K / F01C\\\hline
+%
+\mufi{U+0304} &
+{\char"25CC\char"0304\&\_\_1;\&\_\_9;} &
+{\restag{\char"25CC\char"0304\char"0E0031\char"0E0039}} &
+\arraybslash Combining uncial m / F01F\\\hline
+%
+\mufi{U+0304} &
+{\char"25CC\char"0304\&\_\_2;\&\_\_0;} &
+{\restag{\char"25CC\char"0304\char"0E0032\char"0E0030}} &
+\arraybslash Combining o with macron / F13F\\\hline
+%
+\mufi{U+0304} &
+{\char"25CC\char"0304\&\_\_2;\&\_\_1;} &
+{\restag{\char"25CC\char"0304\char"0E0032\char"0E0031}} &
+\arraybslash Combining o with ogonek / F13E\\\hline
+%
+\mufi{U+0304} &
+{\char"25CC\char"0304\&\_\_2;\&\_\_2;} &
+{\restag{\char"25CC\char"0304\char"0E0032\char"0E0032}} &
+\arraybslash Combining o with stroke / F032\\\hline
+%
+\mufi{U+0304} &
+{\char"25CC\char"0304\&\_\_2;\&\_\_3;} &
+{\restag{\char"25CC\char"0304\char"0E0032\char"0E0033}} &
+\arraybslash Combining q / F033\\\hline
+%
+\mufi{U+0304} &
+{\char"25CC\char"0304\&\_\_2;\&\_\_4;} &
+{\restag{\char"25CC\char"0304\char"0E0032\char"0E0034}} &
+\arraybslash Combining rum abbreviation / F040\\\hline
+%
+\mufi{U+0304} &
+{\char"25CC\char"0304\&\_\_2;\&\_\_5;} &
+{\restag{\char"25CC\char"0304\char"0E0032\char"0E0035}} &
+\arraybslash Combining T / F02A\\\hline
+%
+\mufi{U+0304} &
+{\char"25CC\char"0304\&\_\_2;\&\_\_6;} &
+{\restag{\char"25CC\char"0304\char"0E0032\char"0E0036}} &
+\arraybslash Combining y / F02B\\\hline
+%
+\mufi{U+0304} &
+{\char"25CC\char"0304\&\_\_2;\&\_\_7;} &
+{\restag{\char"25CC\char"0304\char"0E0032\char"0E0037}} &
+\arraybslash Combining thorn / F03D\\\hline
+%
+\mufi{U+0304} &
+{\char"25CC\char"0304\&\_\_2;\&\_\_8;} &
+{\restag{\char"25CC\char"0304\char"0E0032\char"0E0038}} &
+\arraybslash {\narrow Combining ligature o r rotunda / \tab{F03E}}\\\hline
+%
+\mufi{U+0304} &
+{\char"25CC\char"0304\&\_\_2;\&\_\_9;} &
+{\restag{\char"25CC\char"0304\char"0E0032\char"0E0039}} &
+\arraybslash {\narrow Combining ligature letter o rum / \ltab{F03F}}\\\hline
+%
+\nuni{U+0304} &
+{\char"25CC\char"0304\&\_\_3;\&\_\_0;} &
+{\restag{\char"25CC\char"0304\char"0E0033\char"0E0030}} &
+\arraybslash Combining diagonal dieresis\\\hline
+%
+\nuni{U+0304} &
+{\char"25CC\char"0304\&\_\_3;\&\_\_1;} &
+{\restag{\char"25CC\char"0304\char"0E0033\char"0E0031}} &
+\arraybslash Combining dot and acute\\\hline
+%
+\nuni{U+0304} &
+{\char"25CC\char"0304\&\_\_3;\&\_\_2;} &
+{\restag{\char"25CC\char"0304\char"0E0033\char"0E0032}} &
+\arraybslash Combining ogonek and dot\\\hline
+%
+\nuni{U+0304} &
+{\char"25CC\char"0304\&\_\_3;\&\_\_3;} &
+{\restag{\char"25CC\char"0304\char"0E0033\char"0E0033}} &
+\arraybslash Combining narrow macron\\\hline
+%
+\nuni{U+0304} &
+{\char"25CC\char"0304\&\_\_3;\&\_\_4;} &
+{\restag{\char"25CC\char"0304\char"0E0033\char"0E0034}} &
+\arraybslash Combining macron with serifs\\\hline
+%
+\nuni{U+0304} &
+{\char"25CC\char"0304\&\_\_3;\&\_\_5;} &
+{\restag{\char"25CC\char"0304\char"0E0033\char"0E0035}} &
+\arraybslash Combining et sign\\\hline
+%
+\nuni{U+0304} &
+{\char"25CC\char"0304\&\_\_3;\&\_\_6;} &
+{\restag{\char"25CC\char"0304\char"0E0033\char"0E0036}} &
+\arraybslash Combining spiritus asper sign\\\hline
+%
+\nuni{U+0304} &
+{\char"25CC\char"0304\&\_\_3;\&\_\_7;} &
+{\restag{\char"25CC\char"0304\char"0E0033\char"0E0037}} &
+\arraybslash Attached subscript a\\\hline
+%
+\mufi{A} &
+{A\&\_\_i;\&\_\_n;} &
+{\restag{A\char"0E0069\char"0E006E}} &
+\arraybslash Insular A / F201\\\hline
+%
+\mufi{A} &
+{A\&\_\_s;\&\_\_q;} &
+{\restag{A\char"0E0073\char"0E0071}} &
+\arraybslash Square A / F13A\\\hline
+%
+\mufi{A} &
+{A\&\_\_s;\&\_\_d;} &
+{\restag{A\char"0E0073\char"0E0064}} &
+\arraybslash A with diagonal stroke / E8DA\\\hline
+%
+\nuni{A} &
+{A\&\_\_e;\&\_\_n;} &
+{\restag{A\char"0E0065\char"0E006E}} &
+\arraybslash Enlarged minuscule A\\\hline
+%
+\mufi{a} &
+{a\&\_\_i;\&\_\_n;} &
+{\restag{a\char"0E0069\char"0E006E}} &
+\arraybslash Insular a / F200\\\hline
+%
+\mufi{a} &
+{a\&\_\_u;\&\_\_n;} &
+{\restag{a\char"0E0075\char"0E006E}} &
+\arraybslash Uncial a / F214\\\hline
+%
+\mufi{a} &
+{a\&\_\_o;\&\_\_p;} &
+{\restag{a\char"0E006F\char"0E0070}} &
+\arraybslash Open a / F202\\\hline
+%
+\mufi{a} &
+{a\&\_\_c;\&\_\_l;} &
+{\restag{a\char"0E0063\char"0E006C}} &
+\arraybslash Closed a / F203\\\hline
+%
+\mufi{a} &
+{a\&\_\_n;\&\_\_e;} &
+{\restag{a\char"0E006E\char"0E0065}} &
+\arraybslash Neckless a / F215\\\hline
+%
+\mufi{a} &
+{a\&\_\_o;\&\_\_c;} &
+{\restag{a\char"0E006F\char"0E0063}} &
+\arraybslash oc-shaped a / TBD\\\hline
+%
+\mufi{a} &
+{a\&\_\_h;\&\_\_c;} &
+{\restag{a\char"0E0068\char"0E0063}} &
+\arraybslash high caroline a / TBD\\\hline
+%
+\mufi{a} &
+{a\&\_\_s;\&\_\_q;} &
+{\restag{a\char"0E0073\char"0E0071}} &
+\arraybslash Square a / TBD\\\hline
+%
+\mufi{a} &
+{a\&\_\_p;\&\_\_o;} &
+{\restag{a\char"0E0070\char"0E006F}} &
+\arraybslash Pointed a / TBD\\\hline
+%
+\mufi{a} &
+{a\&\_\_e;\&\_\_n;} &
+{\restag{a\char"0E0065\char"0E006E}} &
+\arraybslash Enlarged minuscule a / EEE0\\\hline
+%
+\mufi{a} &
+{a\&\_\_o;\&\_\_n;} &
+{\restag{a\char"0E006F\char"0E006E}} &
+\arraybslash Enlarged oc-shaped a / TBD\\\hline
+%
+\nuni{B} &
+{B\&\_\_e;\&\_\_n;} &
+{\restag{B\char"0E0065\char"0E006E}} &
+\arraybslash Enlarged minuscule B\\\hline
+%
+\nuni{B} &
+{B\&\_\_i;\&\_\_n;} &
+{\restag{B\char"0E0069\char"0E006E}} &
+\arraybslash Insular B\\\hline
+%
+\mufi{b} &
+{b\&\_\_e;\&\_\_n;} &
+{\restag{b\char"0E0065\char"0E006E}} &
+\arraybslash Enlarged minuscule b / EEE1\\\hline
+%
+\mufi{C} &
+{C\&\_\_s;\&\_\_q;} &
+{\restag{C\char"0E0073\char"0E0071}} &
+\arraybslash Square C / F106\\\hline
+%
+\nuni{C} &
+{C\&\_\_e;\&\_\_n;} &
+{\restag{C\char"0E0065\char"0E006E}} &
+\arraybslash Enlarged minuscule C\\\hline
+%
+\mufi{c} &
+{c\&\_\_c;\&\_\_u;} &
+{\restag{c\char"0E0063\char"0E0075}} &
+\arraybslash c with curl / F198\\\hline
+%
+\mufi{c} &
+{c\&\_\_e;\&\_\_n;} &
+{\restag{c\char"0E0065\char"0E006E}} &
+\arraybslash Enlarged minuscule c / EEE2\\\hline
+%
+\nuni{D} &
+{D\&\_\_i;\&\_\_e;} &
+{\restag{D\char"0E0069\char"0E0065}} &
+\arraybslash Enlarged minuscule insular D\\\hline
+%
+\stdu{D} &
+{D\&\_\_i;\&\_\_n;} &
+{\restag{D\char"0E0069\char"0E006E}} &
+\arraybslash Insular D / A779\\\hline
+%
+\nuni{D} &
+{D\&\_\_e;\&\_\_n;} &
+{\restag{D\char"0E0065\char"0E006E}} &
+\arraybslash Enlarged minuscule D\\\hline
+%
+\stdu{d} &
+{d\&\_\_i;\&\_\_1;} &
+{\restag{d\char"0E0069\char"0E0031}} &
+\arraybslash Insular d default form / A77A\\\hline
+%
+\nuni{d} &
+{d\&\_\_i;\&\_\_2;} &
+{\restag{d\char"0E0069\char"0E0032}} &
+\arraybslash Insular d second form\\\hline
+%
+\mufi{d} &
+{d\&\_\_i;\&\_\_e;} &
+{\restag{d\char"0E0069\char"0E0065}} &
+\arraybslash Enlarged minuscule insular d / EEE4\\\hline
+%
+\mufi{d} &
+{d\&\_\_c;\&\_\_u;} &
+{\restag{d\char"0E0063\char"0E0075}} &
+\arraybslash d with curl / F193\\\hline
+%
+\mufi{d} &
+{d\&\_\_e;\&\_\_n;} &
+{\restag{d\char"0E0065\char"0E006E}} &
+\arraybslash Enlarged minuscule d / EEE3\\\hline
+%
+\mufi{E} &
+{E\&\_\_u;\&\_\_c;} &
+{\restag{E\char"0E0075\char"0E0063}} &
+\arraybslash Uncial closed E / F217\\\hline
+%
+\mufi{E} &
+{E\&\_\_u;\&\_\_n;} &
+{\restag{E\char"0E0075\char"0E006E}} &
+\arraybslash Uncial E / F10A\\\hline
+%
+\nuni{E} &
+{E\&\_\_e;\&\_\_n;} &
+{\restag{E\char"0E0069\char"0E006E}} &
+\arraybslash Insular E\\\hline
+%
+\nuni{E} &
+{E\&\_\_e;\&\_\_n;} &
+{\restag{E\char"0E0065\char"0E006E}} &
+\arraybslash Enlarged minuscule E\\\hline
+%
+\mufi{e} &
+{e\&\_\_u;\&\_\_n;} &
+{\restag{e\char"0E0075\char"0E006E}} &
+\arraybslash Uncial e / F218\\\hline
+%
+\mufi{e} &
+{e\&\_\_b;\&\_\_a;} &
+{\restag{e\char"0E0062\char"0E0061}} &
+\arraybslash e with bar / F219\\\hline
+%
+\mufi{e} &
+{e\&\_\_b;\&\_\_h;} &
+{\restag{e\char"0E0062\char"0E0068}} &
+\arraybslash High e with bar / F21A\\\hline
+%
+\mufi{e} &
+{e\&\_\_e;\&\_\_n;} &
+{\restag{e\char"0E0065\char"0E006E}} &
+\arraybslash Enlarged minuscule e / EEE6\\\hline
+%
+\stdu{F} &
+{F\&\_\_i;\&\_\_n;} &
+{\restag{F\char"0E0069\char"0E006E}} &
+\arraybslash Insular F / A77B\\\hline
+%
+\mufi{F} &
+{F\&\_\_e;\&\_\_n;} &
+{\restag{F\char"0E0065\char"0E006E}} &
+\arraybslash Enlarged minuscule F / EEE7\\\hline
+%
+\nuni{F} &
+{F\&\_\_i;\&\_\_e;} &
+{\restag{F\char"0E0069\char"0E0065}} &
+\arraybslash Enlarged minuscule insular F\\\hline
+%
+\stdu{f} &
+{f\&\_\_i;\&\_\_n;} &
+{\restag{f\char"0E0069\char"0E006E}} &
+\arraybslash Insular f / A77C\\\hline
+%
+\mufi{f} &
+{f\&\_\_i;\&\_\_s;} &
+{\restag{f\char"0E0069\char"0E0073}} &
+\arraybslash Insular f with split top / TBD\\\hline
+%
+\mufi{f} &
+{f\&\_\_i;\&\_\_1;} &
+{\restag{f\char"0E0069\char"0E0031}} &
+\arraybslash Insular f with dotted hooks / F21C\\\hline
+%
+\mufi{f} &
+{f\&\_\_i;\&\_\_2;} &
+{\restag{f\char"0E0069\char"0E0032}} &
+\arraybslash Semi-closed insular f / EBD5\\\hline
+%
+\mufi{f} &
+{f\&\_\_i;\&\_\_3;} &
+{\restag{f\char"0E0069\char"0E0033}} &
+\arraybslash Closed insular f / EBD6\\\hline
+%
+\mufi{f} &
+{f\&\_\_i;\&\_\_e;} &
+{\restag{f\char"0E0069\char"0E0065}} &
+\arraybslash Enlarged minuscule insular f / EEFF\\\hline
+%
+\opua{f} &
+{f\&\_\_n;\&\_\_a;} &
+{\restag{f\char"0E006E\char"0E0061}} &
+\arraybslash Narrow f / F000B\\\hline
+%
+\mufi{f} &
+{f\&\_\_c;\&\_\_u;} &
+{\restag{f\char"0E0063\char"0E0075}} &
+\arraybslash f with curl / F194\\\hline
+%
