texlive[46251] Master/texmf-dist: poemscol (8jan18)
commits+karl at tug.org
commits+karl at tug.org
Mon Jan 8 23:19:00 CET 2018
Revision: 46251
http://tug.org/svn/texlive?view=revision&revision=46251
Author: karl
Date: 2018-01-08 23:19:00 +0100 (Mon, 08 Jan 2018)
Log Message:
-----------
poemscol (8jan18)
Modified Paths:
--------------
trunk/Master/texmf-dist/doc/latex/poemscol/poemscol.pdf
trunk/Master/texmf-dist/doc/latex/poemscol/poemscolcheatsheet.pdf
trunk/Master/texmf-dist/doc/latex/poemscol/poemscolcheatsheet.tex
trunk/Master/texmf-dist/source/latex/poemscol/poemscol.dtx
trunk/Master/texmf-dist/tex/latex/poemscol/poemscol.sty
Modified: trunk/Master/texmf-dist/doc/latex/poemscol/poemscol.pdf
===================================================================
(Binary files differ)
Modified: trunk/Master/texmf-dist/doc/latex/poemscol/poemscolcheatsheet.pdf
===================================================================
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Modified: trunk/Master/texmf-dist/doc/latex/poemscol/poemscolcheatsheet.tex
===================================================================
--- trunk/Master/texmf-dist/doc/latex/poemscol/poemscolcheatsheet.tex 2018-01-08 22:18:48 UTC (rev 46250)
+++ trunk/Master/texmf-dist/doc/latex/poemscol/poemscolcheatsheet.tex 2018-01-08 22:19:00 UTC (rev 46251)
@@ -5,7 +5,8 @@
\raggedbottom
\title{\textsf{poemscol} Cheat Sheet}
\author{John Burt}
-\date{May 19, 2006}
+%\date{May 19, 2006}
+\date{\relax}
% \addtolength{\textwidth}{1in}
% \addtolength{\oddsidemargin}{-.5in}
@@ -18,39 +19,40 @@
\maketitle
\begin{supertabular}{|l|l|}
\hline \textbf{Dependencies} & \\
-\hline general &geometry,ifthen,keyval,mparhack,makeidx\\
-if footnotes & [para,ruled] manyfoot\\
+\hline general &geometry,ifthen,keyval,mparhack,makeidx, multicol\\
+if footnotes & [para,ruled] manyfoot (or bigfoot)\\
if prose sections & [left,modulo]lineno\\
if cropmarks & [letter,pdftex,cam]crop\\
+if ``longpoem'' page style & etex, emarks \\
\hline \textbf{Setup} & \\
\hline & \verb|\makeverselinenumbers| \\
- & \verb|\global\verselinenumbersfalse|\\
- & \verb|\stanzaatbottom{*}| \\
+ to turn off line numbering & \verb|\global\verselinenumbersfalse|\\
+ marks stanza break at page turn & \verb|\stanzaatbottom{*}| \\
& \verb|\nostanzaatbottom{\relax}| \\
- & \verb|\leftheader{}| \\
+titles for running headers & \verb|\leftheader{}| \\
& \verb|\rightheader{}| \\
- & \verb|\setcounter{lineindexrepeat}{}| \\
+ modulo for line numbers & \verb|\setverselinemodulo{}| \\
for endnote sections & \verb|\maketextnotes \puttextnotes | \\
& \verb|\makeemendations \putemendations|\\
& \verb|\makeexplanatorynotes \putexplanatorynotes| \\
& \verb|\global\includeaccidentalstrue| \\
& \verb|\global\includetypescriptstrue| \\
- & \verb|\indexingontrue \putpoemindex| \\
+indexing & \verb|\indexingontrue \putpoemindex| \\
for footnotes & \verb|\textnotesatfoot| \\
& \verb|\emendationsatfoot| \\
& \verb|\explanationsatfoot| \\
-``Plain'' footnotes & \verb|\global\textfootnotesparafalse| \\
+footnotes with multiple paragraphs & \verb|\global\textfootnotesparafalse| \\
& \verb|\global\emendationfootnotesparafalse| \\
& \verb|\global\explanfootnotesparafalse |\\
& \verb|\global\sourcesfootnotesparafalse |\\
-Contents & \verb|\makepoemcontents| \\
-put this one first & \verb|\putpoemcontents| \\
+contents setup & \verb|\makepoemcontents| \\
+print contents (put this one first) & \verb|\putpoemcontents| \\
\hline
\end{supertabular}
\newpage
\begin{supertabular}{|l|l|}
\hline \textbf{Poetic elements} & \\
-\hline Titles & \verb|\poemtitle{}| \\
+\hline titles & \verb|\poemtitle{}| \\
& \verb|\poemsectiontitle{}| \\
& \verb|\poemsubtitle{}| \\
& \verb|\poemtitlefirstline{} \poemtitlemiddleline{} \poemtitlelastline{}| \\
@@ -59,10 +61,10 @@
& \verb|\sequencesectiontitlefirstline{}| etc. \\
& \verb|\sequencesubsectiontitle{}| \\
& \verb|\prosesectiontitle{}| \\
- & \verb|\epigraph{} \headnote{}| \\
+epigraphs etc. & \verb|\epigraph{} \headnote{}| \\
& \verb|\attribution{}| \\
& \verb|\dedication{}| \\
-Main Text & \verb|\begin{poem} \end{poem}| \\
+main text & \verb|\begin{poem} \end{poem}| \\
& \verb|\begin{stanza} \end{stanza}| \\
& \verb|\begin{prosesection} \end{prosesection}| \\
& \verb|\verseline| \\
@@ -72,10 +74,10 @@
& \verb|\linebend| \\
& \verb|\verseindent| \\
& \verb|\begin{rightflushverse} \rightflushversebegin| \\
- & \verb|\poemlinelabel{} \proselinelabel{}| \\
+cross references & \verb|\poemlinelabel{} \proselinelabel{}| \\
\hline \textbf{Notes} & \\
\hline & \verb|\textnote[label]{}| \\
- &\verb| \emendation[label]{}| \\
+ &\verb|\emendation[label]{}| \\
& \verb|\explanatory[label]{}| \\
& \verb|\sources{}| \\
& \verb|\accidental{} \tsvariant{} \tsentry| \\
@@ -84,15 +86,17 @@
& \verb|\prosetextnote[end label]{beginning label}{}| etc. \\
& \verb|\definenewnotetype{cmd}{extension}{running head entry}|\\
& \verb|{title}{contents} |\\
+ \hline
+ \end{supertabular}
+\newpage
+\begin{supertabular}{|l|l|}
\hline \textbf{Collections} & \\
\hline & \verb|\begin{volumetitlepage} \end{volumetitlepage} | \\
& \verb|\volumetitle{} \volumetitlefirstline{} \volumesubtitle{}| \\
& \verb|\volumeepigraph{} \volumeattribution{}| \\
& \verb|\volumededication{}| \\
- \hline
-\end{supertabular}
-\newpage
-\begin{supertabular}{|l|l|}
+%\hline
+%
\hline \textbf{Annotation by Paragraph} & \\
\textbf{and Sentence Number} & \\
\hline & \verb|\pmsentence| \verb|\pmpara| \\
@@ -100,7 +104,7 @@
& \verb|\pmtextnote[]{} \pmexplanatory[]{}|\\
& \verb|\pmemendation[]{} \biblechapter \bibleverse| \\
\hline \textbf{Parallel Texts} & \\
-\hline & \verb|\startparalleltexts| \\
+\hline & \verb|\startparalleltexts| \verb|\finishparalleltexts|\\
& \verb|\startversopage \finishversopage| \\
& \verb|\startrectopage \finishrectopage| \\
& \verb|\synchrolabel \synchroref |\\
Modified: trunk/Master/texmf-dist/source/latex/poemscol/poemscol.dtx
===================================================================
--- trunk/Master/texmf-dist/source/latex/poemscol/poemscol.dtx 2018-01-08 22:18:48 UTC (rev 46250)
+++ trunk/Master/texmf-dist/source/latex/poemscol/poemscol.dtx 2018-01-08 22:19:00 UTC (rev 46251)
@@ -19,7 +19,7 @@
% \iffalse
%<package>\NeedsTeXFormat{LaTeX2e}[1997/12/01]
%<package>\ProvidesPackage{poemscol}
-%<package> [2017/12/20 v2.95 poemscol file]
+%<package> [2018/01/05 v2.97 poemscol file]
%
%<*driver>
\documentclass{ltxdoc}
@@ -33,7 +33,7 @@
%</driver>
% \fi
%
-% \CheckSum{8443}
+% \CheckSum{8465}
%
% \CharacterTable
% {Upper-case \A\B\C\D\E\F\G\H\I\J\K\L\M\N\O\P\Q\R\S\T\U\V\W\X\Y\Z
@@ -53,7 +53,7 @@
%
%
% \changes{v1.0}{2002/06/05}{Initial version}
-% \changes{v1.01}{2002/06/25}{Added macros for titles of poems without
+% \changes{v1.01}{2002/06/25}{Added commands for titles of poems without
% formal titles. Corrected typographical errors in manual.}
% \changes{v1.1}{2003/04/18}{Added commands to change mark in cases
% where page break fall (or does not fall) on stanza break. Added
@@ -76,7 +76,7 @@
% in titles (such as for italics and so on) no longer require special
% commands, although those commands are retained for backward
% compatibility.} \changes{v2.01}{2005/2/22}{Rewrote all of the title
-% macros in order to make them easier to maintain. Added environment
+% commands in order to make them easier to maintain. Added environment
% for flushing runover lines in verse to the right margin. Added
% information on how to customize titles.}
% \changes{v2.02}{2005/2/28}{Corrected an error in setting poems
@@ -87,7 +87,7 @@
% \changes{v2.21}{2005/3/24}{Cross references can refer to line
% numbers} \changes{v2.22}{2005/3/25}{Removed dependence upon
% marn.sty. Enabled multiple levels of block-formatted footnotes}
-% \changes{v2.24}{2005/4/02}{Macros to aid typesetting parallel
+% \changes{v2.24}{2005/4/02}{commands to aid typesetting parallel
% texts.} \changes{v2.25}{2005/5/06}{Bug fix in running headers to
% notes sections} \changes{v2.26}{2005/5/09}{Fix no unskip in vertical
% mode error} \changes{v2.27}{2005/5/09}{Changed name of linelabel
@@ -98,7 +98,7 @@
% footnotes or endnotes, and the latter are sent to the same place as
% their verse equivalents. Good solution to ``missing number''
% problem on first runs.} \changes{v2.301}{2005/5/31}{Corrected small
-% bug in table of contents macros, rewrote manual for clarity}
+% bug in table of contents commands, rewrote manual for clarity}
% \changes{v2.31}{2005/6/3}{Ranges of line for notes sections (in
% verse or prose sections) need no longer involve counting of lines.
% Lemmas may be nested, may overlap, and may cross stanza boundaries.}
@@ -110,17 +110,17 @@
% \changes{v2.35}{2005/7/18}{poemscol can break the lines for long
% titles in the table of contents on its own without making a mess of
% it. poemscol can break the lines for long titles on its own without
-% making a mess of it. Modified macros for volume titles to use the
+% making a mess of it. Modified commands for volume titles to use the
% facilities for poem titles.} \changes{v2.36}{2005/8/16}{Versions of
-% note macros for typescript variants and accidentals for annotated
-% prose. Macros for marking up and annotating prose by paragraph and
-% sentence number. Macros for cross references by sentence and
+% note commands for typescript variants and accidentals for annotated
+% prose. Commands for marking up and annotating prose by paragraph and
+% sentence number. Commands for cross references by sentence and
% paragraph number.} \changes{v2.37}{2005/8/30}{In cases of broken
% lines or runover lines you can choose whether to set the line number
% with the beginning of the line or with the end of the line. Also,
% you can choose to have it set the number always at the beginning if
% the line number is at the left, and always at the end if it is at
-% the right.} \changes{v2.38}{2005/9/04}{Checked cases where macros
+% the right.} \changes{v2.38}{2005/9/04}{Checked cases where commands
% might introduce extra white space. Made sure that line numbers for
% verse, prose, and paragraph-sentence prose line up. Fixed
% overlapping of paragraph and line numbers for paragraph-sentence
@@ -201,7 +201,7 @@
% \changes{v2.64}{2013/08/02}{Bug fix: remove extra white space in
% custom endnotes for prose sections when notes are in single paragraph mode. Fix
% appearance of page number in endnote sections.}
-% \changes{v2.65}{2013/12/20}{Modifications to parallel text macros,
+% \changes{v2.65}{2013/12/20}{Modifications to parallel text commands,
% corrections to manual.}
% \changes{v2.66}{2015/5/14}{Change to page styles}
% \changes{v2.7}{2015/6/18}{Improvements to parallel texts.}
@@ -218,8 +218,7 @@
% control the distance of line numbers from margins of centered text block. New default
% values for marginparwidth and marginparsep.}
% \changes{v2.85}{2017/9/03}{Boolean to turn centering of verse block on and off.