+\mufi{f} &
+{f\&\_\_e;\&\_\_n;} &
+{\restag{f\char"0E0065\char"0E006E}} &
+\arraybslash Enlarged minuscule f / EEE7\\\hline
+%
+\stdu{G} &
+{G\&\_\_i;\&\_\_n;} &
+{\restag{G\char"0E0069\char"0E006E}} &
+\arraybslash Insular G / A77D\\\hline
+%
+\stdu{G} &
+{G\&\_\_o;\&\_\_r;} &
+{\restag{G\char"0E006F\char"0E0072}} &
+\arraybslash Ormulum G with bar / A7D0\\\hline
+%
+\mufi{G} &
+{G\&\_\_s;\&\_\_q;} &
+{\restag{G\char"0E0073\char"0E0071}} &
+\arraybslash Square G / F10E\\\hline
+%
+\nuni{G} &
+{G\&\_\_e;\&\_\_n;} &
+{\restag{G\char"0E0065\char"0E006E}} &
+\arraybslash Enlarged minuscule G\\\hline
+%
+\stdu{g} &
+{g\&\_\_i;\&\_\_n;} &
+{\restag{g\char"0E0069\char"0E006E}} &
+\arraybslash Insular g / 1D79\\\hline
+%
+\stdu{g} &
+{g\&\_\_o;\&\_\_r;} &
+{\restag{g\char"0E006F\char"0E0072}} &
+\arraybslash Ormulum g with bar / A7D1\\\hline
+%
+\stdu{g} &
+{g\&\_\_s;\&\_\_c;} &
+{\restag{g\char"0E0073\char"0E0063}} &
+\arraybslash Script g / 0261 \\\hline
+%
+\mufi{g} &
+{g\&\_\_c;\&\_\_u;} &
+{\restag{g\char"0E0063\char"0E0075}} &
+\arraybslash g with curl / F196\\\hline
+%
+\mufi{g} &
+{g\&\_\_e;\&\_\_n;} &
+{\restag{g\char"0E0065\char"0E006E}} &
+\arraybslash Enlarged minuscule g / EEE8 \\\hline
+%
+\mufi{g} &
+{g\&\_\_n;\&\_\_e;} &
+{\restag{g\char"0E006E\char"0E0065}} &
+\arraybslash Enlarged insular g / TBD \\\hline
+%
+\mufi{g} &
+{g\&\_\_c;\&\_\_1;} &
+{\restag{g\char"0E0063\char"0E0031}} &
+\arraybslash Closed g with separate loops / F21D\\\hline
+%
+\mufi{g} &
+{g\&\_\_c;\&\_\_2;} &
+{\restag{g\char"0E0063\char"0E0032}} &
+\arraybslash Closed g with large lower loop / F21E\\\hline
+%
+\mufi{g} &
+{g\&\_\_c;\&\_\_3;} &
+{\restag{g\char"0E0063\char"0E0033}} &
+\arraybslash Closed g with small lower loop / F21F\\\hline
+%
+\mufi{H} &
+{H\&\_\_u;\&\_\_n;} &
+{\restag{H\char"0E0075\char"0E006E}} &
+\arraybslash Uncial H / F110\\\hline
+%
+\nuni{H} &
+{H\&\_\_e;\&\_\_n;} &
+{\restag{H\char"0E0065\char"0E006E}} &
+\arraybslash Enlarged minuscule H\\\hline
+%
+\mufi{H} &
+{H\&\_\_h;\&\_\_l;} &
+{\restag{H\char"0E0068\char"0E006C}} &
+\arraybslash H with high left stem / TBD\\\hline
+%
+\mufi{h} &
+{h\&\_\_d;\&\_\_e;} &
+{\restag{h\char"0E0064\char"0E0065}} &
+\arraybslash h with descender / F23A\\\hline
+%
+\mufi{h} &
+{h\&\_\_a;\&\_\_u;} &
+{\restag{h\char"0E0061\char"0E0075}} &
+\arraybslash h-shaped \textit{autem} abbreviation / E8A3\\\hline
+%
+\mufi{h} &
+{h\&\_\_e;\&\_\_n;} &
+{\restag{h\char"0E0065\char"0E006E}} &
+\arraybslash Enlarged minuscule h / EEE9\\\hline
+%
+\nuni{h} &
+{h\&\_\_e;\&\_\_d;} &
+{\restag{h\char"0E0065\char"0E0064}} &
+\arraybslash Enlarged minuscule h with descender\\\hline
+%
+\nuni{h} &
+{h\&\_\_c;\&\_\_a;} &
+{\restag{h\char"0E0063\char"0E0061}} &
+\arraybslash Caroline a\\\hline
+%
+\mufi{h} &
+{h\&\_\_e;\&\_\_c;} &
+{\restag{h\char"0E0065\char"0E0063}} &
+\arraybslash Enlarged Caroline h / TBD\\\hline
+%
+\mufi{h} &
+{h\&\_\_d;\&\_\_b;} &
+{\restag{h\char"0E0064\char"0E0062}} &
+\arraybslash{\narrow Caroline h with right descender and bar / TBD}\\\hline
+%
+\stdu{I} &
+{I\&\_\_d;\&\_\_a;} &
+{\restag{I\char"0E0064\char"0E0061}} &
+\arraybslash I with dot above / 0130\\\hline
+%
+\stdu{I} &
+{I\&\_\_d;\&\_\_e;} &
+{\restag{I\char"0E0064\char"0E0065}} &
+\arraybslash I with descender / A7FE\\\hline
+%
+\nuni{I} &
+{I\&\_\_e;\&\_\_n;} &
+{\restag{I\char"0E0065\char"0E006E}} &
+\arraybslash Enlarged minuscule I\\\hline
+%
+\mufi{I} &
+{I\&\_\_u;\&\_\_s;} &
+{\restag{I\char"0E0075\char"0E0073}} &
+\arraybslash I without serif / TBD\\\hline
+%
+\stdu{i} &
+{i\&\_\_d;\&\_\_l;} &
+{\restag{i\char"0E0064\char"0E006C}} &
+\arraybslash Dotless i / 0131\\\hline
+%
+\mufi{i} &
+{i\&\_\_l;\&\_\_o;} &
+{\restag{i\char"0E006C\char"0E006F}} &
+\arraybslash Long I / F220\\\hline
+%
+\mufi{i} &
+{i\&\_\_b;\&\_\_d;} &
+{\restag{i\char"0E0062\char"0E0064}} &
+\arraybslash i with double bar / E8A1\\\hline
+%
+\nuni{i} &
+{i\&\_\_f;\&\_\_1;} &
+{\restag{ii\char"0E0066\char"0E0031}} &
+\arraybslash i final form (when i precedes)\\\hline
+%
+\nuni{i} &
+{i\&\_\_f;\&\_\_2;} &
+{\restag{i\char"0E0066\char"0E0032}} &
+\arraybslash i final form\\\hline
+%
+\mufi{i} &
+{i\&\_\_e;\&\_\_n;} &
+{\restag{i\char"0E0065\char"0E006E}} &
+\arraybslash Enlarged minuscule i / EEEA\\\hline
+%
+\mufi{J} &
+{J\&\_\_d;\&\_\_a;} &
+{\restag{J\char"0E0064\char"0E0061}} &
+\arraybslash J with dot above / E15C\\\hline
+%
+\nuni{J} &
+{J\&\_\_e;\&\_\_n;} &
+{\restag{J\char"0E0065\char"0E006E}} &
+\arraybslash Enlarged minuscule J\\\hline
+%
+\stdu{j} &
+{j\&\_\_d;\&\_\_l;} &
+{\restag{j\char"0E0064\char"0E006C}} &
+\arraybslash Dotless j / 0237\\\hline
+%
+\mufi{j} &
+{j\&\_\_s;\&\_\_d;} &
+\restag{j\char"0E0073\char"0E0064} &
+\arraybslash j with double bar / E8A2\\\hline
+%
+\opua{j} &
+{j\&\_\_d;\&\_\_a;} &
+{\restag{j\char"0E0064\char"0E0061}} &
+\arraybslash j with dot accent / F000D\\\hline
+%
+\mufi{j} &
+{j\&\_\_e;\&\_\_n;} &
+{\restag{j\char"0E0065\char"0E006E}} &
+\arraybslash Enlarged minuscule j / EEEB\\\hline
+%
+\nuni{K} &
+{K\&\_\_e;\&\_\_n;} &
+{\restag{K\char"0E0065\char"0E006E}} &
+\arraybslash Enlarged minuscule K\\\hline
+%
+\mufi{k} &
+{k\&\_\_u;\&\_\_n;} &
+{\restag{k\char"0E0075\char"0E006E}} &
+\arraybslash Uncial k / F208\\\hline
+%
+\mufi{k} &
+{k\&\_\_u;\&\_\_d;} &
+{\restag{k\char"0E0075\char"0E0064}} &
+\arraybslash Uncial k with descender / TBD\\\hline
+%
+\mufi{k} &
+{k\&\_\_c;\&\_\_1;} &
+{\restag{k\char"0E0063\char"0E0031}} &
+\arraybslash Closed k, one / F221\\\hline
+%
+\mufi{k} &
+{k\&\_\_c;\&\_\_2;} &
+{\restag{k\char"0E0063\char"0E0032}} &
+\arraybslash Closed k, two / F209 \\\hline
+%
+\mufi{k} &
+{k\&\_\_c;\&\_\_u;} &
+{\restag{k\char"0E0063\char"0E0075}} &
+\arraybslash k with curl / F195\\\hline
+%
+\mufi{k} &
+{k\&\_\_e;\&\_\_n;} &
+{\restag{k\char"0E0065\char"0E006E}} &
+\arraybslash Enlarged minuscule k / EEEC\\\hline
+%
+\nuni{L} &
+{L\&\_\_e;\&\_\_n;} &
+{\restag{L\char"0E0065\char"0E006E}} &
+\arraybslash Enlarged minuscule L\\\hline
+%
+\mufi{l} &
+{l\&\_\_d;\&\_\_e;} &
+{\restag{l\char"0E0064\char"0E0065}} &
+\arraybslash Descending l / F222\\\hline
+%
+\mufi{l} &
+{l\&\_\_e;\&\_\_n;} &
+{\restag{l\char"0E0065\char"0E006E}} &
+\arraybslash Enlarged minuscule l / EEED\\\hline
+%
+\stdu{l} &
+{l\&\_\_s;\&\_\_h;} &
+{\restag{l\char"0E0073\char"0E0068}} &
+\arraybslash l with high stroke / A749\\\hline
+%
+\opua{l} &
+{l\&\_\_s;\&\_\_f;} &
+{\restag{l\char"0E0073\char"0E0066}} &
+\arraybslash {\narrow l with high stroke ending with flourish / \ltab{F000F}}\\\hline
+%
+\nuni{l} &
+{l\&\_\_i;\&\_\_n;} &
+{\restag{l\char"0E0069\char"0E006E}} &
+\arraybslash {Insular l}\\\hline
+%
+\mufi{M} &
+{M\&\_\_u;\&\_\_d;} &
+{\restag{M\char"0E0075\char"0E0064}} &
+\arraybslash Uncial M with descender / F224\\\hline
+%
+\mufi{M} &
+{M\&\_\_u;\&\_\_n;} &
+{\restag{M\char"0E0075\char"0E006E}} &
+\arraybslash Uncial M / F11A\\\hline
+%
+\stdu{M} &
+{M\&\_\_a;\&\_\_1;} &
+{\restag{M\char"0E0061\char"0E0031}} &
+\arraybslash Epigraphic M / \ A7FF\\\hline
+%
+\nuni{M} &
+{M\&\_\_e;\&\_\_n;} &
+{\restag{M\char"0E0065\char"0E006E}} &
+\arraybslash Enlarged minuscule M\\\hline
+%
+\mufi{m} &
+{m\&\_\_u;\&\_\_d;} &
+{\restag{m\char"0E0075\char"0E0064}} &
+\arraybslash Uncial m with descender / F23D\\\hline
+%
+\mufi{m} &
+{m\&\_\_u;\&\_\_n;} &
+{\restag{m\char"0E0075\char"0E006E}} &
+\arraybslash Uncial m / F23C\\\hline
+%
+\mufi{m} &
+{m\&\_\_d;\&\_\_e;} &
+{\restag{m\char"0E0064\char"0E0065}} &
+\arraybslash m with descender / F223\\\hline
+%
+\mufi{m} &
+{m\&\_\_e;\&\_\_n;} &
+{\restag{m\char"0E0065\char"0E006E}} &
+\arraybslash Enlarged minuscule m / EEEE\\\hline
+%
+\mufi{N} &
+{N\&\_\_d;\&\_\_e;} &
+{\restag{N\char"0E0064\char"0E0065}} &
+\arraybslash N with descender / F229\\\hline
+%
+\mufi{N} &
+{N\&\_\_e;\&\_\_n;} &
+{\restag{N\char"0E0065\char"0E006E}} &
+\arraybslash Enlarged minuscule n / EEEF\\\hline
+%
+\mufi{N} &
+{N\&\_\_l;\&\_\_d;} &
+{\restag{N\char"0E006C\char"0E0064}} &
+\arraybslash {\narrow N with low bar and descender / TBD}\\\hline
+%
+\mufi{n} &
+{n\&\_\_d;\&\_\_e;} &
+{\restag{n\char"0E0064\char"0E0065}} &
+\arraybslash n with descender / F228\\\hline
+%
+\mufi{n} &
+{n\&\_\_b;\&\_\_a;} &
+{\restag{n\char"0E0062\char"0E0061}} &
+\arraybslash n with bar / E7B2\\\hline
+%
+\mufi{n} &
+{n\&\_\_c;\&\_\_u;} &
+{\restag{n\char"0E0063\char"0E0075}} &
+\arraybslash n with curl / F19A\\\hline
+%
+\mufi{n} &
+{n\&\_\_e;\&\_\_n;} &
+{\restag{n\char"0E0065\char"0E006E}} &
+\arraybslash Enlarged minuscule n / EEEF\\\hline
+%
+\mufi{n} &
+{n\&\_\_s;\&\_\_d;} &
+{\restag{n\char"0E0073\char"0E0064}} &
+\arraybslash Small cap n with descender / F22A\\\hline
+%
+\nuni{n} &
+{n\&\_\_a;\&\_\_s;} &
+{\restag{n\char"0E0061\char"0E0073}} &
+\arraybslash n with attached subscript a\\\hline
+%
+\mufi{n} &
+{n\&\_\_w;\&\_\_p;} &
+{\restag{n\char"0E0077\char"0E0070}} &
+\arraybslash {Wide petite cap n with descender / TBD}\\\hline
+%
+\nuni{O} &
+{O\&\_\_e;\&\_\_n;} &
+{\restag{O\char"0E0065\char"0E006E}} &
+\arraybslash Enlarged minuscule O\\\hline
+%
+\mufi{o} &
+{o\&\_\_e;\&\_\_n;} &
+{\restag{o\char"0E0065\char"0E006E}} &
+\arraybslash Enlarged minuscule o / EEF0\\\hline
+%
+\stdu{P} &
+{P\&\_\_r;\&\_\_e;} &
+{\restag{P\char"0E0072\char"0E0065}} &
+\arraybslash Reversed P / A7FC\\\hline