-% Subtitles center when centertitles is issued. Epigraphs and attributions move
-% in when centertitles is issued. New boolean to adjust placement of marginal
+% Subtitles center when centertitles is issued. New boolean to adjust placement of marginal
% reference markers in jhtextnote and related commands.}
% \changes{v2.87}{2017/10/23}{Notes to appear at the end of individual poems.}
% \changes{v2.88}{2017/10/29}{Revisions to manual.}
@@ -229,6 +228,10 @@
% Revisions to manual. Textual notes, emendation notes, and explanatory notes can also be
% placed at the end of the poem rather than at the bottom of the page or in an endnote section.
% Commands to set the title only in the contents and only in the notes.}
+% \changes{v2.96}{2018/01/02}{Epigraphs, headnotes, dedications, and attributions move
+% towards the center when titles are centered. Easier customization of epigraphs and similar things.}
+% \changes{v2.97}{2018/01/05}{Correction to JHepigraphs. Epigraphenvironment for
+% headnotes with more than one stanza or paragraph. Corrections to manual.}
% \DoNotIndex{\newcommand,\newenvironment,\def,\edef,\else,\renewcommand,\makeatletter,\makeatother}
% \DoNotIndex{\abovedisplayskip,\belowdisplayskip,\abovedisplayshortskip,\belowdisplayshortskip}
% \DoNotIndex{\newcommand, \section, \subsection, \subsubsection,
@@ -261,17 +264,17 @@
% \textsc, \unskip}
% \setcounter{IndexColumns}{2}
% \MakeShortVerb{|}
-% \def\fileversion{2.95}
-% \def\filedate{20 December 2017}
-% \def\docdate{20 December 2017}
+% \def\fileversion{2.97}
+% \def\filedate{5 January 2018}
+% \def\docdate{5 January 2018}
% \title{Typesetting Poetry Collections with
% \textsf{poemscol}\thanks{This document corresponds to
% \textsf{poemscol}~\fileversion, dated \filedate.}}
% \author{John Burt
% \\ \texttt{burt at brandeis.edu}}
-% \date{20 December 2017}
+% \date{5 January 2018}
% \maketitle
-% \begin{abstract} \textsf{poemscol} provides macros for \LaTeX\ for
+% \begin{abstract} \textsf{poemscol} provides commands for \LaTeX\ for
% setting collections of poetry. It is especially suited for setting
% collections of poetry in which several volumes are combined, such as
% in a critical edition of a poet's Collected Poems. It provides the
@@ -282,11 +285,13 @@
% \tableofcontents \hfuzz=50pt \section{Introduction}
%
% \textsf{poemscol} provides the structures necessary for editing a
-% critical edition of a volume of poems or of a collection of a poet's
-% works. \textsf{poemscol} numbers the lines, and produces separate,
-% formatted endnote sections for emendations, textual collations, and
-% explanatory notes (or, optionally, multiple layers of footnotes), tying
-% each note to the range of lines upon which it is a comment.
+% critical edition of a volume of poems (or of a collection of a poet's
+% works) such as those required by the Modern Language Association's
+% Committee on Scholarly Editions. \textsf{poemscol} numbers the lines, and produces separate,
+% formatted endnote sections (or, optionally,
+%multiple layers of footnotes) for emendations, textual collations, and
+% explanatory notes, tying
+% each note to the range of lines upon which it is a comment.
%
% Producing line numbers for verse is something for which \LaTeX\
% would seem to be especially suited. A line of verse, after all, is
@@ -348,11 +353,17 @@
% Lavagnino and Dominik Wujastyk, or \textsf{ledmac}, a port of
% \texttt{EDMAC} into \LaTeX\ originally by Peter Wilson and
% now maintained as \textsf{reledmac} by Ma\"{\i}eul Rouquette, or \textsf{ednotes}, a
-% completely independent set of macros for critical editions which
+% completely independent set of commands for critical editions which
% builds on \textsf{manypar} and \textsf{lineno}, by Uwe L\"{u}ck.
%
-% \textsf{poemscol} can annotate prose marked in ``paragraph number: sentence number''
-% format (or bible chapter and verse).
+% \textsf{poemscol} can number and annotate prose marked in
+% ``paragraph number: sentence number''
+% format (or bible chapter and verse). The advantage of this method of numbering lines
+% of prose is that what is numbered is something the author chose to create
+% (sentences and paragraphs)
+% rather than an accidental feature of typesetting (line numbers). Paragraph and sentence
+% numbering will also be stable across multiple editions, and, like line numbers in verse,
+% provides a common system of reference.
%
% \textsf{poemscol} also provides
% the ability to make cross references to verse line numbers, to line numbers in prose sections,
@@ -364,7 +375,7 @@
% verse block wherever you wish), and the ability to place a mark in the margin
% indicating where in the apparatus commentary on that line can be found.
% For long poems, \textsf{poemscol} can provide a
-% a special running header which indicates which lines are to be
+% a special running header which indicates the range of lines to be
% found on the page.
% It has a special command to place
% the publication date under the poem just at the left margin of the verse block even
@@ -405,7 +416,7 @@
% sources for your edition are in ASCII, or perhaps Unicode, they provide a permanent
% record of your local intentions at every point in your edition,
% whether or not those who wish to consult your files have access to a
-% \LaTeX\ compiler, or indeed (since most of the macros have self-explanatory names)
+% \LaTeX\ compiler, or indeed (since most of the commands have self-explanatory names)
% whether or not they can read \LaTeX\
% code.
%
@@ -423,6 +434,14 @@
% series of global search-and-replaces, and could conceivably be done
% with a perl script.
%
+% This is a long manual, but there is no read to study it all before beginning.
+% In the first place, it includes all the commented-on source code for the
+% package, which will only matter to you if you are planning to customize
+% it in some way I didn't anticipate, or if you need to know how the commands
+% work internally. (The code section begins on page \pageref{implementation}.)
+% The most important commands are explained in the first 30 pages, and even there
+% many sections discuss things you may not need to know immediately.
+%
% \section{Dependencies and compatibility with other packages}
%
%\subsection{~General}
@@ -469,7 +488,7 @@
% \textsf{manyfoot} sometimes gets into conflicts with other packages
% over the number of |\counts| it uses, causing \LaTeX\ to complain
% that there is no room for a |\newcount|. If this happens,
-% issue |\usepackage{etex}| and |\reserveinserts|.
+% issue |\usepackage{etex}| and |\reserveinserts| in your preamble.
%
% \subsection{~Special running header for long poems}
% For long poems, it is a convenience to have a running header
@@ -577,7 +596,7 @@
% seem closely related, such as a command to mark the title of a
% section of a poetic sequence, and a separate command to mark a
% subsection. But the names do describe pretty much what
-% each macro does, and they do specify exactly what the object they
+% each command does, and they do specify exactly what the object they
% mark is supposed to be. The markup is designed to look like content
% markup, marking objects as a poem title, as a stanza, as a line, and so on.
% \textsf{poemscol} gives all of these content terms typographical
@@ -597,7 +616,7 @@
% situation. Although all commands like |\sequencefirstsectiontitle|
% discourage page breaks before the title (and all of the commands
% discourage page breaks after the title), widowed or orphaned titles,
-% and widowed or orphaned first lines will still sometimes
+% and orphaned first lines will still sometimes
% happen, particularly if you have a multi-line sequence title
% followed by a multi-line section title. For these cases, a page
% break at some other suitable point will have to be explicitly issued to
@@ -605,10 +624,10 @@
%
% \subsection{~The title of the poem}
%
-% \DescribeMacro{\poemtitle}|\poemtitle{}|, as its name implies, sets
-% the title of the poem.
-%The macro takes one
-% argument --- the title, of course. The macro typesets the title in
+% \DescribeMacro{\poemtitle}|\poemtitle|, as its name implies, sets
+% its argument as the title of the poem.
+%The command takes one
+% argument --- the title, of course. The command typesets the title in
% the body of the volume (testing first to see whether there is enough
% space at the bottom of the page to get the title and a couple of
% lines of the poem in), typesets the title in the table of contents
@@ -625,36 +644,74 @@
% to discourage page breaks between a title and a poem.
%
% You can
-% change all these values in your header file by changing the value of
-% the parameters listed below in the implementation section using
+% change all these values in your preamble by changing the value of
+% the parameters for the relevant commands, listed below in the implementation section, using
% either |\setlength| or |\renewcommand| (depending upon what you are
-% changing). |\poemtitlefont| globally sets the font size (and
+% changing).
+%
+% \DescribeMacro{\centertitles} By default, titles place at or near (depending on the kind
+% of title) the left margin. To center all titles, issue |\centertitles|. If you have multi-line
+% titles, |\centertitles| will center each line. |\centertitles| also moves in epigraphs, headnotes,
+% attributions, and dedications towards the center. Since an epigraph or a headnote may be
+% a prose paragraph, or a passage of verse, it would be unwise to set them in a centering
+% environment, so |\centertitles| just moves them towards the center. To adjust the placement
+% of epigraphs and similar things, see section \ref{centerepigraphs}, page \pageref{centerepigraphs}.
+%
+% \begin{sloppypar}
+% \DescribeMacro{\poemtitlefont}
+% |\poemtitlefont| globally sets the font size (and
% leading) for all poem titles in the main text.
+% For instance, you can change the font parameters for the font for
+% setting poem titles from 14 points type on 18 points leading to 12 on 14 by issuing
+% |\renewcommand{\poemtitlefont}{\fontsize{12}{14}\selectfont}| in
+% your preamble. There are similar commands to set the font size and leading for
+% the titles of poetic sequences,
+% sequence sections, titles of volumes, and so on.
+% |\poemtitlefont| and its siblings do not change the
+% default font family. To change the default font family to, say, Times Roman, or
+% Tex Gyre Pagella, use the commands \LaTeX\
+% or Xe\LaTeX\ provide for that purpose (e.g.\ |\usepackage{tgpagella}|). Changing the default
+% font family is probably something you would want
+% to do globally, not at the level of classes of title, anyway.
+%\end{sloppypar}
+%
+% \DescribeMacro{\contentspoemtitlefont}
% |\contentspoemtitlefont| globally sets the font size (and leading)
-% for poem titles in the table of contents. |\afterpoemtitleskip|
-% sets the vertical separation between a poem and its title.
+% for poem titles in the table of contents. There are similar commands for each of the
+% other kinds of titles in the table of contents. They can be changed just as the font
+% parameters for titles in the main text are changed, using |\renewcommand|.
+%
+% \begin{sloppypar}
+% \DescribeMacro{\afterpoemtitleskip}
+% |\afterpoemtitleskip|
+% sets the vertical separation between a poem and its title. To change
+% its value, for instance, to |\medskip| (the default is |\smallskip|),
+% issue |\renewcommand{\afterpoemtitleskip}{\medskip}| in your preamble.
% |\afterpoemskip| sets the vertical separation between the end of a
-% poem and the title of the next poem. |\poemtitlepenalty| encourages
-% but does not require a page break just before a poem title.
-% If you don't want the entry in the notes section for this poem to include
-% the page number of the poem, issue |\putpagenumberinnotesfalse|. A
+% poem and the title of the next poem. ``Skips'' for other kinds of title can be
+% changed the same way. \end{sloppypar}
+%
+% \DescribeMacro{\poemtitlepenalty}
+% |\poemtitlepenalty| encourages
+% but does not require a page break just before a poem title. To change
+% the penalty, for instance, from -1000 to -3000,
+% issue |\renewcommand{\poemtitlepenalty}{\penalty-3000}|
+% in your preamble. Penalties for other kinds of title can be changed the same way.
+% A
% complete list of all of the special commands for setting font sizes,
% skips, and penalties, is in section \ref{changingfontsandleading}, page
% \pageref{changingfontsandleading}, below.
+%
+% \DescribeMacro{\putpagenumberinnotesfalse}
+% If you don't want the entry in the notes section for this poem to include
+% the page number of the poem, issue |\putpagenumberinnotesfalse|.
%
-% Multiple line titles (if it matters how they are broken up on page),
-% titles of subsections of poems, titles of
-% sequences of poems, and titles of the elements of a sequence of
-% poems are all special cases, with special commands, which will be
-% dealt with below at sections \ref{multilinetitles} and \ref{poeticsequences}.
-%You can also create new varieties of title. For instructions
-% on how to do this, see section \ref{customizing titles} below, page \pageref{customizing titles}.
-%
% \DescribeMacro{\poemsubtitle} Subtitles of poems should be issued as
-% the arguments to the |\poemsubtitle{}| macro.
+% the arguments to the |\poemsubtitle| command.
%
-% \DescribeMacro{\titleindent} For indented parts of titles. In the
-% macros for setting the sections and subsections of poetic sequences,
+% \DescribeMacro{\titleindent} |\titleindent| is an internal command for indented parts of titles.
+% You should change it with caution. In the
+% commands for setting the sections and subsections of poetic sequences,
% \textsf{poemscol} uses |\titleindent| internally to set up a
% hierarchy of indentations. (A section of a sequence is indented one
% |\titleindent|. A subsection is indented two. And so on.)
@@ -662,13 +719,24 @@
% line titles. Instructions about changing the value of |\titleindent|
% can be found in section \ref{changingfontsandleading}.
%
+% Multiple line titles (if it matters how they are broken up on page),
+% titles of subsections of poems, titles of
+% sequences of poems, titles of the elements of a sequence of
+% poems, and ``empty'' titles (for untitled poems)
+% are all special cases, with special commands, which will be
+% dealt with below at sections \ref{multilinetitles} and \ref{poeticsequences}.
+%You can also create new varieties of title. For instructions
+% on how to do this, see section \ref{customizing titles} below, page \pageref{customizing titles}.
+%
% \subsection{~The body of the poem}
%
% \DescribeEnv{poem} The body of every poem should be placed in a
% |poem| environment. Putting the body of the poem between
-% |\begin{poem}| and |\end{poem}| resets the line counter to 1, and
+% |\begin{poem}| and |\end{poem}| resets the line counter to 1,
% puts the poem in a |verse| environment (to handle run over lines
-% automatically). \textsf{poemscol} slightly modifies the |verse|
+% automatically), and turns off automatic hyphenation with the |poem| environment.
+%
+% \DescribeEnv{pmclverse} \textsf{poemscol} slightly modifies the |verse|
% environment from the standard \LaTeX\ definition, increasing the
% indentation used for run over lines, in order to make the difference
% between the indented run over portion of a long line, on one hand,
@@ -677,9 +745,8 @@
% more white space between stanzas than the standard \LaTeX\ |verse|
% environment does. (I found that the standard stanza breaks did not
% leap out on the page as stanza breaks.)
-% The verse environment for \textsf{poemscol} is pmclverse, defined
-% below on page \pageref{versedefine}. If you want to change any of these things
-% consult the definition of the stanza environment below at page \pageref{stanzadefine}.
+% The verse environment for \textsf{poemscol} is |pmclverse|, defined
+% below on page \pageref{versedefine}.
%
% \DescribeMacro{\versewidth}
% The |poem| environment takes an optional argument. If your poem has
@@ -692,10 +759,12 @@
% \label{centeringtextblock}
% |\settowidth{\versewidth}{Text of line to use for centering}|. To use |\versewidth|
% to center the poem on a sample line, enter the |poem| environment this way:
-% |\begin{poem}[\versewidth]|.
+% |\begin{poem}[\versewidth]|. Notice that the optional argument is in square braces,
+% not in curly braces.
%
% \DescribeMacro{\linenumberscenteredwithverse}
-% If you center the verse on the page using this option, you probably also want
+% If you want to center the verse on the page using the optional argument to |\begin{poem}|,
+% you probably also want
% to move the line numbers in, so as to be closer to the line.
% \textsf{poemscol} will do this by default. If you wish to leave the line
% numbers at the margin, set the boolean |\linenumberscenteredwithverse| to
@@ -702,16 +771,22 @@
% false. For centered verse, the distance between the line numbers and the
% verse can be set by setting the length of |\marginparsepmin| (not
% |\marginparsep|). The default
-% value of |\marginparsepmin| is 2em.
+% value of |\marginparsepmin| is 2em.
%
-% \DescribeMacro{\centertitles}
+% \begin{sloppy}
+% \DescribeMacro{\centertitles}
% If you center the poem on a sample
% line, you probably also want to center the title of the poem too,
-% which you can do by issuing |\centertitles|.
+% which you can do by issuing |\centertitles|. If you decide against centering the title,
+% you can either just remove or comment out the |\centertitles| command, or
+% switch a boolean by issuing |\centertitlesonfalse|. By default, |\centertitles|
+% also moves epigraphs, dedications, headnotes, and attributions toward the center.
+% To prevent this, issue |\centerepigraphsonfalse|.\end{sloppy}
%
-% \DescribeMacro{iftextcenteringturnedon} Suppose you have marked up poems with
-% the optional second argument to |\begin{poem}| which would cause the text
-% block to be centered on the longest line. You can turn off centering, without
+% \DescribeMacro{\iftextcenteringturnedon} Suppose you have marked up many poems with
+% the optional second argument to |\begin{poem}|, which would cause the text
+% block to be centered on the longest line, but change your mind about
+% centering all the poems. You can turn off centering, without
% erasing all of the second arguments, by issuing |\textcenteringturnedonfalse|.
% You can turn on centering the text block again by issuing
% |\textcenteringturnedontrue|.
@@ -721,26 +796,40 @@
% poem is authorial, obviating the need for you to compile a
% hyphenated-lines list to distinguish between authorial hyphens and
% hyphens you added for lineation purposes. Line-ending hyphens
-% should not be a feature of verse anyway, I think. (You may wish to
-% change this for your own edition, in order to improve its look; but
-% if you do so you must keep track of added hyphens yourself. This
+% should not be a feature of verse anyway, I think.
+%
+% You may wish to restore automatic hyphenation in poetry environments
+% for your own edition.
+% If you do so you must keep track of added hyphens yourself. This
% list will be easy to compile, however, because only authorial
% hyphens will appear in your source code. Automatically added
-% hyphens will appear only in the output. You might even modify the
+% hyphens will appear only in the output. (You might even modify the
% output routine so that automatically added hyphens have a different
% look. That would be non-trivial, but Donald Knuth has an exercise
-% about doing just that in \emph{The \TeX book}.) \textsf{poemscol}
+% about doing just that in \emph{The \TeX book}.) To
+% restore automatic hyphenation, copy the definition of the |poem|
+% environment (below at page \pageref{poemdef}) and redefine the
+% environment using |\renewenvironment|, commenting out the line that reads
+% |\language=255|. Place the renewed definition of the environment in your preamble,
+% with |\makeatletter| before the renewed definition and |\makeatother| after it.
+% If you are restoring automatic hyphenation for a parallel-text
+% edition, be aware that |\startparalleltexts| also (defined below at
+% page \pageref{startparalleltexts}) redefines the |poem|
+% environment, so you will have to change |\startparalleltexts| using
+% |\renewcommand| as well.
+%
+% \textsf{poemscol}
% turns automatic hyphenation back on in prose contexts, so if you
% wish to keep a hyphenation list for such things as authorial
% prefaces and so on, you must do so yourself manually.
% (Alternatively, you can turn automatic hyphenation off in those
% contexts as well, by setting the |\language| to 255. For an example
-% of how to do this, look at the definition of the |\poem| environment
+% of how to do this, look at the definition of the |poem| environment
% in the implementation section below. If you do turn automatic
% hyphenation off, it would be wise to restrict the change to some
% particular environment, rather than changing the |\language|
% globally. You might wish, for instance, to turn automatic
-% hyphenation off in the |\prosesection| environment.)
+% hyphenation off in the |prosesection| environment.)
%
% \DescribeEnv{stanza} Every stanza should be placed in its own stanza
% environment. Every poem should have at least one stanza. Marking
@@ -751,19 +840,20 @@
% environment but \emph{not} inside a stanza environment. Further,
% marking the beginning and end of every stanza makes the logical
% structure of the poem (and the editor's intentions about it) clear
-% to readers of your source code.
+% to readers of your source code. If you want to change the |stanza| environment
+% consult its definition below at page \pageref{stanzadefine}.
%
% \DescribeMacro{\stanzaatbottom}
% \DescribeMacro{\nostanzaatbottom}
% If you wish to change the symbol used to mark cases in which a
-% break falls on a page turn, issue the command |\stanzaatbottom{}|,
+% break falls on a page turn, issue the command |\stanzaatbottom|,
% using as the argument whatever you wish to use to mark such cases.
% The default is *, which is suitable for a published volume. If you
% are preparing a typescript for submission, you may wish to set
% |\stanzaatbottom| to ``stanza break.''
%
-% If you wish also to mark all cases where there is NOT a stanza break
-% at the bottom of the page, issue the command |\nostanzaatbottom{}|,
+% If you wish also to mark all cases where there is \emph{not} a stanza break
+% at the bottom of the page, issue the command |\nostanzaatbottom|,
% using as the argument whatever you wish to mark such cases. The
% default is |\relax| (which is to say, ``don't do anything'').
%
@@ -796,7 +886,7 @@
% \DescribeMacro{\verselinenumbersouter}
% To put all of the line numbers to the left, issue |\verselinenumberstoleft| in
% your preamble. |\verselinenumberstoright| puts the line numbers in the right
-% margin. (These two commands use non-floating marginal note macros derived
+% margin. (These two commands use non-floating marginal note commands derived
% from the \textsf{memoir} class, |\pmclleftsidepar| and |\pmclrightsidepar|,
% respectively.) If you wish them to appear in the outer margins, issue
% |\verselinenumbersouter| in your preamble. If you want the line numbers to
@@ -804,7 +894,7 @@
% (These two commands use |\pmclsidepar|, derived from |\sidepar| from the
% \textsf{memoir} class, but modified by Dan Leucking.) You can adjust the
% distance between the marginal line number and the text with
-% |\setlength{\marginparsep}{}|. The default value for |\marginparsep| is 18pt,
+% |\setlength{\marginparsep}{your length}|. The default value for |\marginparsep| is 18pt,
% and the default value for the width of the box in which the line numbers are
% set, |\marginparwidth|, is 18 pt. If you are setting with the line numbers to
% the right, |\marginparwidth| can be as small as you wish, although your log
@@ -836,14 +926,8 @@
% the line will be indented just as if \textsf{poemscol} had ``bent''
% the line at your selected point. This command only works if you
% have chosen to bend the line at some point earlier than
-% \textsf{poemscol} would have chosen on its own. If you really do
-% want to extend a line further into the right margin, you can
-% probably do so by using a combination of |\nobreak| and |\hbox{}|,
-% or by turning all of the spaces in that line into unbreakable
-% spaces, marked with |~| in your source. But \textsf{poemscol} will
-% complain if you do this, and rightly so, since the result is likely
-% to be ugly.
-%
+% \textsf{poemscol} would have chosen on its own.
+%
% You may also wish to use |\linebend| to reproduce how your author
% broke up long lines on the page (if you know that your author cared
% about such things and did not leave them up to the typesetter).
@@ -851,17 +935,26 @@
% |\linebend| should only be used for managing run over lines, not for
% cases in which a line is to be broken into separate half-lines. For
% cases in which a line is to be broken into half-lines, use the
-% |\brokenline| macro. The two macros do similar (but not identical)
+% |\brokenline| command. The two commands do similar (but not identical)
% things. But a ``linebend'' is a feature of typesetting, and a
% ``broken line'' is a feature of versification, and it seems best to
% distinguish them logically. (|\linebend|, like |\brokenline|, issues
% a carriage return without incrementing the line number, but
% |\linebend| adds indentation to the next line.)
+%
+% If you
+% want to extend a line further into the right margin, beyond the normal break point, you can
+% probably do so by using a combination of |\nobreak| and |\hbox|,
+% or by turning all of the spaces in that line into unbreakable
+% spaces, marked with |~| in your source. But \textsf{poemscol} will
+% complain if you do this, and rightly so, since the result is likely
+% to be ugly. It would probably be wiser to adjust the lengths |\leftmargin|
+% and |\rightmargin|, allowing all of the line to be a little bit longer.
%
% \DescribeMacro{\runoverindent} To change the indentation for the run
% over portion of verse lines globally, issue the amount of
-% indentation as the argument to |\runoverindent{}|.
-% |\runoverindent{}| is currently set to 6 em, rather more than the
+% indentation you desire as the argument to |\runoverindent|.
+% |\runoverindent| is currently set to 6 em, rather more than the
% standard amount in the definition of the \LaTeX\ |verse|
% environment. By default, the runover portion of long lines is
% indented. You may wish to flush the runover portion to the right
@@ -887,9 +980,9 @@
% speaker. Sometimes they just indicate a change of subject, usually
% an abrupt one, a change which calls attention to itself by
% interrupting a line rather than waiting for a line break or stanza
-% break). |\brokenline| is normally used with |\versephantom{}|,
+% break). |\brokenline| is normally used with |\versephantom|,
% which adds white space exactly as long as its argument would have
-% been had it been set in type. |\versephantom{}| thus provides an easy
+% been had it been set in type. |\versephantom| thus provides an easy
% way of setting the beginning of the second half-line flush with the
% end of the first, whatever the font size or special formatting of the
% first line.
@@ -965,7 +1058,7 @@
% with |\begin{stanza}| issue |\stanzalinestraddle| instead. This will
% make sure that the line counter counts the straddling line as only one
% line, despite the stanza break. |\stanzalinestraddle| is usually used
-% with |\versephantom{}|.
+% with |\versephantom|.