+%
+\nuni{P} &
+{P\&\_\_e;\&\_\_n;} &
+{\restag{P\char"0E0065\char"0E006E}} &
+\arraybslash Enlarged minuscule P\\\hline
+%
+\mufi{p} &
+{p\&\_\_e;\&\_\_n;} &
+{\restag{p\char"0E0065\char"0E006E}} &
+\arraybslash Enlarged minuscule p / EEF1\\\hline
+%
+\nuni{p} &
+{p\&\_\_a;\&\_\_1;} &
+{\restag{p\char"0E0061\char"0E0031}} &
+\arraybslash Alternate p for Ormulum\\\hline
+%
+\mufi{Q} &
+{Q\&\_\_s;\&\_\_m;} &
+{\restag{Q\char"0E0073\char"0E006D}} &
+\arraybslash Q with stem / F22C\\\hline
+%
+\nuni{Q} &
+{Q\&\_\_l;\&\_\_1;} &
+{\restag{Q\char"0E006C\char"0E0031\char"25CC}} &
+\arraybslash Q with long tail, one\\\hline
+%
+\nuni{Q} &
+{Q\&\_\_l;\&\_\_2;} &
+{\restag{Q\char"0E006C\char"0E0032\char"25CC\char"25CC}} &
+\arraybslash Q with long tail, two\\\hline
+%
+\nuni{Q} &
+{Q\&\_\_e;\&\_\_n;} &
+{\restag{Q\char"0E0065\char"0E006E}} &
+\arraybslash Enlarged minuscule Q\\\hline
+%
+\mufi{q} &
+{q\&\_\_s;\&\_\_d;} &
+{\restag{q\char"0E0073\char"0E0064}} &
+\arraybslash q with diagonal stroke / E8B4\\\hline
+%
+\mufi{q} &
+{q\&\_\_e;\&\_\_n;} &
+{\restag{q\char"0E0065\char"0E006E}} &
+\arraybslash Enlarged minuscule q / EEF2\\\hline
+%
+\stdu{R} &
+{R\&\_\_i;\&\_\_n;} &
+\restag{R\char"0E0069\char"0E006E} &
+\arraybslash Insular R / A783\\\hline
+%
+\stdu{R} &
+{R\&\_\_r;\&\_\_o;} &
+\restag{R\char"0E0072\char"0E006F} &
+\arraybslash R rotunda / A75A\\\hline
+%
+\nuni{R} &
+{R\&\_\_e;\&\_\_n;} &
+\restag{R\char"0E0065\char"0E006E} &
+\arraybslash Enlarged minuscule R\\\hline
+%
+\stdu{r} &
+{r\&\_\_i;\&\_\_n;} &
+\restag{r\char"0E0069\char"0E006E} &
+\arraybslash Insular r / A782\\\hline
+%
+\stdu{r} &
+{r\&\_\_r;\&\_\_o;} &
+\restag{r\char"0E0072\char"0E006F} &
+\arraybslash r rotunda / A75B\\\hline
+%
+\mufi{r} &
+{r\&\_\_c;\&\_\_u;} &
+\restag{r\char"0E0063\char"0E0075} &
+\arraybslash r with curl / F19B\\\hline
+%
+\mufi{r} &
+{r\&\_\_e;\&\_\_n;} &
+\restag{r\char"0E0065\char"0E006E} &
+\arraybslash Enlarged minuscule r / EEF3\\\hline
+%
+\stdu{S} &
+{S\&\_\_i;\&\_\_n;} &
+\restag{S\char"0E0069\char"0E006E} &
+\arraybslash Insular S / A784\\\hline
+%
+\stdu{S} &
+{S\&\_\_s;\&\_\_g;} &
+\restag{S\char"0E0073\char"0E0067} &
+\arraybslash Sigmoid S / A7D8\\\hline
+%
+\mufi{S} &
+{S\&\_\_a;\&\_\_d;} &
+\restag{S\char"0E0061\char"0E0064} &
+\arraybslash Ascending and descending S / TBD\\\hline
+%
+\mufi{S} &
+{S\&\_\_r;\&\_\_z;} &
+\restag{S\char"0E0072\char"0E007A} &
+\arraybslash Reverse Z-shaped S / TBD\\\hline
+%
+\nuni{S} &
+{S\&\_\_e;\&\_\_n;} &
+\restag{S\char"0E0065\char"0E006E} &
+\arraybslash Enlarged minuscule S\\\hline
+%
+\nuni{S} &
+{S\&\_\_s;\&\_\_d;} &
+\restag{S\char"0E0073\char"0E0064} &
+\arraybslash {\narrow S with diagonal stroke (Sanctus abbrev)}\\\hline
+%
+\stdu{S} &
+{S\&\_\_m;\&\_\_s;} &
+\restag{S\char"0E006D\char"0E0073} &
+\arraybslash {Middle Scots S}\\\hline
+%
+\stdu{s} &
+{s\&\_\_i;\&\_\_n;} &
+\restag{s\char"0E0069\char"0E006E} &
+\arraybslash Insular s / A785\\\hline
+%
+\mufi{s} &
+{s\&\_\_i;\&\_\_s;} &
+\restag{s\char"0E0069\char"0E0073} &
+\arraybslash Insular s with split top / TBD\\\hline
+%
+\stdu{s} &
+{s\&\_\_s;\&\_\_g;} &
+\restag{s\char"0E0073\char"0E0067} &
+\arraybslash Sigmoid s / A7D9\\\hline
+%
+\mufi{s} &
+{s\&\_\_a;\&\_\_d;} &
+\restag{s\char"0E0061\char"0E0064} &
+\arraybslash Ascending and descending s / TBD\\\hline
+%
+\stdu{s} &
+{s\&\_\_l;\&\_\_o;} &
+\restag{s\char"0E006C\char"0E006F} &
+\arraybslash Long s / 017F\\\hline
+%
+\mufi{s} &
+{s\&\_\_e;\&\_\_n;} &
+\restag{s\char"0E0065\char"0E006E} &
+\arraybslash Enlarged minuscule s / EEF4\\\hline
+%
+\mufi{s} &
+{s\&\_\_l;\&\_\_d;} &
+\restag{s\char"0E006C\char"0E0064} &
+\arraybslash Long s with descender / F127\\\hline
+%
+\mufi{s} &
+{s\&\_\_l;\&\_\_f;} &
+\restag{s\char"0E006C\char"0E0066} &
+\arraybslash Long s with flourish / E8B7\\\hline
+%
+\mufi{s} &
+{s\&\_\_l;\&\_\_s;} &
+\restag{s\char"0E006C\char"0E0073} &
+\arraybslash Long s with diagonal stroke / E8B8\\\hline
+%
+\nuni{s} &
+{s\&\_\_l;\&\_\_l;} &
+\restag{s\char"0E006C\char"0E006C} &
+\arraybslash Long s with loop\\\hline
+%
+\mufi{s} &
+{s\&\_\_s;\&\_\_t;} &
+\restag{s\char"0E0073\char"0E0074} &
+\arraybslash Long s with short tail / TBD\\\hline
+%
+\stdu{s} &
+{s\&\_\_m;\&\_\_s;} &
+\restag{s\char"0E006D\char"0E0073} &
+\arraybslash {Middle Scots s}\\\hline
+%
+\stdu{T} &
+{T\&\_\_i;\&\_\_n;} &
+\restag{T\char"0E0069\char"0E006E} &
+\arraybslash Insular T / A786\\\hline
+%
+\nuni{T} &
+{T\&\_\_e;\&\_\_n;} &
+\restag{T\char"0E0065\char"0E006E} &
+\arraybslash Enlarged minuscule T\\\hline
+%
+\stdu{t} &
+{t\&\_\_i;\&\_\_n;} &
+\restag{t\char"0E0069\char"0E006E} &
+\arraybslash Insular t / A787\\\hline
+%
+\mufi{t} &
+{t\&\_\_c;\&\_\_u;} &
+\restag{t\char"0E0063\char"0E0075} &
+\arraybslash t with curl / F199\\\hline
+%
+\mufi{t} &
+{t\&\_\_e;\&\_\_n;} &
+\restag{t\char"0E0065\char"0E006E} &
+\arraybslash Enlarged minuscule t / EEF5\\\hline
+%
+\mufi{t} &
+{t\&\_\_c;\&\_\_d;} &
+\restag{t\char"0E0063\char"0E0064} &
+\arraybslash Cap-like t with descender / TBD\\\hline
+%
+\nuni{U} &
+{U\&\_\_e;\&\_\_n;} &
+\restag{U\char"0E0065\char"0E006E} &
+\arraybslash Enlarged minuscule U\\\hline
+%
+\nuni{U} &
+{U\&\_\_l;\&\_\_c;} &
+\restag{U\char"0E006C\char"0E0063} &
+\arraybslash Lowercase-shaped U\\\hline
+%
+\mufi{U} &
+{U\&\_\_l;\&\_\_d;} &
+\restag{U\char"0E006C\char"0E0064} &
+\arraybslash {\narrow Lowercase-shaped U with descender / TBD}\\\hline
+%
+\mufi{u} &
+{u\&\_\_e;\&\_\_n;} &
+\restag{u\char"0E0065\char"0E006E} &
+\arraybslash Enlarged minuscule u / EEF7\\\hline
+%
+\nuni{V} &
+{V\&\_\_e;\&\_\_n;} &
+\restag{V\char"0E0065\char"0E006E} &
+\arraybslash Enlarged minuscule V\\\hline
+%
+\mufi{v} &
+{v\&\_\_s;\&\_\_1;} &
+\restag{v\char"0E0073\char"0E0031} &
+\arraybslash Enlarged minuscule v / EEF8\\\hline
+%
+\mufi{v} &
+{v\&\_\_s;\&\_\_d;} &
+\restag{v\char"0E0073\char"0E0064} &
+\arraybslash v with diagonal stroke / E8BA\\\hline
+%
+\mufi{v} &
+{v\&\_\_b;\&\_\_a;} &
+\restag{v\char"0E0062\char"0E0061} &
+\arraybslash v with bar / E74E\\\hline
+%
+\mufi{v} &
+{v\&\_\_e;\&\_\_n;} &
+\restag{v\char"0E0065\char"0E006E} &
+\arraybslash Enlarged minuscule v / EEF8\\\hline
+%
+\mufi{v} &
+{v\&\_\_s;\&\_\_2;} &
+\restag{v\char"0E0073\char"0E0032} &
+\arraybslash v with two bars / E8BC\\\hline
+%
+\mufi{v} &
+{v\&\_\_e;\&\_\_l;} &
+\restag{v\char"0E0065\char"0E006C} &
+\arraybslash {\narrow Enlarged minuscule v with low point / TBD}\\\hline
+%
+\nuni{W} &
+{W\&\_\_e;\&\_\_n;} &
+\restag{W\char"0E0065\char"0E006E} &
+\arraybslash Enlarged minuscule W\\\hline
+%
+\stdu{W} &
+{W\&\_\_a;\&\_\_n;} &
+\restag{W\char"0E0061\char"0E006E} &
+\arraybslash {W Anglicana}\\\hline
+%
+\mufi{w} &
+{w\&\_\_e;\&\_\_n;} &
+\restag{w\char"0E0065\char"0E006E} &
+\arraybslash Enlarged minuscule w / EEF9\\\hline
+%
+\stdu{w} &
+{w\&\_\_a;\&\_\_n;} &
+\restag{w\char"0E0061\char"0E006E} &
+\arraybslash {w Anglicana}\\\hline
+%
+\mufi{ƿ} &
+{ƿ\&\_\_e;\&\_\_n;} &
+\restag{ƿ\char"0E0065\char"0E006E} &
+\arraybslash Enlarged wynn / TBD\\\hline
+%
+\nuni{X} &
+{X\&\_\_e;\&\_\_n;} &
+\restag{X\char"0E0065\char"0E006E} &
+\arraybslash Enlarged minuscule X\\\hline
+%
+\mufi{x} &
+{x\&\_\_e;\&\_\_n;} &
+\restag{x\char"0E0065\char"0E006E} &
+\arraybslash Enlarged minuscule x / EEFA\\\hline
+%
+\stdu{x} &
+{x\&\_\_l;\&\_\_o;} &
+\restag{x\char"0E006C\char"0E006F} &
+\arraybslash x with long left leg / AB57\\\hline
+%
+\mufi{x} &
+{x\&\_\_s;\&\_\_1;} &
+\restag{x\char"0E0073\char"0E0031} &
+\arraybslash x with diagonal stroke (upper left) / E8BD\\\hline
+%
+\mufi{x} &
+{x\&\_\_s;\&\_\_2;} &
+\restag{x\char"0E0073\char"0E0032} &
+\arraybslash x with diagonal stroke (lower right) / E8BE\\\hline
+%
+\mufi{x} &
+{x\&\_\_s;\&\_\_3;} &
+\restag{x\char"0E0073\char"0E0033} &
+\arraybslash {\narrow x with two diagonal strokes (lower right) / \ltab{E8CE}}\\\hline
+%
+\mufi{Y} &
+{Y\&\_\_s;\&\_\_d;} &
+\restag{Y\char"0E0073\char"0E0064} &
+\arraybslash {\narrow Y with diagonal stroke (Hymnus abbrev) / \ltab{E8DB}}\\\hline
+%
+\nuni{Y} &
+{Y\&\_\_e;\&\_\_n;} &
+\restag{Y\char"0E0065\char"0E006E} &
+\arraybslash Enlarged minuscule Y\\\hline
+%
+\mufi{y} &
+{y\&\_\_r;\&\_\_m;} &
+\restag{y\char"0E0072\char"0E006D} &
+\arraybslash y with main right stroke / F233\\\hline
+%
+\mufi{y} &
+{y\&\_\_b;\&\_\_a;} &
+\restag{y\char"0E0062\char"0E0061} &
+\arraybslash y with bar / E77B\\\hline
+%
+\mufi{y} &
+{y\&\_\_e;\&\_\_n;} &
+\restag{y\char"0E0065\char"0E006E} &
+\arraybslash Enlarged minuscule y / EEFB\\\hline
+%
+\mufi{y} &
+{y\&\_\_c;\&\_\_u;} &
+\restag{y\char"0E0063\char"0E0075} &
+\arraybslash Curved y / TBD\\\hline
+%
+\mufi{y} &
+{y\&\_\_s;\&\_\_c;} &
+\restag{y\char"0E0073\char"0E0063} &
+\arraybslash Short curved y / TBD\\\hline
+%
+\stdu{Z} &
+{Z\&\_\_v;\&\_\_i;} &
+\restag{Z\char"0E0076\char"0E0069} &
+\arraybslash Visigothic Z / A762\\\hline
+%
+\nuni{Z} &
+{Z\&\_\_e;\&\_\_n;} &
+\restag{Z\char"0E0065\char"0E006E} &
+\arraybslash Enlarged minuscule Z\\\hline
+%
+\stdu{z} &
+{z\&\_\_v;\&\_\_i;} &
+\restag{z\char"0E0076\char"0E0069} &
+\arraybslash Visigothic z / A763\\\hline
+%
+\mufi{z} &
+{z\&\_\_m;\&\_\_g;} &
+\restag{z\char"0E006D\char"0E0067} &
+\arraybslash Middle High German z / F238\\\hline
+%
+\mufi{z} &
+{z\&\_\_e;\&\_\_n;} &