%
% \DescribeEnv{rightflushverse}
% \DescribeMacro{\rightversebegin}\label{rightflushverse} By default,
@@ -987,7 +1080,7 @@
% Ebert, but so far I haven't been able to persuade them to play well with \textsf{poemscol}
%
% \DescribeMacro{\poemlinelabel} \label{poemlinelabel}
-% |\poemlinelabel{}| enables crossreferences by line number. To make
+% |\poemlinelabel| enables crossreferences by line number. To make
% a line label, issue |\poemlinelabel{text of label}| right after the
% line to which you wish to refer, where ``text of label'' is some
% distinctive label you can use for a reference elsewhere. (You
@@ -1001,7 +1094,7 @@
% \section{Making a table of contents}
% \subsection{~Setup}
% \DescribeMacro{\makepoemcontents}
-% I found the normal \LaTeX\ macros for making tables of contents for scholarly works
+% I found the normal \LaTeX\ commands for making tables of contents for scholarly works
% unsuited for making tables of contents of poetry, so I have provided my own. To make a table of
% contents for your poems, issue |\makepoemcontents|. It might seem
% as though you would want to issue this command in your preamble. In
@@ -1025,7 +1118,7 @@
% |\makepoemcontents| takes an optional argument, which
% sets the page number for the table of contents. If your publisher
% wishes to add some front matter so that the contents will appear on
-% page vii, you should issue |\makepoemcontents{7}|.
+% page vii, you should issue |\makepoemcontents[7]|.
% All of the commands that generate lines in the table of contents are
% somewhat messy and somewhat rigid, but you can modify them if you
@@ -1038,9 +1131,9 @@
% change the appearance of a \emph{particular} kind of entry (for all
% sequences of poems, for instance), go to the definition of the title
% of that kind of entry (e.g. |\sequencetitle|) below, find the line
-% where it calls the |\c at ntentsinfo| macro, and change the arguments
-% to that macro to suit you. If you wish to give \emph{all} your entries a
-% different look altogether, modify the |\c at ntentsinfo| macro below
+% where it calls the |\c at ntentsinfo| command, and change the arguments
+% to that command to suit you. If you wish to give \emph{all} your entries a
+% different look altogether, modify the |\c at ntentsinfo| command below
% (see section \ref{poemtitlecode}, page \pageref{poemtitlecode}).
%
%\DescribeMacro{\setcontentsleaders} By default the title and the page
@@ -1058,7 +1151,7 @@
% exists, and complain on your log file if it does not. Because the
% table of contents uses a special page style and special fonts
% |\putpoemcontents| restores the default fancy page style once it has
-% input the contents, and restores |\normalfont| as well.
+% input the contents, and restores the font size to |\normalsize| as well.
%
% Be sure to
% reset the style of page numbering (from |\pagenumbering{roman}| to
@@ -1105,32 +1198,16 @@
% contents.
%
% \DescribeMacro{\putmultiplepoemindex}
-%Use |\putmultiplepoemindex| instead if
+% Use |\putmultiplepoemindex| instead if
% you are making several indices. For instructions about
% |\putmultiplepoemindex| see section \ref{multipleindex},
% p.~\pageref{multipleindex}.
-%
-% \DescribeMacro{\finish} Rather than issuing |\putpoemcontents| in
-% the proper place, and |\puttextnotes| and its siblings in their
-% proper places, you can issue the |\finish| command just after your
-% last poem. |\finish| turns automatic hyphenation back on, closes
-% and reads back in the external files for the emendations, the
-% textual collations, and the explanatory notes, sets the index of
-% first lines and titles, puts the information about these sections in
-% the table of contents, closes the external file for the contents,
-% and reads it back in. One disadvantage of this method is that
-% you print the book with the contents at the end, so when you print
-% it you must retrieve the contents pages and put them in the proper
-% place. I found the convenience worth the hassle, but you might not.
-% This command is deprecated now. But I have retained it, since the
-% few users who gave me their opinions of the matter told me that
-% they preferred to use |\finish| than |\puttextnotes|.
%
-%
-%
% \section{Making an index of titles and first lines}
% \subsection{~Setup}
-% \DescribeMacro{\indexingontrue} To set up the Index section of your
+% \DescribeMacro{\indexingontrue} First you must add the \textsf{makeidx} package
+% to the list of packages you call in your preamble. (If you are planning to set several
+% indices, call \textsf{splitindex} instead.) Then, to set up the Index section of your
% volume, issue |\indexingontrue| in your preamble. This will create
% the external file for your index information and send that file the
% typesetting information for its title. You must process this
@@ -1149,7 +1226,7 @@
%
% \textsf{poemscol} sets up a two-column index with a simple running
% header. (Setting up a two-column index, however, requires that you
-% include the \textsf{multicol} package in your |\usepackage{}| list.)
+% include the \textsf{multicol} package in your |\usepackage| list.)
% To turn indexing off, issue |\global\indexingonfalse|.
%
% Enter the individual index entries in the poems as you normally
@@ -1216,7 +1293,7 @@
% environment for divider pages in collections made up of several
% volumes. Volume title pages will always appear on recto pages with blank verso pages.
% \textsf{poemscol} will also automatically create a blank verso page
-% preceding the volume title page if it necessary. The
+% preceding the volume title page if it is necessary. The
% |maintitlepage| environment is for the title page of the whole
% book. The main title page will also automatically always be on a
% recto page. These divider pages have special
@@ -1229,10 +1306,10 @@
% \DescribeMacro{\volumetitlelastline}
% \DescribeMacro{\volumesubtitle}
% \DescribeMacro{\volumesectiontitle}
-% |\wholebooktitle{}| is for the title of the entire collection.
-% |\volumetitle{}| is for the title of an individual volume within a
-% Collected Poems. The |\volumetitlefirstline{}|,
-% |\volumetitlemiddleline{}|, and |\volumetitlelastline{}| macros are
+% |\wholebooktitle| is for the title of the entire collection.
+% |\volumetitle| is for the title of an individual volume within a
+% Collected Poems. The |\volumetitlefirstline|,
+% |\volumetitlemiddleline|, and |\volumetitlelastline| commands are
% for multi-line titles of volumes gathered into the collection. (Use
% these last commands if you want to specify how a long title is
% broken up both in the text and in the table of contents.
@@ -1239,8 +1316,8 @@
% \textsf{poemscol} will break up long titles on its own anyway
% if you don't specify how to break them up, but
% you might not be happy with how it breaks up the lines.)
-% |\volumesubtitle{}| is for setting the subtitle to a volume.
-% |\volumesectiontitle{}| is for setting the title of a section of a
+% |\volumesubtitle| is for setting the subtitle to a volume.
+% |\volumesectiontitle| is for setting the title of a section of a
% volume. In addition to setting the text in the body of your
% edition, these commands send the title (and the formatting
% information about it) to the table of contents file and to the
@@ -1248,12 +1325,12 @@
%
% \DescribeMacro{\volumeepigraph} \DescribeMacro{\volumeattribution}
% \DescribeMacro{\volumeheader} \DescribeMacro{\leftheader}
-% \DescribeMacro{\rightheader} |\volumeepigraph{}| and
-% |\volumeattribution{}| are for epigraphs and attributions on the
-% divider pages. |\volumeheader{}| or |\rightheader{}| is the right
+% \DescribeMacro{\rightheader} |\volumeepigraph| and
+% |\volumeattribution| are for epigraphs and attributions on the
+% divider pages. |\volumeheader| or |\rightheader| is the right
% running header for that volume (except for divider pages, the table
% of contents, the notes sections, and other special cases). Normally
-% that is just the name of the particular volume. |\leftheader{}| is
+% that is just the name of the particular volume. |\leftheader| is
% the left running header for the entire book (except for divider
% pages, the table of contents, the notes sections, and other special
% cases). Normally that is the name of the entire book.
@@ -1325,12 +1402,12 @@
%
%\begin{sloppypar}
% You may have notes with multiple paragraphs. The default settings for all of
-% the forms of endnotes are set with hanging indentation, which probably is not
+% the forms of endnotes set them with hanging indentation, which probably is not
% a good idea for multiple paragraph notes. There are two ways of approaching
% this problem. The first way is to change all of the paragraphs of the notes to
% normal indentation, which you can do by issuing
% |\literaltextnote{\setlength{\parindent}{\noteindentation}}| just after issuing |\maketextnotes| .
-% You can change the amoutn of indentation by changing the value of the
+% You can change the amoubt of indentation by changing the value of the
% length |\noteindentation| (the default value is 1 em).
% You should remember to issue similar
% commands for emendations, explanatory notes, and whatever kinds of notes you
@@ -1340,7 +1417,9 @@
% \DescribeMacro{\noteparbreak}
% Alternatively, if you want to keep the hanging indent for the page number, but still have paragraph
% breaks in the note, issue |\noteparbreak| whenever you want a paragraph break
-% in the midst of a note. By default, |\noteparbreak| indents the new paragraph
+% in the midst of a note. The first paragraph will have a hanging indent for the
+% page number, but every paragraph that follows a |\noteparbreak| will have normal
+% paragraph indentation. By default, |\noteparbreak| indents the new paragraph
% 1em. You can change this by changing the value of the length
% |\noteindentation|.
%
@@ -1372,31 +1451,31 @@
% \DescribeMacro{\sources} To record information about the copy text,
% editions and publication history of individual poems, or any
% information not tied to specific lines in the poem, you should place
-% that information in the argument to the |\sources{}| macro.
-% Typically, you should issue this macro after you have issued
-% |\poemtitle{}| and before you issue |\begin{poem}|. If you wish to
+% that information in the argument to the |\sources| command.
+% Typically, you should issue this command after you have issued
+% |\poemtitle| and before you issue |\begin{poem}|. If you wish to
% send information to the textual notes file (such as to force a page
-% break), you can do so by using |\sources{}|. You can send
+% break), you can do so by using |\sources|. You can send
% typesetting information to other sections by using
-% |\literalemend{}|, |\literalexplain{}|, or |\literalcontents{}|.
-% There is also a |\literaltextnote{}| command, which is equivalent to
-% |\sources{}|. Although they do the same thing, I use |\sources{}| to
+% |\literalemend|, |\literalexplain|, or |\literalcontents|.
+% There is also a |\literaltextnote| command, which is equivalent to
+% |\sources|. Although they do the same thing, I use |\sources| to
% send editorial information to the texual note section, but use
-% |\literaltexnote{}| to send formatting instructions to the textual note section.
+% |\literaltexnote| to send formatting instructions to the textual note section.
%
% \DescribeMacro{\textnote}
% \DescribeMacro{\emendation}
% \DescribeMacro{\explanatory}
-% |\textnote{}| is used to capture variants and tie them to the
+% |\textnote| is used to capture variants and tie them to the
% correct line number. You don't have to count line numbers;
-% \textsf{poemscol} keeps track of them for you. Issue |\textnote{}|
+% \textsf{poemscol} keeps track of them for you. Issue |\textnote|
% immediately after the |\verseline| command which marks the ending of
% the line you wish to comment upon. Put the text of your note (which
% may be simply the recording of a variant in standard notation) into
-% the argument of the macro. You should put both the lemma and the
-% variants or comment in the argument to the |\textnote{}| macro.
-% For emendations, use |\emendation{}|, and for explanatory notes,
-% use |\explanatory{}|. These notes go to their own endnote sections. The
+% the argument of the command. You should put both the lemma and the
+% variants or comment in the argument to the |\textnote| command.
+% For emendations, use |\emendation|, and for explanatory notes,
+% use |\explanatory|. These notes go to their own endnote sections. The
% only difference is that each poem opens a new paragraph for its own
% textual notes, but paragraphs for explanatory notes or emendations are only
% opened if there actually are explanatory notes or emendations for that poem.
@@ -1456,7 +1535,7 @@
% Overlapping lemmas, or lemmas that
% include stanza breaks, do not pose any difficulties for |poemscol|.
%
-% |\emendation{}| and |\explanatory{}| are used exactly as |\textnote{}|
+% |\emendation| and |\explanatory| are used exactly as |\textnote|
% is. Issue the emendation or the explanatory note as the argument to
% the command. Place the command immediately after the |\verseline| that
% concludes the line to which it is a comment. These commands also can
@@ -1470,7 +1549,7 @@
%
% \DescribeMacro{\quotedversecorrectiontextnote} If a textual note
% \emph{ends} with a quotation in verse, you should
-% follow the |\textnote{}| entry with
+% follow the |\textnote| entry with
% |\quotedversecorrectiontextnote|. I found that if I quoted verse in
% the note sections a dirty trick I used to send the notes to the
% external files would cause the following notes on that poem in the
@@ -1493,8 +1572,8 @@
% after the close of the textnote (not in the text of the textnote
% itself).