+\restag{z\char"0E0065\char"0E006E} &
+\arraybslash Enlarged minuscule z / EEFC\\\hline
+%
+\opua{U+0104} &
+{\char"0104\&\_\_s;\&\_\_1;} &
+\restag{\char"0104\char"0E0073\char"0E0031} &
+\arraybslash A with short diagonal stroke / F0000\\\hline
+%
+\opua{U+0104} &
+{\char"0104\&\_\_s;\&\_\_2;} &
+\restag{\char"0104\char"0E0073\char"0E0032} &
+\arraybslash A with long diagonal stroke / F001E\\\hline
+%
+\opua{U+0104} &
+{\char"0104\&\_\_f;\&\_\_l;} &
+\restag{\char"0104\char"0E0066\char"0E006C} &
+\arraybslash A with flourish / F0002\\\hline
+%
+\opua{U+0105} &
+{\char"0105\&\_\_s;\&\_\_1;} &
+\restag{\char"0105\char"0E0073\char"0E0031} &
+\arraybslash a with short diagonal stroke / F0001\\\hline
+%
+\opua{U+0105} &
+{\char"0105\&\_\_s;\&\_\_2;} &
+\restag{\char"0105\char"0E0073\char"0E0032} &
+\arraybslash a with long diagonal stroke / F001F\\\hline
+%
+\nuni{U+A733} &
+{\char"0A733\&\_\_u;\&\_\_n;} &
+\restag{\char"0A733\char"0E0075\char"0E006E} &
+\arraybslash Uncial aa\\\hline
+%
+\mufi{U+A733} &
+{\char"0A733\&\_\_c;\&\_\_l;} &
+\restag{\char"0A733\char"0E0063\char"0E006C} &
+\arraybslash Closed aa / EFA0\\\hline
+%
+\mufi{U+A733} &
+{\char"0A733\&\_\_e;\&\_\_n;} &
+\restag{\char"0A733\char"0E0065\char"0E006E} &
+\arraybslash Enlarged minuscule aa / EFDF\\\hline
+%
+\mufi{U+00C6} &
+{Æ\&\_\_n;\&\_\_e;} &
+\restag{Æ\char"0E006E\char"0E0065} &
+\arraybslash Neckless {\AE} / EFAE\\\hline
+%
+\mufi{U+00C6} &
+{Æ\&\_\_e;\&\_\_n;} &
+\restag{Æ\char"0E0065\char"0E006E} &
+\arraybslash Enlarged minuscule {\AE}\\\hline
+%
+\mufi{U+00E6} &
+{æ\&\_\_n;\&\_\_e;} &
+\restag{æ\char"0E006E\char"0E0065} &
+\arraybslash Neckless æ / EFA1\\\hline
+%
+\mufi{U+00E6} &
+{æ\&\_\_e;\&\_\_n;} &
+\restag{æ\char"0E0065\char"0E006E} &
+\arraybslash Enlarged minuscule æ / \ EAF1\\\hline
+%
+\mufi{U+00E6} &
+{æ\&\_\_o;\&\_\_p;} &
+\restag{æ\char"0E006F\char"0E0070} &
+\arraybslash Open æ / F204\\\hline
+%
+\mufi{U+00E6} &
+{æ\&\_\_s;\&\_\_q;} &
+\restag{æ\char"0E0073\char"0E0071} &
+\arraybslash æ with square a / TBD\\\hline
+%
+\mufi{U+00E6} &
+{æ\&\_\_r;\&\_\_o;} &
+\restag{æ\char"0E0072\char"0E006F} &
+\arraybslash æ with round a / TBD\\\hline
+%
+\nuni{U+00E6} &
+{æ\&\_\_r;\&\_\_o;} &
+\restag{æ\char"0E0075\char"0E006E} &
+\arraybslash Uncial æ\\\hline
+%
+\mufi{U+A734} &
+{\char"0A734\&\_\_n;\&\_\_e;} &
+\restag{\char"0A734\char"0E006E\char"0E0065} &
+\arraybslash Neckless AO / F205\\\hline
+%
+\nuni{U+A734} &
+{\char"0A734\&\_\_e;\&\_\_1;} &
+\restag{\char"0A734\char"0E0065\char"0E0031} &
+\arraybslash Enlarged minuscule AO\\\hline
+%
+\nuni{U+A734} &
+{\char"0A734\&\_\_e;\&\_\_2;} &
+\restag{\char"0A734\char"0E0065\char"0E0032} &
+\arraybslash Enlarged minuscule AO with smaller O\\\hline
+%
+\mufi{U+A735} &
+{\char"0A735\&\_\_e;\&\_\_1;} &
+\restag{\char"0A735\char"0E0065\char"0E0031} &
+\arraybslash Enlarged minuscule ao / EFDE\\\hline
+%
+\mufi{U+A735} &
+{\char"0A735\&\_\_e;\&\_\_2;} &
+\restag{\char"0A735\char"0E0065\char"0E0032} &
+\arraybslash {\narrow Enlarged minuscule ao with smaller o / \ltab{EAF2}}\\\hline
+%
+\mufi{U+A735} &
+{\char"0A735\&\_\_n;\&\_\_e;} &
+\restag{\char"0A735\char"0E006E\char"0E0065} &
+\arraybslash Neckless ao / F206\\\hline
+%
+\nuni{U+A735} &
+{\char"0A735\&\_\_u;\&\_\_n;} &
+\restag{\char"0A735\char"0E0075\char"0E006E} &
+\arraybslash Uncial ao\\\hline
+%
+\mufi{U+A739} &
+{\char"0A739\&\_\_n;\&\_\_e;} &
+\restag{\char"0A739\char"0E006E\char"0E0065} &
+\arraybslash Neckless av / EFA2\\\hline
+%
+\opua{U+0111} &
+{\char"0111\&\_\_f;\&\_\_l;} &
+\restag{\char"0111\char"0E0066\char"0E006C} &
+\arraybslash d with flourish / F0007\\\hline
+%
+\mufi{U+00F0} &
+{ð\&\_\_e;\&\_\_a;} &
+\restag{ð\char"0E0065\char"0E0061} &
+\arraybslash Enlarged eth alternate form / TBD\\\hline
+%
+\nuni{U+0118} &
+{Ę\&\_\_c;\&\_\_e;} &
+\restag{Ę\char"0E0063\char"0E0065} &
+\arraybslash E with centered ogonek\\\hline
+%
+\opua{U+0118} &
+{Ę\&\_\_s;\&\_\_t;} &
+\restag{Ę\char"0E0073\char"0E0074} &
+\arraybslash E with diagonal stroke / F0009\\\hline
+%
+\nuni{U+0118} &
+{Ę\char"0307\char"0301\&\_\_c;\&\_\_e;} &
+\restag{Ę\char"0307\char"0301\char"0E0063\char"0E0065} &
+\arraybslash E with dot, acute, and centered ogonek\\\hline
+%
+\nuni{U+0118} &
+{Ę\char"0307\char"0301\&\_\_s;\&\_\_t;} &
+\restag{Ę\char"0307\char"0301\char"0E0073\char"0E0074} &
+\arraybslash E with dot, acute, and diagonal stroke\\\hline
+%
+\nuni{U+0119} &
+{ę\&\_\_c;\&\_\_e;} &
+\restag{ę\char"0E0063\char"0E0065} &
+\arraybslash e with centered ogonek\\\hline
+%
+\opua{U+0119} &
+{ę\&\_\_s;\&\_\_t;} &
+\restag{ę\char"0E0073\char"0E0074} &
+\arraybslash e with diagonal stroke / F000A\\\hline
+%
+\nuni{U+0119} &
+{ę\char"0307\char"0301\&\_\_c;\&\_\_e;} &
+\restag{ę\char"0307\char"0301\char"0E0063\char"0E0065} &
+\arraybslash e with dot, acute, and centered ogonek\\\hline
+%
+\nuni{U+0119} &
+{ę\char"0307\char"0301\&\_\_s;\&\_\_t;} &
+\restag{ę\char"0307\char"0301\char"0E0073\char"0E0074} &
+\arraybslash e with dot, acute, and diagonal stroke\\\hline
+%
+\nuni{\&\_eogo;} &
+{{\narrow \char"25CC\&\_eogo;}\&\_\_c;\&\_\_e;} &
+\restag{\char"25CC\&\_eogo;\char"0E0063\char"0E0065} &
+\arraybslash Combining e with centered ogonek\\\hline
+%
+\nuni{\&\_eogo;} &
+{{\narrow \char"25CC\&\_eogo;}\&\_\_s;\&\_\_t;} &
+\restag{\char"25CC\&\_eogo;\char"0E0073\char"0E0074} &
+\arraybslash Combining e with diagonal stroke\\\hline
+%
+\nuni{U+021C} &
+{Ȝ\&\_\_f;\&\_\_l;} &
+\restag{Ȝ\char"0E0066\char"0E006C} &
+\arraybslash Yogh with flat top\\\hline
+%
+\nuni{U+021C} &
+{Ȝ\&\_\_i;\&\_\_n;} &
+\restag{Ȝ\char"0E0069\char"0E006E} &
+\arraybslash Yogh with insular shape\\\hline
+%
+\nuni{U+021D} &
+{\char"021D\&\_\_f;\&\_\_l;} &
+\restag{\char"021D\char"0E0066\char"0E006C} &
+\arraybslash yogh with flat top\\\hline
+%
+\nuni{U+021D} &
+{\char"021D\&\_\_i;\&\_\_n;} &
+\restag{\char"021D\char"0E0069\char"0E006E} &
+\arraybslash yogh with insular shape\\\hline
+%
+\nuni{U+014A} &
+{Ŋ\&\_\_l;\&\_\_h;} &
+{\restag{Ŋ\char"0E006C\char"0E0068}} &
+\arraybslash Rounded Ŋ with low hook\\\hline
+%
+\nuni{U+014A} &
+{Ŋ\&\_\_b;\&\_\_h;} &
+{\restag{Ŋ\char"0E0062\char"0E0068}} &
+\arraybslash Rounded Ŋ with baseline hook\\\hline
+%
+\opua{U+A7C1} &
+{\prob\&\_\_a;\&\_\_1;\footnotemark{}} &
+{\prob\restag{\char"0A7C1\char"0E0061\char"0E0031}} &
+\arraybslash {\narrow Old Polish o with broken slash / \ltab{F0011}}\\\hline
+%
+\opua{U+A7C1} &
+{\prob\&\_\_a;\&\_\_2;} &
+{\prob\restag{\char"0A7C1\char"0E0061\char"0E0032}} &
+\arraybslash {\narrow Old Polish o with short slash / \ltab{F0012}}\\\hline
+%
+\opua{U+A7C1} &
+{\prob\&\_\_a;\&\_\_3;} &
+{\prob\restag{\char"0A7C1\char"0E0061\char"0E0033}} &
+\arraybslash {\narrow Old Polish o with lower left slash / \ltab{F0013}}\\\hline
+%
+\opua{U+A7C1} &
+{\prob\&\_\_a;\&\_\_4;} &
+{\prob\restag{\char"0A7C1\char"0E0061\char"0E0034}} &
+\arraybslash {\narrow Old Polish o with upper right slash / \ltab{F0014}}\\\hline
+%
+\mufi{U+1E8F} &
+{\char"1E8F\&\_\_s;\&\_\_d;} &
+\restag{\char"1E8F\char"0E0073\char"0E0064} &
+\arraybslash Short curved y with dot / TBD\\\hline
+%
+\mufi{U+A765} &
+{\addfontfeature{Language=Icelandic} \char"0A765\&\_\_a;\&\_\_1;} &
+{\addfontfeature{Language=Icelandic}\restag{\char"0A765\char"0E0061\char"0E0031}} &
+\arraybslash \ {\narrow thorn with stroke with different slant / \ltab{F149}}\\\hline
+%
+\nuni{U+A765/ENG} &
+{\char"0A765\&\_\_a;\&\_\_1;} &
+{\restag{\char"0A765\char"0E0061\char"0E0031}} &
+\arraybslash \ thorn with stroke with different slant\\\hline
+%
+\opua{U+0241} &
+{\char"0294\&\_\_a;\&\_\_1;} &
+\restag{\char"0294\char"0E0061\char"0E0031} &
+\arraybslash Alternate glottal stop / F001B\\\hline
+%
+\opua{U+204A} &
+{\char"204A\&\_\_a;\&\_\_1;} &
+\restag{\char"204A\char"0E0061\char"0E0031} &
+\arraybslash Tironian et sign later form / F001D\\\hline
+%
+\nuni{U+204A} &
+{\char"204A\&\_\_a;\&\_\_2;} &
+\restag{\char"204A\char"0E0061\char"0E0032} &
+\arraybslash Tironian et sign later form with bar\\\hline
+%
+\mufi{U+204A} &
+{\char"204A\&\_\_a;\&\_\_3;} &
+\restag{\char"204A\char"0E0061\char"0E0033} &
+\arraybslash {\narrow Tironian et sign without descender / TBD}\\\hline
+%
+\opua{U+2E52} &
+{\char"2E52\&\_\_a;\&\_\_1;} &
+\restag{\char"2E52\char"0E0061\char"0E0031} &
+\arraybslash Tironian Et sign later form / F001C\\\hline
+%
+\nuni{U+2E52} &
+{\char"2E52\&\_\_a;\&\_\_2;} &
+\restag{\char"2E52\char"0E0061\char"0E0032} &
+\arraybslash Tironian Et sign later form with bar\\\hline
+%
+\mufi{U+2E52} &
+{\char"2E52\&\_\_a;\&\_\_3;} &
+\restag{\char"2E52\char"0E0061\char"0E0033} &
+\arraybslash {\narrow Tironian Et sign without descender / TBD}\\\hline
+%
+\nuni{U+00AF} &
+{{\textasciimacron}\&\_\_0;\&\_\_1;} &
+\restag{{\textasciimacron}\char"0E0030\char"0E0031} &
+\arraybslash Spacing zigzag\\\hline
+%
+\nuni{U+035E} &
+{\char"25CC\char"035E\&\_\_a;\&\_\_1;\char"25CC} &
+\restag{\char"25CC\char"035E\char"0E0061\char"0E0031\char"25CC} &
+\arraybslash Double macron with serifs\\\hline
+%
+\nuni{U+035E} &
+{\char"25CC\char"035E\&\_\_a;\&\_\_2;\char"25CC} &
+\restag{\char"25CC\char"035E\char"0E0061\char"0E0032\char"25CC} &
+\arraybslash Shorter double macron with serifs\\\hline
+%
+\mufi{U+00B7} &
+{{\textperiodcentered}\&\_\_h;\&\_\_i;} &
+\restag{{\textperiodcentered}\char"0E0068\char"0E0069} &