%
-% \DescribeMacro{\accidental} |\accidental{}| behaves exactly like
-% |\textnote{}|. If you wish to distinguish between accidentals and
+% \DescribeMacro{\accidental} |\accidental| behaves exactly like
+% |\textnote|. If you wish to distinguish between accidentals and
% substantives, this command provides a way of doing so. If you wish to
% exclude
% accidentals from your textual notes, issue
@@ -1513,7 +1592,7 @@
% consists only of substantives, issue
% |\global\includeaccidentalsfalse| in your preamble. Many publishers
% are reluctant to publish accidentals, believing that they are, well,
-% less substantive than substantives. Using the |\accidental{}|
+% less substantive than substantives. Using the |\accidental|
% command allows you to exclude accidentals from the published version
% should your publisher insist, while preserving the information about
% them should the publisher's mind change. In the very worst case, if
@@ -1534,8 +1613,8 @@
% typescript variants, issue |\global\includetypescriptsfalse| in your
% preamble. You can issue |\global||\includetypescriptstrue| in your
% preamble, to remind yourself that you are including typescript
-% variants. In that (default) case |\tsvariant{}| will behave exactly
-% like |\textnote{}|, and entries in other notes marked with
+% variants. In that (default) case |\tsvariant| will behave exactly
+% like |\textnote|, and entries in other notes marked with
% |\tsentry| will be included in your output.
%
% Here is how to use |\tsentry|:
@@ -1543,11 +1622,11 @@
% those entries in a list with variants from other published versions
% (as for instance when a comma appears in a typescript but only in
% the second edition of the published poem), simply issue
-% |\textnote{}| as usual, marking the relevant variant in the list of
-% variants with the |\tsentry{}| macro. If typescript variants
+% |\textnote| as usual, marking the relevant variant in the list of
+% variants with the |\tsentry| command. If typescript variants
% are excluded, the typescript entry will also be excluded.
%
-% Here is a typical use of the |\tsentry{}| command:
+% Here is a typical use of the |\tsentry| command:
% \begin{verbatim}
% Of moonlit desert. A stallion, white and flashing, slips,\verseline
% \textnote{Of moonlit] Of the moonlit {\em NY\/}\tsentry{, SP85TS
@@ -1554,7 +1633,7 @@
% (revised in black pen to SP85)}}
% \end{verbatim}
%
-% Notice that since the |\tsentry{}| comes in the middle of the list,
+% Notice that since the |\tsentry| comes in the middle of the list,
% it begins with a comma. You might expect an |\unskip| command
% before the comma, to prevent
% \LaTeX\ from adding white space before the comma. \textsf{poemscol}
@@ -1562,8 +1641,8 @@
% comma or a semicolon.
%
% You can
-% mark individual variants with |\tsentry{}| in the arguments to the
-% |\explanatory{}| and |\emendation{}| commands as well, and
+% mark individual variants with |\tsentry| in the arguments to the
+% |\explanatory| and |\emendation| commands as well, and
% |\tsentry| will also behave normally in any endnote or footnote section
% you define using |\definenewnotetype|.
%
@@ -1572,7 +1651,7 @@
% again using |\definenewnotetype|. To do this, you would also have to
% copy all of the emendations, explanatory notes, and textual notes
% which have a |\tsentry| in their arguments, and add
-% |\tsvariant{}| commands in those places. For information about
+% |\tsvariant| commands in those places. For information about
% |\definenewnotetype| see section \ref{definingnewnotes}.
%
% \DescribeMacro{\margreftextnote}
@@ -1594,11 +1673,12 @@
% section \ref{margreftextnote}, page \pageref{margreftextnote}.
%
% \section{Creating new kinds of endnote} \label{definingnewnotes}
-% \DescribeMacro{\definenewnotetype} The |\definenewnotetype| macro
+% \DescribeMacro{\definenewnotetype} The |\definenewnotetype| command
% can be used to create new kinds of endnote, in case the kinds
-% \textsf{poemscol} defined are not enough. |\definenewnotetype|
-% takes five arguments. They are \begin{enumerate} \item A base name
-% used to construct \begin{itemize} \item some |\if| variables (e.g.
+% \textsf{poemscol} has predefined do not suffice. |\definenewnotetype|
+% takes five arguments. They are (assuming you are creating a new
+% kind of note to be called a ``mynote''): \begin{enumerate} \item A base name
+% used to construct \begin{itemize} \item some |\if| variables (e.g.\
% |\ifmynoteson| to see whether you are collecting ``mynotes'',
% |\ifnomynoteyet| to see whether you have written a ``mynote'' for a
% particular poem yet, |\ifmynotestwocol| to set the notes in two
@@ -1611,33 +1691,35 @@
% that every |\if| that refers to a singular note
% is singular (|\ifnomynoteyet|). \item The name for the output
% channel for writing the notes to the appropriate external file.
-% This name will always be plural. \item The name for the ``literal''
+% This name will always be plural (e.g.\ ``mynotes"). \item The name for the ``literal''
% command for writing literal, unexpanded text on the file (as
-% |\literaltextnote{}| does on the textnotes file), and for the note
+% |\literaltextnote| does on the textnotes file), and for the note
% command that sends the actual textual note (line number and all) to
-% the section (e.g. |\mynote{}|), also the command to write notes in
-% line-numbered prose (e.g. |\prosemynote{}{}|) or prose numbered by
-% paragraph and sentence (e.g. |\pmmynote{}|). These commands will
-% always be singular. \item The name of the |\put| command (e.g.
+% the section (e.g.\ |\literalmynote| and |\mynote|), also the command to write notes in
+% line-numbered prose (e.g.\ |\prosemynote|) or prose numbered by
+% paragraph and sentence (e.g.\ |\pmmynote|). These commands will
+% always be singular. \item The name of the |\put| command (e.g.\
% |\putmynotes|) which closes the external file for the notes section,
% reads it back in to your document, and adds an entry in the table of
% contents for that notes section. This command will always be
-% plural. \item The name of the |\margref| command for putting a
+% plural. (There won't be a |\makemynotes| command,
+% because |\definenewnotetype| takes its place.)
+% \item The name of the |\margref| command for putting a
% marginal mark next to a line giving the page number in the apparatus
-% where a note is to be found (e.g. |\margrefmynote|) \end{itemize}
+% where a note is to be found (e.g.\ |\margrefmynote|) \end{itemize}
% \item The extension for the external file which will hold the notes
% as you generate them. ``Emendations'' for instance, are written to
% an external file called |\jobname.emd| The file name will always be
% |\jobname|, and the different species of endnotes will all have
-% distinctive extensions. (|\jobname| is a macro that always expands
+% distinctive extensions. (|\jobname| is a command that always expands
% to the name of your top level source file. If, for instance, I am
% setting running a file called ``myfile.tex'' through \LaTeX\,
% |\jobname.emd| translates to ``myfile.emd.'') \item The title of the
% notes section as you wish it to appear in the running header (e.g.
-% ``Emendations''). \item The title of the notes section as you wish
+% ``Mynotes to ''). \item The title of the notes section as you wish
% it to appear on the first page of the notes section (e.g.
-% ``EMENDATIONS''). \item The title of the notes section as you wish
-% it to appear in the table of contents. \end{enumerate}
+% ``MYNOTES''). \item The title of the notes section as you wish
+% it to appear in the table of contents (e.g.\ ``Mynotes''). \end{enumerate}
%
% \sloppypar So, for instance,\begin{verbatim}
% \definenewnotetype{xyznote}{xyz}{Xyznotes to}{XYZNOTES}{Xyznotes}
@@ -1733,11 +1815,11 @@
% make it known to \textsf{manyfoot}, which requires each level of
% footnote to be given a unique suffix (usually a capital letter of
% the alphabet). You can declare a new footnote level called
-% |\footnoteE{}| for instance, by issuing
+% |\footnoteE| for instance, by issuing
% |\DeclareNewFootnote[para]{E}|. You will want notes which don't put
% a mark in the body of the text, and begin with the line number or
% range of line numbers of the lemma. To define a footnote called
-% |\mynote{}|, first declare new footnote |\footnoteE| (A, B, C and D
+% |\mynote|, first declare new footnote |\footnoteE| (A, B, C and D
% are reserved for sources, textual notes, emendations, and explanatory notes,
% respectively). Then issue: \begin{verbatim}
% \newcommand{\mynote}[2][0]{\setlemmarange{#1}\\
@@ -1755,7 +1837,7 @@
% You may wish, rather than using endnotes or footnotes, simply to print your
% notes at the end of each poem. To do this for simple notes, issue |\makepoemendnotes| just
% after |\begin{poem}|. Issue |\poemendnote| where you wish to make a note,
-% using the same conventions you use for |\textnote|. Where you want to output
+% using the same conventions for line ranges you use for |\textnote|. Where you want to output
% the notes, issue |\putpoemendnotes|. These notes can have multi-line lemmas,
% just like textual notes.
%
@@ -1813,7 +1895,7 @@
% reads in the existing .aux file, and overwrites it with a new one.}
%
% \label{putexternalfiles}
-% \DescribeMacro{\putemendations} This macro closes the external file
+% \DescribeMacro{\putemendations} This command closes the external file
% for emendations and reads it in. It also puts an entry for the
% emendations section into your table of contents. After
% |\putemendations| has read in the external file for emendations, you
@@ -1843,7 +1925,7 @@
% command, see section \ref{multipleindex}, p.~\pageref{multipleindex}.
%
% \DescribeMacro{\finish} The
-% |\finish| macro is deprecated but still available. It is designed
+% |\finish| command is deprecated but still available. It is designed
% to be placed just before |\end{document}| (which, in fact, it
% replaces --- but you should still put an |\end{document}| at the end
% of your document for form's sake). |\finish| closes the external
@@ -1859,28 +1941,45 @@
% *) at the bottom of certain pages marks places where a stanza break
% and a page break coincide. If you have an editor's introduction
% preceding your notes section, or a list of abbreviations, you may
-% wish to consult the |\finish| macro for suggestions about how to add
+% wish to consult the |\finish| command for suggestions about how to add
% the lines to read those files in and add entries for them in the
% table of contents.
%
%
% \section{Special Cases}
-% \subsection{~Epigraphs, attributions etc.}
+% \subsection{~Epigraphs, attributions etc.} \label{centerepigraphs}
% \DescribeMacro{\epigraph} \DescribeMacro{\headnote}
% \DescribeMacro{\attribution} \DescribeMacro{\poemdedication}
-% |\epigraph{}|, |\headnote{}|, |\attribution{}|, and |\poemdedication{}| set
+% |\epigraph|, |\headnote|, |\attribution|, and |\poemdedication| set
% their arguments as epigraphs, headnotes, attributions, or
-% dedications for poems or poetic sequences. You can adjust the left and right margins
-% of epigraphs by changing the values of |\epigraphquoteleftmargin|
-% or |\epigraphquoterightmargin|.
+% dedications for poems or poetic sequences.
+%
+% \DescribeEnv{epigraphenvironment}
+% If your epigraph or headnote is a prose passage of more than one paragraph, or a verse
+% passage of more than one stanza, use the |epigraphenvironment| environment
+% rather than the |\epigraph| command. If you use the standard \LaTeX\ |verse|
+% environment within an epigraph, you may wish to add a |\smallskip| between
+% stanzas. (To my eye that environment does not leave enough white space between
+% stanzas.)
+%
+% \DescribeMacro{\centertitles}
+% Issuing |\centertitles| moves the margins in on both sides by the length
+% |\centerepigraphindentation| (the default is 6em). The margins for
+% uncentered epigraphs and the like are controlled by the length |\normalepigraphindentation|
+% (the default is 1.5em). Both values can be adjusted by using |\setlength|.
+%
+% After issuing |\centertitles| you can move epigraphs and similar things back to the margin
+% by issuing |\centerepigraphsonfalse|. After issuing |\centertitles| you can put titles at the margin
+% while leaving epigraphs alone by issuing |\centertitlesonfalse|.
+%
% If you have dedications, epigraphs, or attributions on
% the divider pages of editions that combine several volumes of
-% poetry, use |\volumededication{}|, |\volumeepigraph{}|, and
-% |\volumeattribution{}|.
+% poetry, use |\volumededication|, |\volumeepigraph|, and
+% |\volumeattribution|. These commands are unaffected by |\centertitles|.
%
-% \subsection{~Appending Publication Date}
+% \subsection{~Appending publication date}
% \DescribeMacro{\poemdate} You can append the date of the poem
-% with |\poemdate{}|. Issue |\poemdate{}| just after |\end{poem}|. You can
+% with |\poemdate|. Issue |\poemdate| just after |\end{poem}|. You can
% include both the composition and publication date if you wish simply by
% including both dates in the argument.
% (In fact, you can put anything in the argument, not just dates.) By default |\poemdate| places the
@@ -1910,7 +2009,7 @@
% after the passage. The way to set this is to issue |\end{stanza}|
% at the end of the stanza before the prose insert. Then issue
% |\saveverselinenumber|. Then issue |\end{poem}|. Insert the prose
-% quotation (perhaps followed by |\attribution{}|). Then issue
+% quotation (perhaps followed by |\attribution|). Then issue
% |\begin{poem}| followed by |\restoreverselinenumber| and |\begin{stanza}|.
% Then begin entering the rest of the poem as usual. Longer, independent prose
% sections (such as the author's preface or prose poems) require
@@ -1919,8 +2018,10 @@
%
% \subsection{~Quoted verse}
% Sometimes you wish to quote verse within verse (as when a speaker
-% in a verse play quotes a poem). \DescribeMacro{\quotedverse} The
-% |quotedverse| environment is desiged for this contingency.
+% in a verse play quotes a poem). \DescribeMacro{quotedverse} The
+% |quotedverse| environment is designed for this contingency. If
+% you issue |\verseline| commands or the |stanza| environment, line counting
+% and annotation will proceed as usual in quoted verse.
%
% \subsection{~Multiline poem titles}\label{multilinetitles}
% \DescribeMacro{\poemtitlefirstline}
@@ -1931,7 +2032,7 @@
% happen in the middle of a title, or immediately after a title. In
% the second place, they raise questions about how the author wished
% to break them up over several lines. If you think it might matter,
-% these macros make it possible for you to ensure that long titles are
+% these commands make it possible for you to ensure that long titles are
% broken in exactly the same way in your text and in your table of
% contents. (I didn't pursue this question for titles in notes
% sections, and in notes sections these commands simply concatenate a
@@ -1939,7 +2040,7 @@
%
% There are similar commands for most but not all of the whole series of
% titles for sequences, sequence sections, sequence subsections, and so on.
-% If you need macros for a kind of multi-line title that is not already
+% If you need commands for a kind of multi-line title that is not already
% defined, see below at section \ref{customizing titles}, page \pageref{customizing titles}.
%
% Alternatively, you can just let \textsf{poemscol} handle the long
@@ -1947,7 +2048,7 @@
% care how long titles were broken up, this would probably be the
% best thing to do. Remember also that if \textsf{poemscol} breaks a
% title across two lines, you can always force it not break the line
-% by using enclosing the argument to |\poemtitle{}| in |\hbox{}|. You
+% by using enclosing the argument to |\poemtitle| in an |\hbox|. You
% may get a complaint on your log file about an overfull |\hbox| if
% you do this, however.
%
@@ -1955,20 +2056,20 @@
%
% \begin{sloppypar}
% \DescribeMacro{\poemsectiontitle}
-% |\poemsectiontitle{}| and |\poemsubsectiontitle{}|, as their
-% names imply, are for the titles of sections or subsections of poems
-% that have them. |\poemfirstsectiontitle| is for the first section
+% |\poemsectiontitle| and |\poemsubsectiontitle|, as their
+% names imply, set their arguments as the titles of sections or subsections of poems.
+% |\poemfirstsectiontitle| is for the first section
% of a poem with many sections. (It differs from |\poemsectiontitle|
% in that it tries to make it harder for a page break to separate the
% title of a poem from the title of its first section.)
-% |\poemsectiontitlefirstline{}|, |\poemsectiontitlemiddleline{}|,
-% |\poemsectiontitlelastline{}|, |\poemsectiontitlenocontents{}|, and
-% |\poemsectiontitlebaretitle{}|), as their titles imply, are used for
+% |\poemsectiontitlefirstline|, |\poemsectiontitlemiddleline|,
+% |\poemsectiontitlelastline|, |\poemsectiontitlenocontents|, and
+% |\poemsectiontitlebaretitle|), as their titles imply, are used for
% special cases such as long section titles, if you wish to specify
% explicitly how the title is to be broken up in the text and in the
-% table of contents. You can construct variants of these macros for
+% table of contents. You can construct variants of these commands for
% dealing with special cases I didn't anticipate by using
-% the macros described in \ref{customizing titles}.
+% the commands described in \ref{customizing titles}.
%.\end{sloppypar}
%
% \subsection{~Poetic sequences}\label{poeticsequences}
@@ -1982,14 +2083,14 @@
% poems in sections. For one thing, a sequence manifests a different
% relationship between part and whole than a poem in sections does,
% and often provides stronger experiences of momentary closure between
-% sections.) |\sequencetitle{}| sets the title of the sequence,
-% |\sequencesectiontitle{}| sets the titles of the sections of the
-% sequence, and |\sequencesubsectiontitle{}| sets the titles of
+% sections.) |\sequencetitle| sets its argument as the title of the sequence,
+% |\sequencesectiontitle| sets the titles of the sections of the
+% sequence, and |\sequencesubsectiontitle| sets the titles of
% subsections of the sequence (there is even a command for the title
-% of sub-subsections, |\sequencesubsbusectiontitle{}|).
-% |\sequencefirstsectiontitle{}| gives a little more
+% of sub-subsections, |\sequencesubsbusectiontitle|).
+% |\sequencefirstsectiontitle| gives a little more
% vertical space between the main title and the first section title
-% than |\sequencesectiontitle{}| gives between adjacent sections later
+% than |\sequencesectiontitle| gives between adjacent sections later
% on in the sequence (since the over-title for the sequence is in
% larger type) and adjusts the page breaking penalties to reflect the
% fact that such titles should not occur near the bottom of a page,
@@ -2006,14 +2107,14 @@
% poetic sequences, such as cases where you wish to specify how long
% titles will be broken up into lines, or where you wish no entry to
% be made for the section in the table of contents or in the notes
-% sections. These macros don't of course exhaust the dizzying
-% possibilities, but from them you can construct whatever other macros
+% sections. These commands don't of course exhaust the dizzying
+% possibilities, but from them you can construct whatever other commands
% you may need.
%
% Here is a list of all of the defined title commands.
%
% \begin{itemize}
-% \item Macros for Poem titles
+% \item Commands for Poem titles
% \begin{itemize}
% \item |\poemtitle|
% \item |\poemtitlefirstline|
@@ -2118,9 +2219,9 @@
% the left). |\JHpoemtitle| and its siblings place the marginal
% reference using |\marginpar|.
%
-% \DescribeMacro{\setmpargpoemtitle}
-% |\setmargpoemtitle{}{}| is a more general version of
-% |\JHpoemtitle{}{}|, with the second argument being any commands you
+% \DescribeMacro{\setmargpoemtitle}
+% |\setmargpoemtitle| is a more general version of
+% |\JHpoemtitle|, with the second argument being any commands you
% want to be issued while the title is being processed.
%
% \DescribeMacro{\margreftextnote}\label{margreftextnote}
@@ -2141,7 +2242,7 @@
% than |\pmclsidepar| to set the note, because I had to use
% |\marginpar| for |\JHpoemtitle| and its siblings, and I wanted the
% whole family of markers to be controlled by the same settings. You
-% use the settings that control the behavior of |\marginpar| (e.g.
+% use the settings that control the behavior of |\marginpar| (e.g.\
% |\mparswitch| and |\reversemarginpar|) to control the behavior of
% these marks.
%
@@ -2160,7 +2261,7 @@
% from the pifonts collection in the marginal marks made by
% |\margreftextnote| and its siblings. I have set the default to
% |\dag|, so as not to depend upon yet another style package. You can
-% choose another mark using |\setmargrefmarker| (e.g.
+% choose another mark using |\setmargrefmarker| (e.g.\
% |\setmargrefmarker{\ding{228}}|).
%
% \DescribeMacro{\margrefemendation} |\margrefemendation| is a
@@ -2171,14 +2272,14 @@
%
% \subsection{~Empty poem titles and italicized poem titles}
%
-% \DescribeMacro{\poemtitlenotitle{}}
-% |\poemtitlenotitle{}|, with its paradoxical name, is for poems
+% \DescribeMacro{\poemtitlenotitle}
+% |\poemtitlenotitle|, with its paradoxical name, is for poems
% without formal titles. Usually such poems are referred to by their
-% first lines. This macro does not produce a title in the text, but
+% first lines. This command does not produce a title in the text, but
% sets its argument in the table of contents and in the notes. Usually
% you use the first line as the moral equivalent of a title.
%
-% \DescribeMacro{\poemtitleitalic{}{}}
+% \DescribeMacro{\poemtitleitalic}
% Titles
% with italics or other special formatting posed special problems in
% earlier versions (before version 1.7) since the typesetting commands
@@ -2185,7 +2286,7 @@
% gummed up how I passed parameters around that I was unable to solve
% using |\protect|. All of these commands are obsolete now, but are
% retained for backward compatibility.
-% |\poemtitleitalic{}{}| takes
+% |\poemtitleitalic| takes
% two arguments. The first is the title of the poem with the italics
% (or small capitals or international characters or what have you),
% for typesetting, and the second is the title without the commands,
@@ -2193,10 +2294,10 @@
% no longer needs to treat italics in titles in a different way, it can
% be anything you want, since the second argument is discarded.)
%
-% \DescribeMacro{\poemtitlenotitleitalic{}{}}
-% |\poemtitlenotitleitalic{}{}|, with its doubly paradoxical name,
+% \DescribeMacro{\poemtitlenotitleitalic}
+% |\poemtitlenotitleitalic|, with its doubly paradoxical name,
% is for poems without formal titles but with italicized words in their
-% first lines. |\poemtitlenotitleitalic{}{}| takes two arguments. The
+% first lines. |\poemtitlenotitleitalic| takes two arguments. The
% first is the first line with the italics (for typesetting
% purposes), and the second is the
% first line without the italics (for crossreference purposes). This command
@@ -2207,19 +2308,20 @@
% \DescribeMacro{\poemtitlebaretitle}
% \DescribeMacro{\poemtitleonlycontents}
% \DescribeMacro{\poemtitleonlynotes}
-% A user planned to attach a footnote to a poem title, but didn't want the mark or the text of the
+% If you have a problem title, one for instance
+% in which the title in the text might cause problems in the contents or in the notes,
+% you can send information
+% separately to the places it will be used.
+% For example, a user planned to attach a footnote to a poem title,
+% but didn't want the mark or the text of the
% note to show up in the contents or in the endnotes. I would usually
% have advised him to use |\sources| to send the text of the note to the endnotes,
% but he really wanted the title to include the footnote mark and to put the footnote
% on the same page. The solution to this problem
% was to set the title in the text separately from setting it in the notes and in the contents.
-% If you have a problem title, one for instance
-% in which the title in the text might cause problems in the contents or in the notes,
-% you can send information
-% separately to the places it will be used.
-% |\poemtitlebaretitle{}|, for instance simply sets the title in the text. Then
-% you can use |\poemtitleonlycontents{}| to send the title to the contents
-% and |\poemtitleonlynotes{}| to send the title to the notes. These commands
+% |\poemtitlebaretitle|, for instance simply sets the title in the text. Then
+% you can use |\poemtitleonlycontents| to send the title to the contents
+% and |\poemtitleonlynotes| to send the title to the notes. These commands
% are defined for poem titles, and for some but not all of the whole range of titles including
% sequence titles, sequence section titles, sequence section subtitles, and so on. But
% it would be easy to roll your own versions of these commands by looking below at
@@ -2228,8 +2330,8 @@
%
% \DescribeMacro{\poemtitlenocontents}
% \DescribeMacro{\poemtitlenonotes}
-% \DescribeMacro{\poemtitlenotitle{}}
-% There are also macros to send information to any two of the relevant locations
+% \DescribeMacro{\poemtitlenotitle}
+% There are also commands to send information to any two of the relevant locations
% but not the third. |\poemtitlenocontents| sends the title to the text and to the notes,
% but not to the contents. |\poemtitlenonotes| sends the title to the text and to the
% contents, but not to the notes. |\poemtitlenotitle| sends the title to the contents and the
@@ -2237,11 +2339,11 @@
%
% Remember that in the last resort, you can send information to the contents section
% with |\literalcontents|. To actually set a contents entry using |\literalcontents| is a tall order,
-% however, since you would have to include all the information from the |\c at ntentsinfo| macro
+% however, since you would have to include all the information from the |\c at ntentsinfo| command
% for the relevant type of title. (For what |\c at ntentsinfo| does,
% see section \ref{customizing titles}, below.)
% For instance, for a poem called
-% Test Poem that is the first in the volume, that would be:
+% Test Poem, that would be:
%
% \begin{verbatim}
% \literalcontents{\setlength\contentsentryoverrun{\contentsindenttwoamount }
@@ -2257,10 +2359,13 @@
% \end{verbatim}
%
% Another tricky thing about this method is the |\pageref| line in the above, which is a pageref to find
-% the page the poem appears on. You should put |\label{testpoemlabel}|, with any unique
-% text for the label, on the page of the text where the poem occurs, in order to capture
+% and set in the contents the number of the
+% page the poem appears on. You should put |\label{testpoemlabel}|, with any unique
+% text for the label (so long as it is the same one used in the |\pageref| line),
+% on the page of the text where the poem occurs, in order to capture
% the correct page number. (Alternatively, you could just put the actual page number in
-% here instead of the pageref line.)
+% what you send to the contents with |\literalcontents| instead of the pageref line, but you will
+% have to remember to change this number if anything changes in your edition.)
%
% Remember also that you can send information to the relevant notes sections using
% |\literaltextnote|, |\literalexplain|, and |\literalemend|.