+\arraybslash Distinctio / \ F1F8\\\hline
+%
+\mufi{U+00B7} &
+{{\textperiodcentered}\&\_\_s;\&\_\_r;} &
+\restag{{\textperiodcentered}\char"0E0073\char"0E0072} &
+\arraybslash Slightly raised period / \ TBD\\\hline
+%
+\mufi{comma} &
+{,\&\_\_a;\&\_\_1;} &
+\restag{,\char"0E0061\char"0E0031} &
+\arraybslash Comma positura / F1E2\\\hline
+%
+\mufi{comma} &
+{,\&\_\_a;\&\_\_2;} &
+\restag{,\char"0E0061\char"0E0032} &
+\arraybslash High comma positura / F1E3\\\hline
+%
+\mufi{semicolon} &
+{;\&\_\_a;\&\_\_1;} &
+\restag{;\char"0E0061\char"0E0031} &
+\arraybslash Punctus versus / F1EA\\\hline
+%
+\mufi{semicolon} &
+{;\&\_\_a;\&\_\_2;} &
+\restag{;\char"0E0061\char"0E0032} &
+\arraybslash Punctus with comma positura / F1E4\\\hline
+%
+\mufi{semicolon} &
+{;\&\_\_a;\&\_\_3;} &
+\restag{;\char"0E0061\char"0E0033} &
+\arraybslash {\narrow Colon with middle comma positura / \ltab{F1E5}}\\\hline
+%
+\mufi{semicolon} &
+{;\&\_\_a;\&\_\_4;} &
+\restag{;\char"0E0061\char"0E0034} &
+\arraybslash Two dots over comma positura / F1F2\\\hline
+%
+\mufi{semicolon} &
+{;\&\_\_a;\&\_\_5;} &
+\restag{;\char"0E0061\char"0E0035} &
+\arraybslash Three dots over comma positura / F1E6\\\hline
+%
+\mufi{semicolon} &
+{;\&\_\_a;\&\_\_6;} &
+\restag{;\char"0E0061\char"0E0036} &
+\arraybslash {\narrow Punctus with double comma positura / TBD}\\\hline
+%
+\mufi{semicolon} &
+{;\&\_\_a;\&\_\_7;} &
+\restag{;\char"0E0061\char"0E0037} &
+\arraybslash Hexagonal positura / TBD\\\hline
+%
+\mufi{U+2E4E} &
+{\char"2E4E\&\_\_a;\&\_\_1;} &
+\restag{\char"2E4E\char"0E0061\char"0E0031} &
+\arraybslash Punctus elevatus diagonal stroke / F1F0\\\hline
+%
+\mufi{U+2E4E} &
+{\char"2E4E\&\_\_a;\&\_\_2;} &
+\restag{\char"2E4E\char"0E0061\char"0E0032} &
+\arraybslash Punctus elevatus with high back / F1FA\\\hline
+%
+\mufi{U+2E4E} &
+{\char"2E4E\&\_\_a;\&\_\_3;} &
+\restag{\char"2E4E\char"0E0061\char"0E0033} &
+\arraybslash Punctus elevatus with onset / F1FB\\\hline
+%
+\mufi{U+2E4E} &
+{\char"2E4E\&\_\_a;\&\_\_4;} &
+\restag{\char"2E4E\char"0E0061\char"0E0034} &
+\arraybslash Punctus flexus / F1F5\\\hline
+%
+\mufi{exclam} &
+{!\&\_\_a;\&\_\_1;} &
+\restag{!\char"0E0061\char"0E0031} &
+\arraybslash Punctus exlamativus / F1E7\\\hline
+%
+\mufi{question} &
+{?\&\_\_a;\&\_\_1;} &
+\restag{?\char"0E0061\char"0E0031} &
+\arraybslash Punctus interrogativus / F160\\\hline
+%
+\mufi{question} &
+{?\&\_\_a;\&\_\_2;} &
+\restag{?\char"0E0061\char"0E0032} &
+\arraybslash Punctus interrogativus horizontal tilde / F1E8\\\hline
+%
+\mufi{question} &
+{?\&\_\_a;\&\_\_3;} &
+\restag{?\char"0E0061\char"0E0033} &
+\arraybslash Punctus interrogativus lemniskate / F1F1\\\hline
+%
+\mufi{asciitilde} &
+{\~{}\&\_\_a;\&\_\_1;} &
+\restag{\~{}\char"0E0061\char"0E0031} &
+\arraybslash Wavy line / F1F9\\\hline
+%
+\mufi{asterisk} &
+{*\&\_\_a;\&\_\_1;} &
+\restag{*\char"0E0061\char"0E0031} &
+\arraybslash Signe de renvoi / F1EC\\\hline
+%
+\mufi{slash} &
+{/\&\_\_a;\&\_\_1;} &
+\restag{/\char"0E0061\char"0E0031} &
+\arraybslash Virgula suspensiva / F1F4\\\hline
+%
+\mufi{slash} &
+{/\&\_\_a;\&\_\_2;} &
+\restag{/\char"0E0061\char"0E0032} &
+\arraybslash Short virgula / F1F7\\\hline
+%
+\opua{U+A75D} &
+{\char"0A75D\&\_\_a;\&\_\_1;} &
+\restag{\char"0A75D\char"0E0061\char"0E0031} &
+\arraybslash Alternate rum abbreviation / F0016\\\hline
+%
+\mufi{U+035B} &
+{\char"25CC\char"035B\&\_\_a;\&\_\_n;} &
+\restag{\char"25CC\char"035B\char"0E0061\char"0E006E} &
+\arraybslash Combining angular zigzag / F1C7\\\hline
+%
+\mufi{U+035B} &
+{\char"25CC\char"035B\&\_\_c;\&\_\_u;} &
+\restag{\char"25CC\char"035B\char"0E0063\char"0E0075} &
+\arraybslash Combining curly zigzag / F1C8\\\hline
+%
+\stdu{U+035B} &
+{\char"25CC\char"035B\&\_\_v;\&\_\_e;} &
+\restag{\char"25CC\char"035B\char"0E0076\char"0E0065} &
+\arraybslash Combining vertical zigzag (tilde) / 033E\\\hline
+%
+\mufi{U+A770} &
+{\char"0A770\&\_\_a;\&\_\_1;} &
+\restag{\char"0A770\char"0E0061\char"0E0031} &
+\arraybslash Baseline spacing us abbreviation / F1A6\\\hline
+%
+\mufi{U+A770} &
+{\char"0A770\&\_\_a;\&\_\_2;} &
+\restag{\char"0A770\char"0E0061\char"0E0032} &
+\arraybslash Uppercase us abbreviation / F1A5\\\hline
+%
+\mufi{U+A76B} &
+{\char"0A76B\&\_\_a;\&\_\_1;} &
+\restag{\char"0A76B\char"0E0061\char"0E0031} &
+\arraybslash Semicolon-like et abbreviation / F1AC\\\hline
+%
+\nuni{U+A76B} &
+{\char"0A76B\&\_\_a;\&\_\_2;} &
+\restag{\char"0A76B\char"0E0061\char"0E0032} &
+\arraybslash Subscript et abbreviation\\\hline
+%
+\mufi{U+A76B} &
+{\char"0A76B\&\_\_a;\&\_\_3;} &
+\restag{\char"0A76B\char"0E0061\char"0E0033} &
+\arraybslash Colon-like et abbreviation / TBD\\\hline
+%
+\mufi{U+1DD3} &
+{\char"25CC\char"1DD3\&\_\_a;\&\_\_1;} &
+\restag{\char"25CC\char"1DD3\char"0E0061\char"0E0031} &
+\arraybslash Combining flattened \ a with macron / F1C1\\\hline
+%
+\opua{U+1DD8} &
+{\char"25CC\char"1DD8\&\_\_a;\&\_\_1;} &
+\restag{\char"25CC\char"1DD8\char"0E0061\char"0E0031} &
+\restag\arraybslash Alternate combining insular d / F0005\\\hline
+%
+\mufi{U+1DE3} &
+{\char"25CC\char"1DE3\&\_\_a;\&\_\_1;} &
+\restag{\char"25CC\char"1DE3\char"0E0061\char"0E0031} &
+\arraybslash Combining ur abbreviation lemniskate / F1C2\\\hline
+%
+\mufi{U+00E4} &
+{ä\&\_\_d;\&\_\_i;} &
+\restag{ä\char"0E0064\char"0E0069} &
+\arraybslash a with diagonal dieresis / E8D5\\\hline
+%
+\mufi{U+00F6} &
+{ö\&\_\_d;\&\_\_i;} &
+\restag{ö\char"0E0064\char"0E0069} &
+\arraybslash o with diagonal dieresis / E8D7\\\hline
+%
+\nuni{U+0308} &
+{\char"25CC\char"0308\&\_\_d;\&\_\_i;} &
+\restag{\char"25CC\char"0308\char"0E0064\char"0E0069} &
+\arraybslash Combining diagonal dieresis\\\hline
+%
+\mufi{U+0305} &
+{\char"25CC\char"0305\&\_\_a;\&\_\_1;} &
+\restag{\char"25CC\char"0305\char"0E0061\char"0E0031} &
+\arraybslash Combining horizontal stroke with dot / F1C0\\\hline
+%
+\mufi{U+032E} &
+{\char"25CC\char"25CC\char"032E\&\_\_a;\&\_\_1;\char"25CC} &
+\restag{\char"25CC\char"25CC\char"032E\char"0E0061\char"0E0031\char"25CC} &
+\arraybslash Breve below three letters / F1FC\\\hline
+%
+\mufi{U+00A4} &
+{{\textcurrency}\&\_\_0;\&\_\_1;} &
+\restag{{\textcurrency}\char"0E0030\char"0E0031} &
+\arraybslash Latin as libralis sign / F2E0\\\hline
+%
+\mufi{U+00A4} &
+{{\textcurrency}\&\_\_0;\&\_\_2;} &
+\restag{{\textcurrency}\char"0E0030\char"0E0032} &
+\arraybslash Latin small capital letter x with bar / F2E2\\\hline
+%
+\mufi{U+00A4} &
+{{\textcurrency}\&\_\_0;\&\_\_3;} &
+\restag{{\textcurrency}\char"0E0030\char"0E0033} &
+\arraybslash Latin small capital letter y with bar / F2E3\\\hline
+%
+\mufi{U+00A4} &
+{{\textcurrency}\&\_\_0;\&\_\_4;} &
+\restag{{\textcurrency}\char"0E0030\char"0E0034} &
+\arraybslash Latin small capital letter d with slash / F2E4\\\hline
+%
+\mufi{U+00A4} &
+{{\textcurrency}\&\_\_0;\&\_\_5;} &
+\restag{{\textcurrency}\char"0E0030\char"0E0035} &
+\arraybslash Pharmaceutical dram sign / F2E6\\\hline
+%
+\mufi{U+00A4} &
+{{\textcurrency}\&\_\_0;\&\_\_6;} &
+\restag{{\textcurrency}\char"0E0030\char"0E0036} &
+\arraybslash Ecu sign / F2E7\\\hline
+%
+\mufi{U+00A4} &
+{{\textcurrency}\&\_\_0;\&\_\_7;} &
+\restag{{\textcurrency}\char"0E0030\char"0E0037} &
+\arraybslash Floren sign with loop / F2E8\\\hline
+%
+\mufi{U+00A4} &
+{{\textcurrency}\&\_\_0;\&\_\_8;} &
+\restag{{\textcurrency}\char"0E0030\char"0E0038} &
+\arraybslash Groschen sign / F2E9\\\hline
+%
+\mufi{U+00A4} &
+{{\textcurrency}\&\_\_0;\&\_\_9;} &
+\restag{{\textcurrency}\char"0E0030\char"0E0039} &
+\arraybslash Helbing sign / F2FB\\\hline
+%
+\mufi{U+00A4} &
+{{\textcurrency}\&\_\_1;\&\_\_0;} &
+\restag{{\textcurrency}\char"0E0031\char"0E0030} &
+\arraybslash Krone sign / F2FA\\\hline
+%
+\mufi{U+00A4} &
+{{\textcurrency}\&\_\_1;\&\_\_1;} &
+\restag{{\textcurrency}\char"0E0031\char"0E0031} &
+\arraybslash Dutch libra sign / F2EA\\\hline
+%
+\mufi{U+00A4} &
+{{\textcurrency}\&\_\_1;\&\_\_2;} &
+\restag{{\textcurrency}\char"0E0031\char"0E0032} &
+\arraybslash French libra sign / F2EB\\\hline
+%
+\mufi{U+00A4} &
+{{\textcurrency}\&\_\_1;\&\_\_3;} &
+\restag{{\textcurrency}\char"0E0031\char"0E0033} &
+\arraybslash Italian libra sign / F2EC\\\hline
+%
+\mufi{U+00A4} &
+{{\textcurrency}\&\_\_1;\&\_\_4;} &
+\restag{{\textcurrency}\char"0E0031\char"0E0034} &
+\arraybslash Flemish libra sign / F2ED\\\hline
+%
+\mufi{U+00A4} &
+{{\textcurrency}\&\_\_1;\&\_\_5;} &
+\restag{{\textcurrency}\char"0E0031\char"0E0035} &
+\arraybslash Lira nuova sign / F2EE\\\hline
+%
+\mufi{U+00A4} &
+{{\textcurrency}\&\_\_1;\&\_\_6;} &
+\restag{{\textcurrency}\char"0E0031\char"0E0036} &
+\arraybslash Lira sterlina sign / F2EF\\\hline
+%
+\mufi{U+00A4} &
+{{\textcurrency}\&\_\_1;\&\_\_7;} &
+\restag{{\textcurrency}\char"0E0031\char"0E0037} &
+\arraybslash Old mark sign / F2F0\\\hline
+%
+\mufi{U+00A4} &
+{{\textcurrency}\&\_\_1;\&\_\_8;} &
+\restag{{\textcurrency}\char"0E0031\char"0E0038} &
+\arraybslash Old flourish mark sign / F2F1\\\hline
+%
+\mufi{U+00A4} &
+{{\textcurrency}\&\_\_1;\&\_\_9;} &
+\restag{{\textcurrency}\char"0E0031\char"0E0039} &
+\arraybslash Marked small letter m sign / F2F2\\\hline
+%
+\mufi{U+00A4} &
+{{\textcurrency}\&\_\_2;\&\_\_0;} &
+\restag{{\textcurrency}\char"0E0032\char"0E0030} &
+\arraybslash Flourished small letter m sign / F2F3\\\hline
+%
+\mufi{U+00A4} &
+{{\textcurrency}\&\_\_2;\&\_\_1;} &
+\restag{{\textcurrency}\char"0E0032\char"0E0031} &
+\arraybslash Pharmaceutical obelus sign / F2F4\\\hline
+%
+\mufi{U+00A4} &
+{{\textcurrency}\&\_\_2;\&\_\_2;} &
+\restag{{\textcurrency}\char"0E0032\char"0E0032} &
+\arraybslash Penning sign / F2F5\\\hline
+%
+\mufi{U+00A4} &
+{{\textcurrency}\&\_\_2;\&\_\_3;} &
+\restag{{\textcurrency}\char"0E0032\char"0E0033} &
+\arraybslash Old Reichstaler sign / F2F6\\\hline
+%
+\mufi{U+00A4} &
+{{\textcurrency}\&\_\_2;\&\_\_4;} &
+\restag{{\textcurrency}\char"0E0032\char"0E0034} &
+\arraybslash German schilling sign / F2F7\\\hline
+%
+\mufi{U+00A4} &
+{{\textcurrency}\&\_\_2;\&\_\_5;} &
+\restag{{\textcurrency}\char"0E0032\char"0E0035} &
+\arraybslash German script schilling sign / F2F8\\\hline
+%
+\mufi{U+00A4} &
+{{\textcurrency}\&\_\_2;\&\_\_6;} &
+\restag{{\textcurrency}\char"0E0032\char"0E0036} &
+\arraybslash Scudi sign / F2F9\\\hline
+%
+\mufi{U+00A4} &
+{{\textcurrency}\&\_\_2;\&\_\_7;} &
+\restag{{\textcurrency}\char"0E0032\char"0E0037} &
+\arraybslash Script ounce sign / F2FD\\\hline
+%
+\mufi{U+2114} &
+{\char"2114\&\_\_a;\&\_\_1;} &
+\restag{\char"2114\char"0E0061\char"0E0031} &
+\arraybslash French libra sign / F2EB\\\hline
+%
+\mufi{U+00A3} &
+{{\pounds}\&\_\_a;\&\_\_1;} &
+\restag{{\pounds}\char"0E0061\char"0E0031} &
+\arraybslash Dutch libra sign / F2EA\\\hline
+%
+\mufi{U+00A3} &
+{{\pounds}\&\_\_a;\&\_\_2;} &
+\restag{{\pounds}\char"0E0061\char"0E0032} &
+\arraybslash French libra sign / F2EB\\\hline
+%
+\mufi{U+00A3} &
+{{\pounds}\&\_\_a;\&\_\_3;} &
+\restag{{\pounds}\char"0E0061\char"0E0033} &
+\arraybslash Italian libra sign / F2EC\\\hline
+%
+\mufi{U+00A3} &
+{{\pounds}\&\_\_a;\&\_\_4;} &
+\restag{{\pounds}\char"0E0061\char"0E0034} &
+\arraybslash Flemish libra sign / F2ED\\\hline
+%
+\mufi{U+00A3} &
+{{\pounds}\&\_\_a;\&\_\_5;} &
+\restag{{\pounds}\char"0E0061\char"0E0035} &
+\arraybslash Lira nuova sign / F2EE\\\hline
+%
+\mufi{U+00A3} &
+{{\pounds}\&\_\_a;\&\_\_6;} &
+\restag{{\pounds}\char"0E0061\char"0E0036} &
+\arraybslash Lira sterlina sign / F2EF\\\hline
+%
+\mufi{U+20B1} &
+{\char"20B0\&\_\_a;\&\_\_1;} &
+\restag{\char"20B0\char"0E0061\char"0E0031} &
+\arraybslash Penning sign / F2F5\\\hline
+%
+\mufi{U+0192} &
+{\char"0192\&\_\_a;\&\_\_1;} &
+\restag{\char"0192\char"0E0061\char"0E0031} &
+\arraybslash Floren sign with loop / F2E8\\\hline
+%
+\mufi{U+2125} &
+{\char"2125\&\_\_a;\&\_\_1;} &
+\restag{\char"2125\char"0E0061\char"0E0031} &
+\arraybslash Script ounce sign / F2FD\\\hline
+\end{supertabular}
+\end{center}
+\footnotetext{Junicode entities (like \&\_\_a\textcompwordmark;) following U+A7C1 (Old Polish o) are not properly
+displayed or resolved for technical reasons related to U+A7C1 having very recently been added to Unicode. However, tags
+entered directly (as here) or via HTML/XML entity references and TeX commands will still work, and the Junicode entity
+will work once applications are updated with the latest additions to the Unicode standard.}
+\addfontfeature{StylisticSet=10}
Property changes on: trunk/Master/texmf-dist/doc/fonts/junicodevf/source/tag_key_ins.tex
___________________________________________________________________
Added: svn:eol-style
## -0,0 +1 ##
+native
\ No newline at end of property
Added: trunk/Master/texmf-dist/fonts/truetype/public/junicodevf/JunicodeVF-Italic.ttf
===================================================================
(Binary files differ)
Index: trunk/Master/texmf-dist/fonts/truetype/public/junicodevf/JunicodeVF-Italic.ttf
===================================================================
--- trunk/Master/texmf-dist/fonts/truetype/public/junicodevf/JunicodeVF-Italic.ttf 2024-01-02 21:29:56 UTC (rev 69277)
+++ trunk/Master/texmf-dist/fonts/truetype/public/junicodevf/JunicodeVF-Italic.ttf 2024-01-02 21:30:53 UTC (rev 69278)
Property changes on: trunk/Master/texmf-dist/fonts/truetype/public/junicodevf/JunicodeVF-Italic.ttf
___________________________________________________________________
Added: svn:mime-type
## -0,0 +1 ##
+application/octet-stream
\ No newline at end of property
Added: trunk/Master/texmf-dist/fonts/truetype/public/junicodevf/JunicodeVF-Roman.ttf
===================================================================
(Binary files differ)
Index: trunk/Master/texmf-dist/fonts/truetype/public/junicodevf/JunicodeVF-Roman.ttf
===================================================================
--- trunk/Master/texmf-dist/fonts/truetype/public/junicodevf/JunicodeVF-Roman.ttf 2024-01-02 21:29:56 UTC (rev 69277)
+++ trunk/Master/texmf-dist/fonts/truetype/public/junicodevf/JunicodeVF-Roman.ttf 2024-01-02 21:30:53 UTC (rev 69278)
Property changes on: trunk/Master/texmf-dist/fonts/truetype/public/junicodevf/JunicodeVF-Roman.ttf
___________________________________________________________________
Added: svn:mime-type
## -0,0 +1 ##
+application/octet-stream
\ No newline at end of property
Added: trunk/Master/texmf-dist/tex/lualatex/junicodevf/junicodevf.lua
===================================================================
--- trunk/Master/texmf-dist/tex/lualatex/junicodevf/junicodevf.lua (rev 0)
+++ trunk/Master/texmf-dist/tex/lualatex/junicodevf/junicodevf.lua 2024-01-02 21:30:53 UTC (rev 69278)
@@ -0,0 +1,198 @@
+alt_styles = {
+ Reg = { 400, 100 }, -- Regular
+ Cond = { 400, 75 },
+ SmCond = { 400, 87.5 },
+ SmExp = { 400, 112.5 },
+ Exp = { 400, 125 },
+ Light = { 300, 100 }, -- Light
+ CondLight = { 300, 75 },
+ SmCondLight = { 300, 87.5 },
+ SmExpLight = { 300, 112.5 },
+ ExpLight = { 300, 125 },
+ Medium = { 500, 100 }, -- Medium
+ CondMedium = { 500, 75 },
+ SmCondMedium = { 500, 87.5 },
+ SmExpMedium = { 500, 112.5 },
+ ExpMedium = { 500, 125 },
+ Smbold = { 600, 100 }, -- Semibold
+ CondSmbold = { 600, 75 },
+ SmCondSmbold = { 600, 87.5 },
+ SmExpSmbold = { 600, 112.5 },
+ ExpSmbold = { 600, 125 },
+ Bold = { 700, 100 }, -- Bold
+ CondBold = { 700, 75 },
+ SmCondBold = { 700, 87.5 },
+ SmExpBold = { 700, 112.5 },
+ ExpBold = { 700, 125 }
+}
+
+
+-- 1: Regular, 2: Light, 3: Medium
+regular_weights = {
+ junicodevf_at_RwghtOne = { 490, 390, 590 },
+ junicodevf_at_RwghtTwo = { 440, 340, 540 },
+ junicodevf_at_RwghtThree = { 390, 290, 490 },
+ junicodevf_at_RwghtFour = { 370, 270, 470 },
+ junicodevf_at_RwghtFive = { 350, 250, 450 },
+ junicodevf_at_IwghtOne = { 525, 425, 625 },
+ junicodevf_at_IwghtTwo = { 475, 375, 575 },
+ junicodevf_at_IwghtThree = { 425, 325, 525 },
+ junicodevf_at_IwghtFour = { 370, 270, 470 },
+ junicodevf_at_IwghtFive = { 350, 250, 450 }
+}
+
+-- 1: Bold, 2: Semibold
+bold_weights = {
+ junicodevf_at_BwghtOne = { 790, 690 },
+ junicodevf_at_BwghtTwo = { 740, 640 },
+ junicodevf_at_BwghtThree = { 690, 590 },
+ junicodevf_at_BwghtFour = { 650, 550 },
+ junicodevf_at_BwghtFive = { 600, 500 },
+ junicodevf_at_BIwghtOne = { 800, 700 },
+ junicodevf_at_BIwghtTwo = { 775, 675 },
+ junicodevf_at_BIwghtThree = { 725, 625 },
+ junicodevf_at_BIwghtFour = { 675, 575 },
+ junicodevf_at_BIwghtFive = { 625, 525 }
+}
+
+ -- 1: regular, 2: condensed, 3: semicondensed, 4: semiexpanded, 5: expanded
+all_widths = {
+ junicodevf_at_RwdthOne = { 115, 95, 100, 125, 150 },
+ junicodevf_at_RwdthTwo = { 107.5, 85, 95, 120, 137.5 },
+ junicodevf_at_RwdthThree = { 100, 82.5, 90, 112.5, 125 },
+ junicodevf_at_RwdthFour = { 95, 75, 87.5, 107.5, 120 },
+ junicodevf_at_RwdthFive = { 90, 70, 77.5, 102.5, 115 },
+ junicodevf_at_IwdthOne = { 115, 95, 100, 125, 150 },
+ junicodevf_at_IwdthTwo = { 107.5, 85, 95, 120, 137.5 },
+ junicodevf_at_IwdthThree = { 100, 82.5, 90, 112.5, 125 },
+ junicodevf_at_IwdthFour = { 95, 75, 87.5, 107.5, 120 },
+ junicodevf_at_IwdthFive = { 90, 70, 77.5, 102.5, 115 },
+ junicodevf_at_BwdthOne = { 115, 95, 100, 125, 150 },
+ junicodevf_at_BwdthTwo = { 107.5, 85, 95, 120, 137.5 },
+ junicodevf_at_BwdthThree = { 100, 82.5, 90, 112.5, 125 },
+ junicodevf_at_BwdthFour = { 95, 75, 87.5, 107.5, 120 },
+ junicodevf_at_BwdthFive = { 90, 70, 77.5, 102.5, 115 },
+ junicodevf_at_BIwdthOne = { 115, 95, 100, 125, 150 },
+ junicodevf_at_BIwdthTwo = { 107.5, 85, 95, 120, 137.5 },
+ junicodevf_at_BIwdthThree = { 100, 82.5, 90, 112.5, 125 },
+ junicodevf_at_BIwdthFour = { 95, 75, 87.5, 107.5, 120 },
+ junicodevf_at_BIwdthFive = { 90, 70, 77.5, 102.5, 115 }
+}
+
+function adjustweight(weight, adjustment)
+ adjusted = weight + adjustment
+ if adjusted > 800 then adjusted = 800 end
+ if adjusted < 200 then adjusted = 200 end
+ return adjusted
+end
+
+function adjustwidth(width, adjustment)
+ adjusted = width + adjustment
+ if adjusted > 125 then adjusted = 125 end
+ if adjusted < 75 then adjusted = 75 end
+ return adjusted
+end
+
+ function mkaltcommands()
+ for k, v in pairs(alt_styles) do
+ romdef = k .. "Def"
+ romsizedef = k .. "SizeDef"
+ italsizedef = k .. "ItalicSizeDef"
+ romfeat = k .. "Features"
+ romsizefeat = k .. "SizeFeatures"
+ italsizefeat = k .. "ItalicSizeFeatures"
+ if k == "Reg" then
+ romdef = "RegDef"
+ italsizedef = "ItalicSizeDef"
+ romfeat = "RegularFeatures"
+ romsizefeat = "RegularSizeFeatures"
+ italsizefeat = "ItalicSizeFeatures"
+ end
+ tex.print("\\newcommand{\\" .. romdef .. "}{}")
+ tex.print("\\newcommand{\\" .. romsizedef .. "}{SizeFeatures={{Size={5-}, RawFeature={axis={wght=" ..