@@ -2270,8 +2375,8 @@
% number of ways of setting titles, but conceivably you may wish to
% define your own. Here is a template for designing a new kind of
% title. Suppose you wish to create a kind of title called
-% |\mytitle{}|. It would take one argument, which would be the title
-% itself. The macro defining the |\mytitle| command should call three macros,
+% |\mytitle|. It would take one argument, which would be the title
+% itself. The command defining the |\mytitle| command should call three commands,
% |\set at p@emtitle|, to set the title in the main text and make the
% label for use by the contents and notes sections, |\c at ntentsinfo| to
% set the title in the table of contents, and |\t at xtnotesinfo|, which
@@ -2337,7 +2442,7 @@
%\DescribeMacro{\restoresinglelinesettings}
% If you wish to design a title which might have multiple lines,
% and you wish to specify how those lines are broken up, you
-% will need to write three macros: one for the first line, one for
+% will need to write three commands: one for the first line, one for
% middle lines, and one for the last lines.
% (This only matters if you care how the title is broken up. You
% can choose to let \LaTeX\ do the breaking if you wish.) Before issuing
@@ -2344,7 +2449,7 @@
% |\set at p@emtitle| issue |\firstlinesettings|, |\middlelinesettings|,
% or |\lastlinesettings| (as the case may require). And issue
% |\restoresinglelinesettings| last of all in each of your three
-% macros. The lines will be broken in the table of contents and in
+% commands. The lines will be broken in the table of contents and in
% the body of the text in the same way, but will be run in in the
% notes sections.
%
@@ -2453,16 +2558,21 @@
% after issuing |\putpoemcontents|. |\resetpagestyle| resets the page
% style to ``main'' (which is the same as the original ``fancy'').
%
-%You can change the text in the left running head
+% Because |\putpoemcontents| resets the page style to ``main,'' any page style you defined
+% in the preamble becomes forgotten if you include a table of contents. There are two
+% possible solutions to this. The first is to define your page style after you have issued
+% |\putpoemcontents|. The second is to redefine the fancypage style ``main,'' so that it does
+% what you want. In either case, do not forget to issue |\pagenumbering{arabic}|
+% after |\putpoemcontents|, else all of your page numbers will be in roman numerals.
+% You can find the default
+% definitions of those ``fancy'' and ``main'' below at \ref{pagestyledefs}, page \pageref{pagestyledefs}.
+%
+%
+% You can change the text in the left running head
% by issuing |\leftheader{your header}| or |\volumeheader{your header}|. (The commands
% are synonyms.) You can change the text in the right running head by issuing
% |\rightheader{your header}|.
%
-%If you want to change to look of the headers, you
-% can't just issue, say |\fancyhead[RO]{{\small\textrm{\thepage}}}|. You must
-% redefine the fancypage style ``fancy'' or ``main.'' You can find the default
-% definitions of those page styles below at \ref{pagestyledefs}, page \pageref{pagestyledefs}.
-%
% \subsection{~Special page style for long poems} The fancy page style ``longpoem''
% will add information of the form ``firstline--lastline'' to the running header. This
% page style otherwise resembles ``main,'' and ``fancy.''
@@ -2471,11 +2581,27 @@
% to issue |\newpage|, otherwise the running header will list the first line on the page from the
% first poem and the last line on the page from the second poem.
%
+% If you use ``longpoem'' and you have a table of contents, you must issue
+% |\pagestyle{longpoem}| at some point \emph{after} issuing |\putpoemcontents|.
+% Do not forget to issue |\pagenumbering{arabic}|
+% after |\putpoemcontents|, else all of your page numbers will be in roman numerals. Also, if you
+% have back matter, you must issue |\pagestyle{main}| at the end of your poetry section,
+% before the back matter starts, since otherwise your header will include the last line
+% number \textsf{poemscol} saw. Issuing |\pagestyle{main}| will restore the normal page
+% headers for the backmatter
+% sections.
+%
% The header will include the abbreviation l. (for a single line) or ll. (for a range of lines).
% You can change either abbreviation with |\changesinglelineabbrev| or
% |\changemultiplelineabbrev|. So, for instance, to get rid of the abbreviations
% entirely, issue |\changemultiplelineabbrev{\relax}| and |\changesinglelineabbrev{\relax}|.
%
+% You may need to play with |\leftheader| and |\rightheader| to get the information you
+% want into the header. You might, for instance, what to use something like
+% |\leftheader{``Your main title'' \hfil ``Your poem title''}| and
+% |\rightheader{``Your volume title'' \hfil ``Your poem title''}|. Whatever else you put into
+% the header, the last thing should be your poem title, since it will be followed by the line
+% numbers.
%
% \subsection{~Page geometry and type leading}
%
@@ -2564,13 +2690,13 @@
% this method may show up with longer prose extracts.
%
% \DescribeMacro{\prosesectiontitle} Prose sections may be titled with
-% |\prosesectiontitle{}| which is essentially just |\poemtitle|, or
+% |\prosesectiontitle| which is essentially just |\poemtitle|, or
% |\prosesectiontitlenotitle|, which is essentially just
% |\poemtitlenotitle|. (Remember that if you use the latter command,
% you must specify a ``dummy'' title to use in the note and contents
% sections.) They will be formatted in the notes and contents
% sections as poems are. Alternatively, you can use
-% the macros for defining new kinds of titles, in section
+% the commands for defining new kinds of titles, in section
% \ref{customizing titles}, page \pageref{customizing titles},
% to make new kinds of titles for prose sections.
%
@@ -2587,7 +2713,7 @@
% \DescribeMacro{\setprosemodulo}
% If you wish to set the modulo repeat for line numbering in prose to
% some value different for that from verse contexts, issue the new
-% modulo as the argument to |\setprosemodulo{}|.
+% modulo as the argument to |\setprosemodulo|.
%
% It is possible, if a prose section is interpolated in the midst of
% verse, to number the prose and verse continuously. To move from a
@@ -2630,7 +2756,7 @@
% |\makeexplanatorynotes| have been issued, the endnotes will be sent
% to the usual sections, where all the notes from that prose section
% will be grouped into a paragraph, with the entry headed by the title
-% given by |\prosesectiontitle{}|, just as if that were the title of a
+% given by |\prosesectiontitle|, just as if that were the title of a
% poem. |\textnotesatfoot|, |\emendationsatfoot|, and
% |\explanationsatfoot| will send the notes from prose contexts to the
% usual footnote levels. Notes commands in prose contexts take three
@@ -2649,8 +2775,8 @@
% every note. The third argument is the text of the note, which
% should include both the lemma and the rest of the note, as in the
% notes for verse sections.
-% |\proseemendation[]{}{}| and
-% |\proseexplanatory[]{}{}| are coded the same way. So, if you wished
+% |\proseemendation[]| and
+% |\proseexplanatory[]| are coded the same way. So, if you wished
% to make a textual note on a passage that begins with ``Call me
% Ishmael.'' and ends ``a way of driving away the spleen,'' you would
% issue at the point where the note is to
@@ -2667,9 +2793,9 @@
% \DescribeMacro{\prosetsaccidental}
% You can issue |\sources| and |\tsentry| in prose contexts as usual.
% For typescript variants and accidental variants you need to issue
-% |\prosetsvariant[]{}{}|, |\proseaccidental{}{}|, and
-% |\prosetsaccidental{}{}|. |\prosetsvariant| is entered just as
-% |\prosetextnote[]{}{}| is, with an optional argument (for use with
+% |\prosetsvariant[]|, |\proseaccidental|, and
+% |\prosetsaccidental|. |\prosetsvariant| is entered just as
+% |\prosetextnote[]| is, with an optional argument (for use with
% line ranges, as usual), and two mandatory arguments (the first a
% label to capture the line number, the second the lemma and comment).
%
@@ -2747,7 +2873,7 @@
% code for |\pmsentence|). You can also avoid overlapping sentence
% numbers by using |\pmsentencetwo| and its siblings, defined below.
% You can set the modulo for sentence marginal numbers by issuing
-% |\setpmmodulo{}|.
+% |\setpmmodulo|.
%
% \DescribeMacro{\pmsentencetwo}
% \DescribeMacro{\pmsentencethree}
@@ -2754,7 +2880,7 @@
% \DescribeMacro{\pmsentencefour} If you know, from a prior run,
% that there will be a second or third sentence on some particular
% line, marking them with these commmands will ensure that the
-% marginal sentence numbers do not overwrite each other. These macros
+% marginal sentence numbers do not overwrite each other. These commands
% are something of a kludge, but they will do until I figure out how
% to do this better.
%
@@ -2828,7 +2954,7 @@
% \subsection{~Cross references by sentence and paragraph}
% \DescribeMacro{\sentencelabel}
% To make labels that refer to sentences or paragraphs, issue
-% |\sentencelabel{}|. The label will be either both the paragraph
+% |\sentencelabel|. The label will be either both the paragraph
% number and the sentence number (if you are resetting sentence numbers
% by paragraph), or only the sentence number (if you are not resetting
% sentence numbers by paragraph).
@@ -2890,7 +3016,7 @@
% probably have to specify page breaks every two or three pages to keep
% the texts in register anyway, so you will have to use |\newpage|
% to mark every page break. If you are willing to set the page breaks
-% yourself, however, \textsf{poemscol} does provide macros for keeping the line count
+% yourself, however, \textsf{poemscol} does provide commands for keeping the line count
% correct on successive recto or verso pages, and for keeping track of
% whether or not one was in the middle of a stanza when one closed the
% previous verso or recto page (as the case may be). And it provides, in
@@ -2950,7 +3076,7 @@
% If you wish to make titles for other things,
% such as poetic sequences or sequence sections, you can use the techniques
% described in section \ref{customizing titles} above, page \pageref{customizing titles},
-% except substitute the macro |\versoset at p@emtitle|
+% except substitute the command |\versoset at p@emtitle|
% or |\rectoset at p@emtitle| for |\set at p@emtitle|, using
% all the same arguments you would have used with |\set at p@emtitle|.
%
@@ -3439,7 +3565,7 @@
%
%
% \StopEventually{\PrintChanges\PrintIndex}
-% \section{Implementation}
+% \section{Implementation}\label{implementation}
% \subsection{~Page geometry and crop marks}
@@ -3562,7 +3688,7 @@
% intractable widow problem in the contents or in the notes sections
% by issuing |\literalcontents{\pagebreak}| or
% |\literalemend{\pagebreak}| just before you issue the
-% |\poemtitle{}| or |\volumetitle{}| that resulted in the problematic
+% |\poemtitle| or |\volumetitle| that resulted in the problematic
% title line.) \textsf{poemscol} also manipulates penalties for places like
% the space between a poem's title and its first line. It defines
% special values for the white space before and after poems and for
@@ -3639,7 +3765,7 @@
% slightly modified to indent run over lines more. The idea is to
% distinguish the automatic indentation of run over lines from the
% explicitly declared indentation of indented lines. You can change
-% the amount of indentation of runover lines with |\runoverindent{}|.
+% the amount of indentation of runover lines with |\runoverindent|.
% \label{versedefine}
% \begin{macrocode}
\def\makeatletter{\catcode`\@=11}
@@ -4022,8 +4148,8 @@
\fancyhfoffset[RO,LE]{\headoffsetlength}
\fancyhead[RO]{{\small\textrm{\thepage}}}
\fancyhead[LE]{{\small\textrm{\thepage}}}
-\fancyhead[CO]{\hfil{\small{\em \leftheadervalue ~ \myversemarks}}\hfil}
-\fancyhead[CE]{\hfil{\small{\em \volumeheadervalue ~ \myversemarks}}\hfil}
+\fancyhead[CO]{\hfil{\small{\em \volumeheadervalue ~\myversemarks}}\hfil}
+\fancyhead[CE]{\hfil{\small{\em \leftheadervalue~\myversemarks}}\hfil}
\fancyfoot[CE]{{\small \botmark}\hfil}
\fancyfoot[CO]{\hfil{\small \botmark}}
\renewcommand{\headrulewidth}{0pt}
@@ -4095,8 +4221,8 @@
% Page breaks are slightly encouraged in stanza breaks. Notice that
% entering a stanza sets the mark to |\relax| and leaving it sets the
% mark to * (the default value of |\stanzaatbottom|). If you want to
-% use some other symbol for this purpose, use |\stanzaatbottom{}| or
-% |\nostanzaatbottom{}| (if you also want to mark cases where there
+% use some other symbol for this purpose, use |\stanzaatbottom| or
+% |\nostanzaatbottom| (if you also want to mark cases where there
% is \emph{no} stanza break at the bottom of the page) to change it.
% \begin{macrocode}
\newenvironment{stanza}{\penalty-100\instanzatrue\mark{\nostanzaatbottomvalue\ }}
@@ -4121,7 +4247,7 @@
% idea is to handle overrun titles the way overrun lines are handled
% in verse. Contents entries indent the overrun slightly. Titles do
% not indent the overrun relative to the first line, but preserve the
-% indentation of that line.
+% indentation of that line.