+ v[1] .. ",wdth=" .. v[2] .. "}}}}}")
+ tex.print("\\DeclareOptionX{" .. romfeat .. "}{\\renewcommand*{\\" .. romdef .. "}{#1,}}")
+ tex.print("\\DeclareOptionX{" .. romsizefeat .. "}{\\renewcommand*{\\" .. romsizedef .. "}{\\directlua{mksizecommand({#1})}}}")
+ tex.print("\\DeclareOptionX{" .. italsizefeat .. "}{\\renewcommand*{\\" .. romsizedef .. "}{\\directlua{mksizecommand({#1})}}}")
+ end
+end
+
+function mkregweightcommands(wtidx,adjustment)
+ for k, wt in pairs(regular_weights) do
+ cmd, n = string.gsub(k, "_at_", "@")
+ tex.print("\\newcommand*{\\" .. cmd .. "}{" .. adjustweight(wt[wtidx],adjustment) .. "}")
+ end
+end
+
+function mkboldweightcommands(wtidx,adjustment)
+ for k, wt in pairs(bold_weights) do
+ cmd, n = string.gsub(k, "_at_", "@")
+ tex.print("\\newcommand*{\\" .. cmd .. "}{" .. adjustweight(wt[wtidx],adjustment) .. "}")
+ end
+end
+
+function mkwidthcommands(wdidx, adjustment)
+ for k, wd in pairs(all_widths) do
+ cmd, n = string.gsub(k, "_at_", "@")
+ tex.print("\\newcommand*{\\" .. cmd .. "}{" .. adjustwidth(wd[wdidx],adjustment) .. "}")
+ end
+end
+
+function mkfontcommands()
+ for k, v in pairs(alt_styles) do
+ defcmd = k .. "Def"
+ defsizecmd = k .. "SizeDef"
+ romfontcmd = "j" .. k
+ italfontcmd = "j" .. k .. "Italic"
+ if k == "Reg" then
+ romfontcmd = "jRegular"
+ italfontcmd = "jItalic"
+ end
+ tex.print("\\junicodevf at newfont{\\" .. romfontcmd .. "}{JunicodeVF}{\\" .. defcmd .. "}{\\" .. defsizecmd .. "}")
+ tex.print("\\junicodevf at newfont{\\" .. italfontcmd .. "}{JunicodeVF-Italic}{\\" .. defcmd .. "}{\\" .. defsizecmd .. "}")
+ end
+end
+
+function mksizecommand(sizetable)
+ result = "Nothing yet"
+ if #sizetable > 0 then
+ result = "SizeFeatures={"
+ lastsize = 0
+ for i, v in ipairs(sizetable) do
+ if v["size"] then
+ axiscount = 0
+ sizeitem = "{Size={"
+ currentsize = v["size"]
+ csnum = v["size"]
+ if i == #sizetable then
+ currentsize = currentsize .. "-"
+ elseif lastsize == 0 then
+ currentsize = "-" .. currentsize
+ else
+ currentsize = lastsize .. "-" .. currentsize
+ end
+ lastsize = csnum
+ sizeitem = sizeitem .. currentsize .. "},RawFeature={axis={"
+ if v["wght"] then
+ sizeitem = sizeitem .. "wght=" .. v["wght"]
+ axiscount = axiscount + 1
+ end
+ if v["wdth"] then
+ if axiscount >= 1 then sizeitem = sizeitem .. "," end
+ sizeitem = sizeitem .. "wdth=" .. v["wdth"]
+ axiscount = axiscount + 1
+ end
+ if v["ENLA"] then
+ if axiscount >= 1 then sizeitem = sizeitem .. "," end
+ sizeitem = sizeitem .. "ENLA=" .. v["ENLA"]
+ end
+ sizeitem = sizeitem .. "}}},"
+ result = result .. sizeitem
+ end
+ end
+ result = result .. "}"
+ tex.print(result)
+ end
+end
+
+
Property changes on: trunk/Master/texmf-dist/tex/lualatex/junicodevf/junicodevf.lua
___________________________________________________________________
Added: svn:eol-style
## -0,0 +1 ##
+native
\ No newline at end of property
Added: trunk/Master/texmf-dist/tex/lualatex/junicodevf/junicodevf.sty
===================================================================
--- trunk/Master/texmf-dist/tex/lualatex/junicodevf/junicodevf.sty (rev 0)
+++ trunk/Master/texmf-dist/tex/lualatex/junicodevf/junicodevf.sty 2024-01-02 21:30:53 UTC (rev 69278)
@@ -0,0 +1,393 @@
+\NeedsTeXFormat{LaTeX2e}
+\ProvidesPackage{junicodevf}[%
+ 2023/12/19 (Peter Baker) Supports Junicode VF (2.204 and up) variable fonts for LuaLaTeX.]
+
+\RequirePackage{ifluatex,xkeyval,fontspec}
+
+\RequireLuaTeX
+
+% OPTIONS FOR WEIGHT AND WIDTH
+
+\def\junicodevf at regweight{1}
+\DeclareOptionX{light}{\def\junicodevf at regweight{2}}
+\DeclareOptionX{medium}{\def\junicodevf at regweight{3}}
+
+\def\junicodevf at boldweight{1}
+\DeclareOptionX{semibold}{\def\junicodevf at boldweight{2}}
+
+\def\junicodevf at width{1}
+\DeclareOptionX{condensed}{\def\junicodevf at width{2}}
+\DeclareOptionX{semicondensed}{\def\junicodevf at width{3}}
+\DeclareOptionX{semiexpanded}{\def\junicodevf at width{4}}
+\DeclareOptionX{expanded}{\def\junicodevf at width{5}}
+
+\def\wghtadjust{0}
+\DeclareOptionX{weightadjustment}{\def\wghtadjust{#1}}
+
+\def\wdthadjust{0}
+\DeclareOptionX{widthadjustment}{\def\wdthadjust{#1}}
+
+% FIGURES (default is OldStyle Proportional)
+
+\newif\ifjunicodevf at lining \junicodevf at liningfalse
+\newif\ifjunicodevf at tabular \junicodevf at tabularfalse
+
+\DeclareOptionX{lining}{\junicodevf at liningtrue}
+\DeclareOptionX{tabular}{\junicodevf at tabulartrue}
+\DeclareOptionX{proportional}{\junicodevf at tabularfalse}
+\DeclareOptionX{oldstyle}{\junicodevf at liningfalse}
+
+% COMMANDS FOR ADDING FEATURES TO MAIN TEXT
+
+%\directlua{dofile("junicodevf.lua")}
+\directlua{dofile(kpse.find_file("junicodevf.lua"))}
+
+% Features for all four Main faces
+
+\newcommand*{\MainDef}{}
+
+% Features for each of the four Main faces.
+
+\newcommand*{\MainRegDef}{}
+\newcommand*{\MainItalicDef}{}
+\newcommand*{\MainBoldDef}{}
+\newcommand*{\MainBoldItalicDef}{}
+
+\DeclareOptionX{MainFeatures}{\renewcommand*{\MainDef}{#1,}}
+\DeclareOptionX{MainRegularFeatures}{\renewcommand*{\MainRegDef}{#1,}}
+\DeclareOptionX{MainItalicFeatures}{\renewcommand*{\MainItalicDef}{#1,}}
+\DeclareOptionX{MainBoldFeatures}{\renewcommand*{\MainBoldDef}{#1,}}
+\DeclareOptionX{MainBoldItalicFeatures}{\renewcommand*{\MainBoldItalicDef}{#1,}}
+
+\DeclareOptionX{MainRegularSizeFeatures}{\newcommand*{\MainRegSizeDef}{\directlua{mksizecommand({#1})}}}
+\DeclareOptionX{MainItalicSizeFeatures}{\newcommand*{\MainItalicSizeDef}{\directlua{mksizecommand({#1})}}}
+\DeclareOptionX{MainBoldSizeFeatures}{\newcommand*{\MainBoldSizeDef}{\directlua{mksizecommand({#1})}}}
+\DeclareOptionX{MainBoldItalicSizeFeatures}{\newcommand*{\MainBoldItalicSizeDef}{\directlua{mksizecommand({#1})}}}
+
+% SUPPORT FOR ENLA AXIS
+
+\newcommand*{\ENLAOneSizeDef}{SizeFeatures={{Size={5-}, RawFeature={axis={wght=400,wdth=100,ENLA=32}}}}}
+\newcommand*{\ENLATwoSizeDef}{SizeFeatures={{Size={5-}, RawFeature={axis={wght=400,wdth=100,ENLA=47}}}}}
+\newcommand*{\ENLAThreeSizeDef}{SizeFeatures={{Size={5-}, RawFeature={axis={wght=400,wdth=100,ENLA=75}}}}}
+\newcommand*{\ENLAFourSizeDef}{SizeFeatures={{Size={5-}, RawFeature={axis={wght=400,wdth=100,ENLA=100}}}}}
+
+\DeclareOptionX{ENLAOneSizeFeatures}{\renewcommand*{\ENLAOneSizeDef}{\directlua{mksizecommand({#1})}}}
+\DeclareOptionX{ENLATwoSizeFeatures}{\renewcommand*{\ENLATwoSizeDef}{\directlua{mksizecommand({#1})}}}
+\DeclareOptionX{ENLAThreeSizeFeatures}{\renewcommand*{\ENLAThreeSizeDef}{\directlua{mksizecommand({#1})}}}
+\DeclareOptionX{ENLAFourSizeFeatures}{\renewcommand*{\ENLAFourSizeDef}{\directlua{mksizecommand({#1})}}}
+
+% Declare the options for each of the Alternate Styles.
+
+\directlua{mkaltcommands()}
+
+% Declare an option that will catch anything undefined and issue a warning.
+% Then process the options.
+
+\DeclareOptionX*{\PackageWarning{JunicodeVF}{Unknown option `\CurrentOption' ignored}}
+\ProcessOptionsX\relax
+
+% DEFINE THE WEIGHTS AND WIDTHS (depending on weight and width options)
+
+\def\mkregweightcommands#1#2{%
+\directlua{wtindex = #1
+adjustment = #2
+mkregweightcommands(wtindex, adjustment)}}
+
+\def\mkboldweightcommands#1#2{%
+\directlua{wtindex = #1
+adjustment = #2
+mkboldweightcommands(wtindex, adjustment)}}
+
+\def\mkwidthcommands#1#2{%
+\directlua{wdindex = #1
+adjustment = #2
+mkwidthcommands(wdindex, adjustment)}}
+
+\mkregweightcommands{\junicodevf at regweight}{\wghtadjust}
+
+\mkboldweightcommands{\junicodevf at boldweight}{\wghtadjust}
+
+\mkwidthcommands{\junicodevf at width}{\wdthadjust}
+
+% DEFINE SizeFeatures (if we don't already have them)
+
+\@ifundefined{MainRegSizeDef}{
+ \newcommand*{\MainRegSizeDef}{%
+ SizeFeatures={
+ {Size={-8.5}, RawFeature={axis={wght=\junicodevf at RwghtOne,wdth=\junicodevf at RwdthOne}}},
+ {Size={8.5-10.99}, RawFeature={axis={wght=\junicodevf at RwghtTwo,wdth=\junicodevf at RwdthTwo}}},
+ {Size={10.99-17.99}, RawFeature={axis={wght=\junicodevf at RwghtThree,wdth=\junicodevf at RwdthThree}}},
+ {Size={17.99-23.99}, RawFeature={axis={wght=\junicodevf at RwghtFour,wdth=\junicodevf at RwdthFour}}},
+ {Size={23.99-}, RawFeature={axis={wght=\junicodevf at RwghtFive,wdth=\junicodevf at RwdthFive}}}
+ }
+ }
+}{}
+
+\@ifundefined{MainItalicSizeDef}{
+ \newcommand*{\MainItalicSizeDef}{%
+ SizeFeatures={
+ {Size={-8.5}, RawFeature={axis={wght=\junicodevf at IwghtOne,wdth=\junicodevf at IwdthOne}}},
+ {Size={8.5-10.99}, RawFeature={axis={wght=\junicodevf at IwghtTwo,wdth=\junicodevf at IwdthTwo}}},
+ {Size={10.99-17.99}, RawFeature={axis={wght=\junicodevf at IwghtThree,wdth=\junicodevf at IwdthThree}}},
+ {Size={17.99-23.99}, RawFeature={axis={wght=\junicodevf at IwghtFour,wdth=\junicodevf at IwdthFour}}},
+ {Size={23.99-}, RawFeature={axis={wght=\junicodevf at IwghtFive,wdth=\junicodevf at IwdthFive}}}
+ }
+ }
+}{}
+
+\@ifundefined{MainBoldSizeDef}{
+ \newcommand*{\MainBoldSizeDef}{%
+ SizeFeatures={
+ {Size={-8.5}, RawFeature={axis={wght=\junicodevf at BwghtOne,wdth=\junicodevf at BwdthOne}}},
+ {Size={8.5-10.99}, RawFeature={axis={wght=\junicodevf at BwghtTwo,wdth=\junicodevf at BwdthTwo}}},
+ {Size={10.99-17.99}, RawFeature={axis={wght=\junicodevf at BwghtThree,wdth=\junicodevf at BwdthThree}}},
+ {Size={17.99-23.99}, RawFeature={axis={wght=\junicodevf at BwghtFour,wdth=\junicodevf at BwdthFour}}},
+ {Size={23.99-}, RawFeature={axis={wght=\junicodevf at BwghtFive,wdth=\junicodevf at BwdthFive}}}
+ }
+ }
+}{}
+
+\@ifundefined{MainBoldItalicSizeDef}{
+ \newcommand*{\MainBoldItalicSizeDef}{%
+ SizeFeatures={
+ {Size={-8.5}, RawFeature={axis={wght=\junicodevf at BIwghtOne,wdth=\junicodevf at BIwdthOne}}},
+ {Size={8.5-10.99}, RawFeature={axis={wght=\junicodevf at BIwghtTwo,wdth=\junicodevf at BIwdthTwo}}},
+ {Size={10.99-17.99}, RawFeature={axis={wght=\junicodevf at BIwghtThree,wdth=\junicodevf at BIwdthThree}}},
+ {Size={17.99-23.99}, RawFeature={axis={wght=\junicodevf at BIwghtFour,wdth=\junicodevf at BIwdthFour}}},
+ {Size={23.99-}, RawFeature={axis={wght=\junicodevf at BIwghtFive,wdth=\junicodevf at BIwdthFive}}}
+ }
+ }
+}{}
+
+% NUMBER STRINGS for fontspec.