% \begin{macrocode}
\newlength{\contentsentryoverrun}
\setlength{\contentsentryoverrun}{\contentsindentoneamount}
@@ -4147,8 +4273,8 @@
% \end{macro}
% The poem environment. The little trick about setting the language
% number is designed to suppress automatic hyphenation in the poem
-% environment. The booleans tell the |\emendation{}| and
-% |\explanatory{}| macros that there have not yet been emendations or
+% environment. The booleans tell the |\emendation| and
+% |\explanatory| macros that there have not yet been emendations or
% explanatory notes for this poem. The little trick with |\mark| sets
% the value of |\mark| to the current value of |\stanzaatbottom| (by
% default *) if the current location is in a poem but not in a stanza
@@ -4155,20 +4281,9 @@
% (which is to say, in a stanza break). The |\pagestyle| for poetry
% sets the value of |\mark| in the footer, which is * if the page break
% happens at a stanza break, and |\relax| if the page break happens
-% anywhere else.
+% anywhere else. \label{poemdef}
% \begin{macro}{poem}
% \begin{macrocode}
-% \newenvironment{poem}{\raggedright%
-% \language=255%no hyphenation in verse
-% \noemendyettrue%
-% \noexplainyettrue%
-% \setcounter{verselinenumber}{0}\setcounter{printlineindex}{0}%
-% \nobreak\begin{verse}%
-% \inpoemtrue\nobreak\mark{\relax}%
-% }{\end{verse}%
-% \inpoemfalse\mark{\relax}%
-% \goodbreak\afterpoemskip%\bigskip
-% }
\newlength{\versewidth}
\newenvironment{poem}[1][\linewidth]
{\raggedright%
@@ -4545,7 +4660,7 @@
% \end{macrocode}
% \end{macro}
% \begin{macro}{\hour}
-% |\hour{}| is useful for typesetting the AM and the PM in the time.
+% |\hour| is useful for typesetting the AM and the PM in the time.
% \begin{macrocode}
\newcommand{\hour}[1]{{{\textsc{#1}}\ $\!\!\!$}
}
@@ -5120,7 +5235,7 @@
\fi
}
\newif\ifcentertitleson
-\newcommand{\centertitles}{\centertitlesontrue}
+\newcommand{\centertitles}{\centertitlesontrue\centerepigraphsontrue}
\makeatletter
\newcommand{\set at p@emtitle}[6]{\setlength{\titleentryoverrun}{#6}%
{#2}%
@@ -5838,10 +5953,12 @@
}
\newcommand{\JHpoemsubtitle}[2]{\JHsequencesectionsubtitle{#1}{#2}
}
-\newcommand{\JHdedication}[2]{\nopagebreak\afterpoemtitleskip\begin{epigraphquote}%
+\newcommand{\JHdedication}[2]{\nopagebreak\afterpoemtitleskip\testforcenterepigraph%
+\begin{epigraphquote}%
\emph{#1}\JHlabel{#2}\end{epigraphquote}%
\sources{\label{#2}}\afterpoemtitleskip\nopagebreak}
-\newcommand{\JHepigraph}[2]{\nopagebreak\afterpoemtitleskip\begin{epigraphquote}%
+\newcommand{\JHepigraph}[2]{\nopagebreak\afterpoemtitleskip\testforcenterepigraph%
+\begin{epigraphquote}%
\emph{#1}\JHlabel{#2}\end{epigraphquote}%
\sources{\label{#2}}\afterpoemtitleskip\nopagebreak}
% \end{macrocode}
@@ -5948,12 +6065,34 @@
% \begin{macro}{\volumeepigraph}
% \begin{macro}{\volumeattribution}
% \begin{macrocode}
-\newcommand{\epigraph}[1]{\nopagebreak\afterpoemtitleskip\begin{epigraphquote}
- \emph{#1}\end{epigraphquote}\afterpoemtitleskip\nopagebreak}
+\newif\ifcenterepigraphson
+\centerepigraphsonfalse
+\newlength{\centerepigraphindentation}
+\setlength{\centerepigraphindentation}{6em}
+\newlength{\normalepigraphindentation}
+\setlength{\normalepigraphindentation}{1.5em}
+\newcommand{\centerepigraphquote}{%
+\setlength{\epigraphquoteleftmargin}{\centerepigraphindentation}
+\setlength{\epigraphquoterightmargin}{\centerepigraphindentation}
+}
+\newcommand{\normalepigraphquote}{%
+\setlength{\epigraphquoteleftmargin}{\normalepigraphindentation}
+\setlength{\epigraphquoterightmargin}{\normalepigraphindentation}
+}
+\newcommand{\testforcenterepigraph}{\ifcenterepigraphson%
+\centerepigraphquote
+\else
+\normalepigraphquote
+\fi}
+\newcommand{\epigraph}[1]{\nopagebreak\afterpoemtitleskip\testforcenterepigraph%
+\begin{epigraphquote}%
+ \emph{#1}\end{epigraphquote}\afterpoemtitleskip\nopagebreak}
\newcommand{\headnote}[1]{\epigraph{#1}}
-\newcommand{\attribution}[1]{\nopagebreak\afterpoemtitleskip\begin{epigraphquote}
+\newcommand{\attribution}[1]{\nopagebreak\afterpoemtitleskip\testforcenterepigraph%
+\begin{epigraphquote}%
{\small\emph{#1}}\end{epigraphquote}\afterpoemtitleskip\nopagebreak}
-\newcommand{\poemdedication}[1]{\nopagebreak\afterpoemtitleskip\begin{epigraphquote}
+\newcommand{\poemdedication}[1]{\nopagebreak\afterpoemtitleskip\testforcenterepigraph%
+\begin{epigraphquote}%
\emph{#1}\end{epigraphquote}\afterpoemtitleskip\nopagebreak}
\providecommand{\dedication}[1]{\poemdedication{#1}}
\newcommand{\volumededication}[1]{\par\bigskip\begin{volumetitlepagequote}
@@ -5962,7 +6101,8 @@
\emph{#1}\end{volumetitlepagequote}}
\newcommand{\volumeattribution}[1]{\par\smallskip\begin{volumetitlepagequote}
{\small \emph{#1}}\end{volumetitlepagequote}}
-%\newcommand{\poemdate}[1]{\begin{prosesection}\bigskip\raggedright[#1]\bigskip\end{prosesection}}
+ \newenvironment{epigraphenvironment}{\nopagebreak\afterpoemtitleskip\testforcenterepigraph%
+\begin{epigraphquote}\em}{\end{epigraphquote}\afterpoemtitleskip\nopagebreak}
\newlength{\dateindent}%
\setlength{\dateindent}{\leftmargin}%
\newcommand{\variabledateindent}{%
@@ -7633,7 +7773,7 @@
% \begin{macro}{\startparalleltexts}
% Clears to a verso (even-numbered) page, fixes where to put line
% numbers, modifies poem and stanza environments, changes where
-% marginal line numbers are set, sets the booleans.
+% marginal line numbers are set, sets the booleans. \label{startparalleltexts}
% \begin{macrocode}
\newcommand{\startparalleltexts}{%
\leavevmode
Modified: trunk/Master/texmf-dist/tex/latex/poemscol/poemscol.sty
===================================================================
--- trunk/Master/texmf-dist/tex/latex/poemscol/poemscol.sty 2018-01-08 22:18:48 UTC (rev 46250)
+++ trunk/Master/texmf-dist/tex/latex/poemscol/poemscol.sty 2018-01-08 22:19:00 UTC (rev 46251)
@@ -22,7 +22,7 @@
%% in the same archive or directory.)
\NeedsTeXFormat{LaTeX2e}[1997/12/01]
\ProvidesPackage{poemscol}
- [2017/12/20 v2.95 poemscol file]
+ [2018/01/05 v2.97 poemscol file]
@@ -310,8 +310,8 @@
\fancyhfoffset[RO,LE]{\headoffsetlength}
\fancyhead[RO]{{\small\textrm{\thepage}}}
\fancyhead[LE]{{\small\textrm{\thepage}}}
-\fancyhead[CO]{\hfil{\small{\em \leftheadervalue ~ \myversemarks}}\hfil}
-\fancyhead[CE]{\hfil{\small{\em \volumeheadervalue ~ \myversemarks}}\hfil}
+\fancyhead[CO]{\hfil{\small{\em \volumeheadervalue ~\myversemarks}}\hfil}
+\fancyhead[CE]{\hfil{\small{\em \leftheadervalue~\myversemarks}}\hfil}
\fancyfoot[CE]{{\small \botmark}\hfil}
\fancyfoot[CO]{\hfil{\small \botmark}}
\renewcommand{\headrulewidth}{0pt}
@@ -897,7 +897,7 @@
\fi
}
\newif\ifcentertitleson
-\newcommand{\centertitles}{\centertitlesontrue}
+\newcommand{\centertitles}{\centertitlesontrue\centerepigraphsontrue}
\makeatletter
\newcommand{\set at p@emtitle}[6]{\setlength{\titleentryoverrun}{#6}%
{#2}%
@@ -1438,10 +1438,12 @@
}
\newcommand{\JHpoemsubtitle}[2]{\JHsequencesectionsubtitle{#1}{#2}
}
-\newcommand{\JHdedication}[2]{\nopagebreak\afterpoemtitleskip\begin{epigraphquote}%
+\newcommand{\JHdedication}[2]{\nopagebreak\afterpoemtitleskip\testforcenterepigraph%
+\begin{epigraphquote}%
\emph{#1}\JHlabel{#2}\end{epigraphquote}%
\sources{\label{#2}}\afterpoemtitleskip\nopagebreak}
-\newcommand{\JHepigraph}[2]{\nopagebreak\afterpoemtitleskip\begin{epigraphquote}%
+\newcommand{\JHepigraph}[2]{\nopagebreak\afterpoemtitleskip\testforcenterepigraph%
+\begin{epigraphquote}%
\emph{#1}\JHlabel{#2}\end{epigraphquote}%
\sources{\label{#2}}\afterpoemtitleskip\nopagebreak}
\newcommand{\backmattersectiontitle}[1]{%
@@ -1480,12 +1482,34 @@
\newcommand{\margrefspecial}[1]{%
\marginpar{\scriptsize {\the\margrefmarker~p.~\pageref{#1}}}
}
-\newcommand{\epigraph}[1]{\nopagebreak\afterpoemtitleskip\begin{epigraphquote}
- \emph{#1}\end{epigraphquote}\afterpoemtitleskip\nopagebreak}
+\newif\ifcenterepigraphson
+\centerepigraphsonfalse
+\newlength{\centerepigraphindentation}
+\setlength{\centerepigraphindentation}{6em}
+\newlength{\normalepigraphindentation}
+\setlength{\normalepigraphindentation}{1.5em}
+\newcommand{\centerepigraphquote}{%
+\setlength{\epigraphquoteleftmargin}{\centerepigraphindentation}
+\setlength{\epigraphquoterightmargin}{\centerepigraphindentation}
+}
+\newcommand{\normalepigraphquote}{%
+\setlength{\epigraphquoteleftmargin}{\normalepigraphindentation}
+\setlength{\epigraphquoterightmargin}{\normalepigraphindentation}
+}
+\newcommand{\testforcenterepigraph}{\ifcenterepigraphson%
+\centerepigraphquote
+\else
+\normalepigraphquote
+\fi}
+\newcommand{\epigraph}[1]{\nopagebreak\afterpoemtitleskip\testforcenterepigraph%
+\begin{epigraphquote}%
+ \emph{#1}\end{epigraphquote}\afterpoemtitleskip\nopagebreak}
\newcommand{\headnote}[1]{\epigraph{#1}}
-\newcommand{\attribution}[1]{\nopagebreak\afterpoemtitleskip\begin{epigraphquote}
+\newcommand{\attribution}[1]{\nopagebreak\afterpoemtitleskip\testforcenterepigraph%
+\begin{epigraphquote}%
{\small\emph{#1}}\end{epigraphquote}\afterpoemtitleskip\nopagebreak}
-\newcommand{\poemdedication}[1]{\nopagebreak\afterpoemtitleskip\begin{epigraphquote}
+\newcommand{\poemdedication}[1]{\nopagebreak\afterpoemtitleskip\testforcenterepigraph%
+\begin{epigraphquote}%
\emph{#1}\end{epigraphquote}\afterpoemtitleskip\nopagebreak}
\providecommand{\dedication}[1]{\poemdedication{#1}}
\newcommand{\volumededication}[1]{\par\bigskip\begin{volumetitlepagequote}
@@ -1494,6 +1518,8 @@
\emph{#1}\end{volumetitlepagequote}}
\newcommand{\volumeattribution}[1]{\par\smallskip\begin{volumetitlepagequote}
{\small \emph{#1}}\end{volumetitlepagequote}}
+ \newenvironment{epigraphenvironment}{\nopagebreak\afterpoemtitleskip\testforcenterepigraph%
+\begin{epigraphquote}\em}{\end{epigraphquote}\afterpoemtitleskip\nopagebreak}
\newlength{\dateindent}%
\setlength{\dateindent}{\leftmargin}%
\newcommand{\variabledateindent}{%
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