+
+\def\junicodevf at figurestyle{Lowercase}
+\ifjunicodevf at lining\def\junicodevf at figurestyle{Uppercase}\fi
+\def\junicodevf at figurealign{Proportional}
+\ifjunicodevf at tabular\def\junicodevf at figurealign{Monospaced}\fi
+
+% DECLARE THE FONTS
+
+\setmainfont{Junicode VF}[
+ ItalicFont = {*-Italic},
+ BoldFont = {*},
+ BoldItalicFont = {*-Italic},
+ Renderer = HarfBuzz,
+ Numbers = {\junicodevf at figurealign,\junicodevf at figurestyle},
+ \MainDef,
+ UprightFeatures = {\MainRegDef
+ \MainRegSizeDef},
+ BoldFeatures = {\MainBoldDef
+ \MainBoldSizeDef},
+ ItalicFeatures = {\MainItalicDef
+ \MainItalicSizeDef},
+ BoldItalicFeatures = {\MainBoldItalicDef
+ \MainBoldItalicSizeDef}
+]
+
+\newcommand*{\junicodevf at newfont}[4]{
+ \setfontface#1{#2}[
+ Renderer = HarfBuzz,
+ Numbers = {\junicodevf at figurealign,\junicodevf at figurestyle},
+ SmallCapsFont = {*},
+ SmallCapsFeatures = {Letters=SmallCaps},
+ #3
+ #4
+ ]
+}
+
+\directlua{mkfontcommands()}
+
+% ENLARGED FACES
+
+\setfontface\EnlargedOne{JunicodeVF}[
+ Renderer = HarfBuzz,
+ \ENLAOneSizeDef
+]
+
+\setfontface\EnlargedOneItalic{JunicodeVF-Italic}[
+ Renderer = HarfBuzz,
+ \ENLAOneSizeDef
+]
+
+\setfontface\EnlargedTwo{JunicodeVF}[
+ Renderer = HarfBuzz,
+ \ENLATwoSizeDef
+]
+
+\setfontface\EnlargedTwoItalic{JunicodeVF-Italic}[
+ Renderer = HarfBuzz,
+ \ENLATwoSizeDef
+]
+
+\setfontface\EnlargedThree{JunicodeVF}[
+ Renderer = HarfBuzz,
+ \ENLAThreeSizeDef
+]
+
+\setfontface\EnlargedThreeItalic{JunicodeVF-Italic}[
+ Renderer = HarfBuzz,
+ \ENLAThreeSizeDef
+]
+
+\setfontface\EnlargedFour{JunicodeVF}[
+ Renderer = HarfBuzz,
+ \ENLAFourSizeDef
+]
+
+\setfontface\EnlargedFourItalic{JunicodeVF-Italic}[
+ Renderer = HarfBuzz,
+ \ENLAFourSizeDef
+]
+
+% Convenience commands for non-verbose access to the cvNN features.
+% See also the "jcv" mnemonics below.
+
+\newcommand*{\textcv}[3][0]{{\addfontfeature{CharacterVariant=#2:#1}#3}}
+\newcommand*{\jcv}[2][0]{\addfontfeature{CharacterVariant=#2:#1}}
+
+% Convenience commands for accessing the Stylistic Sets. These are
+% intended to be mnemonic.
+
+\newcommand*{\AltThornEth}{\addfontfeature{StylisticSet=1}} % ss01
+\newcommand*{\textAltThornEth}[1]{{\addfontfeature{StylisticSet=1}#1}}
+\newcommand*{\InsularLetterForms}{\addfontfeature{StylisticSet=2}} % ss02
+\newcommand*{\textInsularLetterForms}[1]{{\addfontfeature{StylisticSet=2}#1}}
+\newcommand*{\IPAAlternates}{\addfontfeature{StylisticSet=3}} % ss03
+\newcommand*{\textIPAAlternates}[1]{{\addfontfeature{StylisticSet=3}#1}}
+\newcommand*{\HighOverline}{\addfontfeature{StylisticSet=4}} % ss04
+\newcommand*{\textHighOverline}[1]{{\addfontfeature{StylisticSet=4}#1}}
+\newcommand*{\MediumHighOverline}{\addfontfeature{StylisticSet=5}} % ss05
+\newcommand*{\textMediumHighOverline}[1]{{\addfontfeature{StylisticSet=5}#1}}
+\newcommand*{\EnlargedMinuscules}{\addfontfeature{StylisticSet=6}} % ss06
+\newcommand*{\textEnlargedMinuscules}[1]{\addfontfeature{{StylisticSet=6}#1}}
+\newcommand*{\Underdotted}{\addfontfeature{StylisticSet=7}} % ss07
+\newcommand*{\textUnderdotted}[1]{{\addfontfeature{StylisticSet=7}#1}}
+\newcommand*{\ContextualLongS}{\addfontfeature{StylisticSet=8}} % ss08
+\newcommand*{\textContextualLongS}[1]{{\addfontfeature{StylisticSet=8}#1}}
+\newcommand*{\AlternateFigures}{\addfontfeature{StylisticSet=9}} % ss09
+\newcommand*{\textAlternateFigures}[1]{{\addfontfeature{StylisticSet=9}#1}}
+\newcommand*{\EntitiesAndTags}{\addfontfeature{StylisticSet=10}} % ss10
+\newcommand*{\textEntitiesAndTags}[1]{{\addfontfeature{StylisticSet=10}#1}}
+% \newcommand*{\}{} % ss11 not yet used
+\newcommand*{\EarlyEnglishFuthorc}{\addfontfeature{StylisticSet=12}} % ss12
+\newcommand*{\textEarlyEnglishFuthorc}[1]{{\addfontfeature{StylisticSet=12}#1}}
+\newcommand*{\ElderFuthark}{\addfontfeature{StylisticSet=13}} % ss13
+\newcommand*{\textElderFuthark}[1]{{\addfontfeature{StylisticSet=13}#1}}
+\newcommand*{\YoungerFuthark}{\addfontfeature{StylisticSet=14}} % ss14
+\newcommand*{\textYoungerFuthark}[1]{{\addfontfeature{StylisticSet=14}#1}}
+\newcommand*{\LongBranchToShortTwig}{\addfontfeature{StylisticSet=15}} % ss15
+\newcommand*{\textLongBranchToShortTwig}[1]{{\addfontfeature{StylisticSet=15}#1}}
+\newcommand*{\ContextualRRotunda}{\addfontfeature{StylisticSet=16}} % ss16
+\newcommand*{\textContextualRRotunda}[1]{{\addfontfeature{StylisticSet=16}#1}}
+\newcommand*{\RareDigraphs}{\addfontfeature{StylisticSet=17}} % ss17
+\newcommand*{\textRareDigraphs}[1]{{\addfontfeature{StylisticSet=17}#1}}
+\newcommand*{\OldStylePunctuation}{\addfontfeature{StylisticSet=18}} % ss18
+\newcommand*{\textOldStylePunctuation}[1]{{\addfontfeature{StylisticSet=18}#1}}
+\newcommand*{\LatinToGothic}{\addfontfeature{StylisticSet=19}} % ss19
+\newcommand*{\textLatinToGothic}[1]{{\addfontfeature{StylisticSet=19}#1}}
+\newcommand*{\LowDiacritics}{\addfontfeature{StylisticSet=20}} % ss20
+\newcommand*{\textLowDiacritics}[1]{{\addfontfeature{StylisticSet=20}#1}}
+
+% Tiny macros for providing mnemonic access to the cvNN features.
+
+\def\jcvA{1}
+\def\jcva{2}
+\def\jcvB{3}
+\def\jcvb{4}
+\def\jcvC{5}
+\def\jcvc{6}
+\def\jcvD{7}
+\def\jcvd{8}
+\def\jcvE{9}
+\def\jcve{10}
+\def\jcvF{11}
+\def\jcvf{12}
+\def\jcvG{13}
+\def\jcvg{14}
+\def\jcvH{15}
+\def\jcvh{16}
+\def\jcvI{17}
+\def\jcvi{18}
+\def\jcvJ{19}
+\def\jcvj{20}
+\def\jcvK{21}
+\def\jcvk{22}
+\def\jcvL{23}
+\def\jcvl{24}
+\def\jcvM{25}
+\def\jcvm{26}
+\def\jcvN{27}
+\def\jcvn{28}
+\def\jcvO{29}
+\def\jcvo{30}
+\def\jcvP{31}
+\def\jcvp{32}
+\def\jcvQ{33}
+\def\jcvq{34}
+\def\jcvR{35}
+\def\jcvr{36}
+\def\jcvS{37}
+\def\jcvs{38}
+\def\jcvT{39}
+\def\jcvt{40}
+\def\jcvU{41}
+\def\jcvu{42}
+\def\jcvV{43}
+\def\jcvv{44}
+\def\jcvW{45}
+\def\jcvw{46}
+\def\jcvX{47}
+\def\jcvx{48}
+\def\jcvY{49}
+\def\jcvy{50}
+\def\jcvZ{51}
+\def\jcvz{52}
+\def\jcvAogonek{53}
+\def\jcvaogonek{54}
+\def\jcvaa{55}
+\def\jcvAE{56}
+\def\jcvae{57}
+\def\jcvAO{58}
+\def\jcvao{59}
+\def\jcvav{60}
+\def\jcvdbar{61}
+\def\jcvdcroat{61}
+\def\jcvEogonek{62}
+\def\jcvYogh{63}
+\def\jcvlhighstroke{64} %somehow escaped the documentation
+\def\jcvoPolish{65}
+\def\jcvthorncrossed{66}
+\def\jcvspacingzigzag{67}
+\def\jcvglottal{68}
+\def\jcvTironianEt{69}
+\def\jcvperiod{70}
+\def\jcvmiddot{71}
+\def\jcvcomma{72}
+\def\jcvsemicolon{73}
+\def\jcvpunctuselevatus{74}
+\def\jcvexclam{75}
+\def\jcvquestion{76}
+\def\jcvASCIItilde{77}
+\def\jcvasterisk{78}
+\def\jcvslash{79}
+\def\jcvrum{80}
+\def\jcvcombiningzigzag{81}
+\def\jcvspacingusabbrev{82}
+\def\jcvetabbrev{83}
+\def\jcvmacron{84}
+\def\jcvcombiningopena{85}
+\def\jcvcombininginsulard{86}
+\def\jcvcombiningrrotunda{87}
+\def\jcvcombiningdieresis{88}
+\def\jcvcombiningoverline{89}
+\def\jcvHcombiningdoublemacron{90}
+\def\jcvEng{91}
+\def\jcvbrevebelow{92}
+\def\jcvcurrency{93}
+\def\jcvlb{94}
+\def\jcvsterling{95}
+\def\jcvGermanpenny{96}
+\def\jcvflorin{97}
+\def\jcvounce{98}
+%\def\notyetused{99}
Property changes on: trunk/Master/texmf-dist/tex/lualatex/junicodevf/junicodevf.sty
___________________________________________________________________
Added: svn:eol-style
## -0,0 +1 ##
+native
\ No newline at end of property
Modified: trunk/Master/tlpkg/bin/tlpkg-ctan-check
===================================================================
--- trunk/Master/tlpkg/bin/tlpkg-ctan-check 2024-01-02 21:29:56 UTC (rev 69277)
+++ trunk/Master/tlpkg/bin/tlpkg-ctan-check 2024-01-02 21:30:53 UTC (rev 69278)
@@ -451,7 +451,7 @@
jmb jmlr jmsdelim jneurosci jnuexam
jobname-suffix joinbox josefin jourcl jourrr
jpneduenumerate jpnedumathsymbols jpsj jsclasses
- jslectureplanner jumplines junicode jupynotex
+ jslectureplanner jumplines junicode junicodevf jupynotex
jura juraabbrev jurabib juramisc jurarsp js-misc jvlisting jwjournal
kalendarium kanaparser kanbun kantlipsum karnaugh karnaugh-map karnaughmap
kastrup kaytannollista-latexia
Modified: trunk/Master/tlpkg/tlpsrc/collection-fontsextra.tlpsrc
===================================================================
--- trunk/Master/tlpkg/tlpsrc/collection-fontsextra.tlpsrc 2024-01-02 21:29:56 UTC (rev 69277)
+++ trunk/Master/tlpkg/tlpsrc/collection-fontsextra.tlpsrc 2024-01-02 21:30:53 UTC (rev 69278)
@@ -206,6 +206,7 @@
depend jamtimes
depend josefin
depend junicode
+depend junicodevf
depend kixfont
depend kpfonts
depend kpfonts-otf
Added: trunk/Master/tlpkg/tlpsrc/junicodevf.tlpsrc
===================================================================
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